Charcoal Drawings and Watercolor Paintings

Charcoal on paper, signed and dated (lower right), 33cm x 24cm, (66cm x 56cm framed). The work is framed behind UV glass and stepped gilded frame. Bortnyik was a painter and graphi...

Jean PONS (1913-2005) Sans titre, circa 1950 Fusain et crayon noir sur papier Monogrammé “JP” en bas à droite 27 x 33 cm Cadre : 40 x 50 cm Painter and lithographer born in Paris in...

‘The Light Bringers’, 2023, is Latex and charcoal work, have the quality of movement, the heads turning and twisting, as if in prayer. These series of 6 works are almost biblical, tr...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Dovetail small 6 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

3580 Charcoal drawing Set in a vintage giltwood frame Image size 13x9"

Recling Female Nude Charcoal on tan paper Signed: Poterlet bottom center (see photo) Provenance: Alfred Barrion, Lugt 76 lower right recto (see photo) Eric G. Carlson, 1985 Very good...

Large, highly detailed charcoal and acrylic landscape featuring a lush country forest against a sunlit sky "Some Twilight Land" by Sue Bryan charcoal, acrylic, and pastel on canvas, ...

Dovetail small 2 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

Charcoal on paper, signed (verso), and signed and dated ‘20th July 1878’, by R.A invigilator, E.B. Stephen A.R.A. (bottom left), 73cm x 46cm, (88cm x 60cm framed). The work is framed...

Dovetail small 6 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

Dovetail small 4 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

Park is an original drawing in charcoal on paper realized by Simon Goldberg (1913-1985). Hand-signed on the lower left. The state of preservation is good with marks of sticks on the...

collage created in 1998, from the artists studio, on archival paper, smudges, intentional with use of graphite. Mixed media, graphite, drawing, pastels, text. signed L.B. lower righ...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x...

Issy, France by Georges Manzana Pissarro (1871 - 1961) Charcoal and coloured crayon on paper 20.4 x 25 cm (8 x 9 ⅞ inches) Signed lower right Manzana and inscribed lower left Issy E...

Red Landscape mineral oxide on paper (canson Paper 300gr) 30x40 cm Original Art Authenticity certificate one of a kind Marilina Marchica, born in 1984, was born in Agrigento, where...

Henry MIRANDE (1877-1955) Self-portrait, circa 1940 Graphite pencil and charcoal on paper Anotated "L'Indien du haut Orénoque qui me réclame 4 femmes blanches pour lui seul" upper ri...

Jules OURY dit MARCEL-LENOIR (1872-1931) Portrait of Raphaël Fumet (1898-1979) ; preparatory study for "La Famille mystique", 1914 Charcoal and pencil on paper Signed "Marcel-Lenoi...

SOLD UNFRAMED Oriental Woman by Georges Manzana Pissarro (1871-1961) Charcoal on paper 48 x 32 cm (18 ⅞ x 12 ⅝ inches) This work is accompanied by a certificate of authenticity fr...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

Wild Ducks by Georges Manzana Pissarro (1871 - 1961) Charcoal and pastel on paper 46 x 62 cm (18 ⅛ x 24 ⅜ inches) Estate stamp lower left Manzana Pissarro Executed circa 1920 This w...

A. Lesueur French 19ème siècle Les Mille et Une Nuits – One Thousand and One Nights, 1892 Charcoal on paper heightened with white. Signed & dated 1892 lower right. Image size 23.6 i...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Yellow Landscape Mineral Oxide on Paper (Canson Paper Montval 300gr) 65x50 cm 2023 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Pa...

Red Landscape mineral oxide on paper (canson Paper 300gr) 30x40 cm Original Art Authenticity certificate one of a kind Marilina Marchica, born in 1984, was born in Agrigento, where...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

James O. Clark, American sculptor, art educator. Recipient Sculpture award, Creative Artists Public Service, 1978, award for sculpture, National Endowment for Arts, 1982, Graphics award, 1983; fellow, John Simon Guggenheim Memorial Foundation, 1989; grantee, Pollock-Krasner Foundation, 1995, New York Counsel on Arts. Member selection committee Islip (New York ) Museum, 2002; Member of American Abstract Artist (associate; active 1999—2003). ONE PERSON EXHIBITIONS 2015 ltd los angeles, Los Angeles, CA 2011 RHV Fine Art, Brooklyn, NY 2010 Mariboe Gallery, Hightstown, NJ 2009 Lesley Heller Gallery, New York, NY 2006 Elizabeth Harris Gallery, New York, NY 1998-9 “Tulips, Hysteria, Coordinating”, Nicholas Davies, New York, NY 1997 “James O. Clark”, Ohio University, Athens, OH 1994 The College of Saint Rose Art Gallery, Albany, NY 1991 Max Protetch Gallery, New York, NY 1990 James...

In the late 1800's, Charles Bargue developed a drawing course in classical realism. His course has been used in learning and atelier environments since its introduction. I have use...

Early original drawing by Hans Burkhardt. Hans Burkhardt 1904 - 1994 Hans Burkhardt was born in Basel, Switzerland in 1904, emigrating to New York in 1924. Upon his arrival to ...

Clara Deike (American, 1881-1964) Villa Giardino Charcoal on paper Signed and titled verso 17.75 x 12.5 inches A graduate of the Cleveland School of Art in 1912, Clara Deike was pa...

Ryan is a contemporary artwork realized by Ryan Mendoza in 2000. Pencil and charcoal on paper. Hand signed on the lower margin. Provenance: Galleria Massimo Minini, Brescia Born in 1971 in New York, Mendoza's personal story is subsequently intertwined with the two extremes of Europe, Naples and Berlin, the two cities in which he has lived and worked up to now. In his works he represents complex theatricality, models anatomies, doses colours, calibrates lights, draws on a rich archive of memories, confusing ancient pictorial wisdom and contemporary risks. The artist's attention is particularly focused on portraits in which he carries out distortions and alterations: he exhibits perspective disproportions, reveals anatomical dissonances, manifests dystonias between the characters in the foreground and the backgrounds. His characters appear "possessed", it is no coincidence that the title of the 2010 solo show at the Muse d'Arte Contemporanea Donna Regina in Naples is "The possessed...

Wayne Summers uses traditional materials and marries them with contemporary motifs in his abstract pieces. This unique approach to creating modern works of art places Summers among ...

Where the fuck is Jimini? is a contemporary artwork realized by Mircea Suciu in 2012. Charcoal on drawing paper. Signed on the back – Origin Aeroplastics Brussels Mircea Suciu  Bo...

Albert Paul Guilmet (1879-1922) Portrait of a man, signed upper left charcoal on paper 26.5 x 33,8 cm Framed : 43.5 x 52 cm Little is known about Abert Paul Guilmet, apart from th...

Jeremy Moon Drawing 73/13 (20/5/73), 1973 Pastel on paper Hand-signed by artist, Signed and dated 20/5/73 in graphite on the lower front; the back of the v...

"Conversation" intertwines the raw, emotive qualities of charcoal with the fluidity of watercolor. The juxtaposition of the two mediums and dimentions creates a dynamic interplay of ...

A mixed media - charcoal, graphite, and acrylic drawing on paper. :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: ...

A very striking Art Deco watercolour painting of 3 nudes by Jean Isy de Botton, the prolific French painter Jean Isy de Botton. Jean Isy de Botton had a long and prolific career as ...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

Landscape mineral oxide on paper (canson Paper 300gr) 30x40 cm Original Art Authenticity certificate one of a kind Marilina Marchica, born in 1984, was born in Agrigento, where she...

Mark Beard Portrait of Michael Feingold 1993 Signed and dated, l.l. Conté crayon and charcoal on paper 11 x 7.5 inches This work is offered by CLAMP in New York City.

Landscape BW Mineral Oxide on Canson Paper (300gr) 50x60 cm framed SIZE 63x83 Ready to Hang the paint have frame this painting is published in the personal exhibition catalogue "Th...

Line drawing from the figure model. Charcoal on Stonehenge paper. Framed in walnut wood with UV museum glass.

Charcoal on stained paper made by the artist. Drawn from the live model in Florence, Italy.

Drawn from the live model In Florence, Italy.

Charcoal on stained paper. Paper is stained paper made by the artist. Figure study from the live model in Florence, Italy.

Line drawing from live model. Charcoal on stone henge paper. Framed in walnut wood with UV museum glass.

Nude Female Torso Charcoal on paper, c. 1920 Stamped and initialed in pencil "Asa Cheffetz/A.D.C" Estate signature by wife, A.D.C. Exhibited: Museum of F...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...