Landscape Prints on Sale

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Memory and Present, 1983. Color etching, copy 41/50, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogrammed and dated with pencil. Framed behind glass. - in very good condition - The flowing space of memory - About the artwork On an implied horizon line, a dog-like animal has risen on its hind legs and is about to jump over some kind of hurdle. To the left, a small flag is waving in the wind. The animal and the flag point forward, toward the reader, into the future. The flagpole, however, bends backwards in the opposite direction, corresponding to the impulse of movement of the sign-like formations in the "sky". The title of this work by Mordstein is also revealing. It reads "Memory and Presence" and thematizes the system of signs above the animal as memory. It is therefore not so much a sky as the space of remembering consciousness. Memory moves into the past, but comes from the future and begins where the animal first moves. Here, Mordstein develops a subtle pictorial philosophy about the character of time and the structure of memory, in which the system of signs representing the content of consciousness is inspired by the pictorial language of Paul Klee, whom Mordstein continues to think about in his own way. About the artist After graduating from the Werkkunstschule in Augsburg, Karl Mordstein worked as a commercial artist in Munich before becoming a freelance artist and concentrating entirely on his own creations. In 1970 Mordstein married the sculptor Sinen Thalheimer and the artist couple moved to Starnberg. In 1972, Mordstein had his first solo exhibition in Munich, which marked the beginning of an active international exhibition career that lasted for decades. From 1987 the couple lived on the Hollerberg in Wilzhofen. "It is certainly not wrong to recognize in the impression of his calmly floating color drawings the expression of a state of mind that owes itself precisely to this conscious turning away from the hectic art market: concentrated serenity. It is not a changing state of mind, but an empathy with the supra-individual rhythms of creation, the perpetual genesis in the natural cycle of becoming and passing, which is expressed in them." - Stefan Tolksdorf Selected Bibliography Karl Mordstein. Aquarelle, Gouachen 1972 – 1975, Galerie Angst und Orny, München 1975. Juliane Roh: Karl Mordstein. Bilder, Paintings 1976 – 79, Frankfurt a. M. 1979. Siegfried Salzmann (Text): Karl Mordstein. Arbeiten auf Papier, Galerie Dorothea van der Koelen, Mainz 1982. Galerie Heimeshoff (Hrsg.): Karl Mordstein. "Seelen-Notate"; Bilder, Arbeiten auf Papier, Bildkästen; 1985 – 1988, Essen 1988. Stefan Tolksdorf (Text): Lebenszeichen. Mordstein, Karl und Sinen Thalheimer, Essen 2009. GERMAN VERSION Karl Ludwig Mordstein (1937 Füssen – 2006 Wilszhofen), Erinnerung und Gegenwart, 1983. Farbradierung, Exemplar 41/50, 22,5 x 28 cm (Darstellung), 40 x 45 cm (Blattgröße), 43 x 48 cm (Rahmen), in Blei betitelt, nummeriert, monogrammiert und datiert. Hinter Glas gerahmt. - in sehr gutem Erhaltungszustand - Der fließende Raum der Erinnerung - zum Kunstwerk Auf einer angedeuteten Horizontlinie hat sich ein hundeartiges Tier auf die Hinterläufe erhoben und setzt zum Sprung an, um eine Art Hürde zu überwinden. Links daneben weht eine kleine Fahne im Wind. Das Tier und die Fahne weisen in Leserichtung nach vorne, in die Zukunft hinein. Die Fahnenstange biegt sich allerdings in die gegenteilige Richtung nach hinten und entspricht damit dem Bewegungsimpuls der zeichenhaften Gebilde am ‚Himmel‘. Auch bei diesem Werk Mordsteins ist der Titel aufschlussreich. Er lautet „Erinnerung u. Gegenwart“ und thematisiert das Zeichensystem über dem Tier als Erinnerung. Daher handelt es sich weniger um einen Himmel als um den Raum des erinnernden Bewusstseins. Die Erinnerung zieht in die Vergangenheit, kommt aber von der Zukunft her und beginnt dort, wohin sich das Tier erst bewegt. Mordstein entwickelt hier eine subtile Bildphilosophie über den Charakter der Zeit und die Struktur der Erinnerung, wobei das für den Bewusstseinsinhalt stehende Zeichensystem von der Bildsprache Plau Klees inspiriert ist, den Mordstein hier auf seine Art...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches COA provided *edition number might va...

Artist: Peter Max (1937) Title: Flying Doves Year: 2002 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Inscripti...

Artist: Peter Max (1937) Title: On a Distant Planet Year: 1978 Edition: H.C. 9; aside from the edition of 165 Medium: Silkscreen on Somerset paper Size: 26.5 x 20.75 inches Conditio...

Albert Ernst (1909 Fronhofen - 1996 Hamburg), View of a Coastal Town, etching, 30 x 37 cm (picture), 45 x 50.5 cm (frame), signed in pencil lower right "Albert Ernst", framed under g...

Artist: Peter Max (1937) Title: Cosmic Profile Year: 2003 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscri...

Landscape is an artwork realized by F. Hundertwasser around 1980s. The screen printing is made of metal foil embossing and high gloss lacquer finishing, on a black background. Ci...

Artist: Peter Max (1937) Title: Abstract Zero Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 11 x 9 inches Condition: Excellent Inscription: Sign...

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...

Davis Cone 1983 Variety Photo Plays Signed in pencil and marked 3/7 PP (Printers Proof) Lithograph in colors Paper Size 34½ x 26 inches Image Size 32½ x 23¼ inches Eleanor Ettinger G...

Artist: Peter Max (1937) Title: Cosmic Umbrella Man Year: 2003 Edition: 496/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent I...

large format photograph from a series of photographic observances of iconic Wild West red desert Navajo landscape in Monument Valley, Arizona Wild West II by Frank Schott 48 x 71 i...

Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland by 20th Century Scottish Artist, Graeme Baxter, entitled 'The Gleneagles Hotel, Monarch's Course'. Art measures 14 x 10 inches Frame measures 19 x 15 inches Coloured Print on High Quality Paper Signed on the Front Glazed & Mounted Good Condition Frame (commensurate with age) Graeme Baxter is the official artist to some of the world's most important golf tournaments, such as The Ryder Cup...

Camilla Engström GULDFLOD, 2021 Digital print on 310g Photo Rag paper 31 1/2 × 23 3/5 in 80 × 60 cm Edition of 100

Robert W Addison Waiting - 1996 Print – Lithograph on Arches Archival Paper Stamped signature and marked 157/250 Image size 30” x 22” inches Paper 35"x 27½" inches Robert Addison worked at Ficho & Corley art studio in the John Hancock...

Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his home in Palm Desert. Archival...

Hiroshi Sugimoto Photogenic Drawings (Hand Signed), 2012 Offset Lithograph Poster. (Hand signed by Hiroshi Sugimoto) Unframed This offset lithograph poster was hand-signed by photogr...

DAVIES, Peter (b.1953) ‘Sandy Harbour’ 2008 Linocut 3/8 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), From the Book of the Dead of a City (IV), 1983. Color etching, copy 16/60, 15.5 x 18.5 cm (imag...

Artist: Peter Max (1937) Title: Vase with Tree II Year: 2000 Edition: 466/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.5 x 8.25 i...

"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...

Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...

DAVIES, Peter (b.1953) ‘Room for Rothko’ 2008 Linocut A/P 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechani...

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...

Artist: Peter Max (1937) Title: Lady Thru Window Year: 1999 Edition: 166/300, plus proofs Medium: Lithograph on archival paper Size: 6.5 x 12 inches Condition: Excellent Inscription:...

Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag. 28 × 32 in from an Edition of 539. O...

Artist: Peter Max (1937) Title: Liberty Head III Year: 2001 Edition: 485/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscript...

Artist: Peter Max (1937) Title: Two Figures On Rainbow Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent Inscript...

Artemis Goddess from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions with some folding. ...

Melanie Taylor Kent "Boardwalk of Atlantic City" Signed Numbered Lithograph Art. Wow this is an amazing signed and numbered print 166/500 of the At...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...

DAVIES, Peter (b.1953) ‘Pen-Olva Pool’ 2008 Linocut A/P 30.5 x 20.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

Artist: Peter Max (1937) Title: Two Cosmic Sages, Version I Year: 2001 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.5 x 5.5 inches Condition: Excel...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes...

DAVIES, Peter (b.1953) Guernsey Fort 2010 Linocut 17/30 15.0 x 10.5cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, ra...

Signed by Beto De La Rocha, Gilbert "Magu" Lujan, and Frank Romero Commemorative print on the 20th anniversary for Los Four, commemorating the other member of...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 10 x 8 inches Condition: Excellent Inscriptio...

Artist: Peter Max (1937) Title: Abstract Figure I Year: 2001 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 5 x 6 inches Condition: Excellent Inscripti...

Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blach...

Title: Dalinean Prophecy Year: 1975 Medium: Engraving with pochoir on Arches paper Edition: 250 Arabic Numerals on Arches paper, 250 (I = International) Arabic Numerals on Rives paper, 75 Roman Numerals on Japon paper, 25 Roman Numeral proofs (EAs) on Japon paper, and 5 Roman Numeral proofs (HCs) on Japon paper. Size: 22.25 x 30.25 inches Condition: Excellent Inscription: Signed and numbered by the artist. Notes: Published by Merrill Chase Publishing Associates. Albert Field Catalog Reference #: 75-13. SALVADOR DALI (1904-1989) Salvador Dali's work is associated with the surrealist movement of the 20th Century. A diverse and multi-talented artist, Dali is considered one of the most collected artists today, and his works offer an incredible opportunity for enormous appreciation in value. In addition to his original works, Dali produced works on paper for reproduction using dry point, etching, woodcut, and lithography. Many of his works are held in prestigious private and public collections world...

Artist: Warrington Colescott (1921-2018) Title: Fracas at Calamity's Place Year: 1969 Edition: 35/40, plus proofs Medium: Lithograph on paper Inscription: Signed & numbered in pencil...

Original linen-backed ‘FLYING TIGERS - A legend in air cargo;, aviation vintage poster for sale. This poster is part of The Smithsonian National Air...

DAVIES, Peter (b.1953) Tregenna Roofs (St. Ives) 2011 Linocut 4/6 26.0 x 34.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used ...

DAVIES, Peter (b.1953) Wing and Prayer 2013 Linocut 25/50 15.5 x 10.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

DAVIES, Peter (b.1953) ‘The Godrevy Window’ 2010 Linocut 3/8 20.5 x 30.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechan...

Artist: Warrington Colescott (1921-2018) Title: Cowboys and Indians Year: 1969 Edition: 24/75, plus proofs Medium: Lithograph on paper Inscription: Signed & numbered in pencil Size: ...

Artist: Peter Max (1937) Title: Tip Toe Floating I Year: 2001 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 4.75 inches Condition: Excellent Inscr...

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original hand drawn lithograph (not a photo reproduction or digital print) printed on archival printmaking paper 100% acid free, using hand lithography techniques. William Tolliver 's recognizable artistic style freely combines the colors of Chagall with the solid compositional principles of Cezanne and the mood and forms reminiscent of Modigliani and Picasso. GOING TO CHURCH depicts a Southern Landscape with a group of black country folk - three females clothed in long dresses, and two youths wearing blue jeans, all walking on their way to religious services. The black textured drawing background defines the composition's frame and outlines the rural landscape, trees, and sky with the procession of human figures in the foreground; a rainbow of multicolors creating a vibrant, almost stained-glass visual effect . GOING TO CHURCH is an impressive large horizontal landscape...

Lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 350. Artwork is in excellent condition. Certificate of authenticity included. A...

Paul Klee (after) Country House In The North (Landhaus im Norden) Year: 1925 Serigraph Size: 14x16.9 on 19x21.5 inches Edition: 440 Signed in the stone, numbered by hand Publisher: K...

Le alabarde, Ref. 499 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees with a cycle of sixty different platemarks. In 2021, Milan named a new street after her. Her etchings are in prestigious museums in Europe and America, as well as in many private collections. Her work is protected by a foundation with her name, based in Milan. The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative originality. Federica Galli has always been able to take a fresh look at all the landscapes and architecture on which she has cast her gaze. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved) and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography Proudly present into Google art and Culture A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina - a village just outside Cremona- in the north of the country. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati...

The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...

Original poster: NORTHWEST ORIENT AIRLINES, TRANS WORLD AIRLINES poster. Excellent condition, linen-backed, ready to frame. "There's a new way Around Th...

"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...

This image is printed in an edition of 7, but comes in larger and smaller sizes. Each image is printed on archival paper, signed and numbered. Statement: This image of What I Remember is from Sarah Hadley's series Story Lines, which explores the female interior landscape. The series was inspired by the French New Wave films of the 60’s, which were shot in black and white on the street and which often portrayed the subconscious thoughts and feelings of ordinary women. These photo collages pay homage to the surrealists who first employed the technique of conjoining unrelated images to create startling and thought-provoking connections. Using backdrops...

Original "Fete des Fleurs" vintage Swiss poster. Archivally linen backed and ready to frame. Printer: "Sonor', Geneva, Switzerland The Fest...

Fine di settembre (Albairate, Pisani Dossi) Ref. 395 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian...