Art by Medium: Pencil

This work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

A meditative suspended calm of color, recalling an iconic theme. Painting through dynamic and oblique forms mixing western and oriental zen colors as the sides of the paintings expa...

Sam Francis Untitled (Lembark, L-240 (SF-259)), 1980 Colored lithograph on BFK Rives paper with deckled edges Pencil signed and numbered 21/32 by Sam Francis on the front 27 1/2 × 40...

What Name It Bears … This graphite pencil drawing ‘Neo Deco – 26-01-23’ counterparts my previous one ‘Roundism – 20-01-23’. The reference picture is from the same mo...

Confident, bold, decisive, bright! This artwork conveys such a mood. This intuitive abstract drawing is made with Chinese ink, pastel and pencil on white paper. It conveys an impulse...

Billy Al Bengston Honolulu Watercolor, 1992 Watercolor on handmade paper with deckled edge in artist's hand made frame with studio label verso Signed, titled and dated in pencil lowe...

Lithoid #66 This minimalist Zen like sculpture is formed from Linden wood, also known as Basswood, which was considered sacred in Slavi mythology. It is covered in 12 coats of hand r...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

'Death's head moths under a full-moon' work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Kintsugi is a 15th-Century practice invented in Japan, and means 'to join with gold'. The practice is a reminder to embrace flaws, and celebrate the missteps of life, recognising that when seemingly catastrophic events happen, beauty and good can still result. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

'Honeycomb' was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives off-grid. Each ceramic Honeycomb panel has been handmade, drawn, glazed and fired in the Cambrian Mountains of Wales. The frames are also handmade, and have been gessoed, painted and gilded with 23.5 carat gold - the purest gold you can use for gilding. It is possible to display your Honeycomb as individually framed panels, or en masse - the photograph, taken at The Treasure House...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

A meditative suspended calm of color, recalling an iconic theme. Painting through dynamic and oblique forms mixing western and oriental zen colors as the sides of the paintings expan...

An original circa 1940 drawing painted by Royal Academy artist Christopher Sanders. A fine example of a Modern British nude drawing by an artist who exhibited hundreds of times at Th...

12" x 9" Unframed Original Sketch Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in ...

First Roundism of This Year This graphite pencil drawing ‘Roundism – 20-01-23’ is the first one of its kind this year. After ‘Venus Lamenting – 13-01-23’ I wanted to d...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA10736 ABOUT THE IMAGE: Looney Tunes is a series of animated short...

Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to ex...

'Blue' glows with serene aqua blue. The abstract meditative painting is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medi...

This work was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives, off-grid. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

Acrylic, soft pastel, graphite, coffee, india ink, transfer on paper

Hunt Slonem Anaconda II, 1980 Silkscreen on Arches paper Hand signed, numbered and dated on the front and titled on the back. 29 3/4 × 21 3/4 inches Unframed With tropical animals, worldly sculptures, and vibrant textiles, Hunt Slonem’s early still lifes are filled with treasures that reflect his childhood spent traveling to faraway places. As the son of a Navy officer, Slonem moved every two or three years during his youth, living everywhere from Hawaii to Washington State to Nicaragua. “I would say my whole life could be summed up by the word exotica,” the artist has said. Slonem’s still lifes contain allusions of his various homes, including pineapples, Native American headdresses...

Side View Seated Female Nude Graphite on paper, c. 1890's Unsigned Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman Gallery, New York (label) Drawings from the sketchbook are in the collections of the Munson Williams Proctor Institute in Utica, New York and the Picker Art Gallery, Colgate University, Hamilton, New York. Condition: Excellent Sheet size: 9 1/4 x 6 1/4 inches Frame size: 16 x 12 1/2 inches Frank Duveneck (1848-1919) Born in Covington, Kentucky, Frank Duveneck had the birth name of Frank Decker. He became a well-trained academic painter whose work ranged from single figures in interiors to plein air canvases of figures in landscape and often included the depiction of low-life persons. His styles included Realism, Social Realism, and Impressionism, and his work was ever influenced by the dark tones and vigorous brush-strokes of the Munich style, which he learned at the Munich Academy in the 1870s. Art historian Matthew Baigell described Duveneck's mature style as having "loose highlights brushed over ruggedly blocked-out forms emerging from a richly suggestive chiaroscuro." He apprenticed to a church decorator, Wilhelm Lamprecht, in Cincinnati, and worked in Catholic Churches in Covington, Cincinnati, Latrobe, Pennsylvania and Quebec, Canada. At age 22, entered the Royal Academy of Munich where he intended to further his interest in church decoration but instead veered to fine-art painting on canvas. One of his most influential teachers was realist Wilhelm von Diez, and Duveneck, also impressed by the realism of French painter Gustave Courbet, became known for adopting this revolutionary approach with rich brushwork. In Munich, Duveneck shared a studio with William Merritt Chase. Returning to Cincinnati, he painted portraits and decorated churches and also taught art classes. At first he did not gain much attention, but an exhibition in Boston in 1875 gained him good attention. In 1875, he went back to Europe and opened an art school in Munich and also in Poling in Bavaria, and many Americans who became known as "Duveneck's Boys," studied with him. Several years later, he opened his school in Italy where he spent the winters in Florence and the summers in Venice. In 1879, he and his followers went to Venice where he began etching and briefly shared a studio with James Whistler in order to learn from him. He also did sculpture. During this period, his painting changed drastically from dark interiors with heavy, impasto paint to outdoor, plein air painting in much lighter colors giving the appearance of sunlight. Among his students was the future Impressionist painter John Henry Twachtmann, and also Elizabeth Boott, whom he married in 1886 and who died two years later. In 1888, he returned to Cincinnati where from 1900 he taught at the Cincinnati Art Academy. He spent the summers in Gloucester, Massachusetts painting...

1909 and 1785, Diptych, 2022 by Salvatore Arnone From the ONE series 1909: Photography, pencil, ink, acrylic and pastel on fabric 1785: Photography, pencil, ink and pastel on fabric ...

A Cubist black & white graphite drawing of fruit by artist Illinois and Michigan artist Stanley Bielecky.

MEDIUM: Original Production Drawing IMAGE SIZE: 14" x 10" PRODUCTION: Teen Titans SKU: IFA10636 ABOUT THE IMAGE: Leading the crew in Teen Titans to protect Earth is Robin, formerly ...

Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

John Grillo Untitled Op Art Mid Century Modern, 1969 Color silkscreen on art paper with deckled edges Signed and dated lower right; numbered 6/9 lower left Limited Edition of only 9 Unframed The present work is a dazzling, extremely rare 1960s screenprint...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

0971 and 1858, Diptych, 2022 by Salvatore Arnone From the ONE series 0971: Photography, pencil, ink and pastel on fabric 1858: Photography, pencil, ink, acrylic and pastel on fabric ...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

Sad Times This graphite pencil drawing ‘Slava Ukraini – 15-02-23’ is a depiction of The Motherland Monument in Kyiv, Ukraine. Since the Russo-Ukrainian War became full-blown...

This colored pencil drawing on delicate warm brown colored paper was made in 2023 by Amanda Andersen. Large asymmetrical forms typical in the artists work, connect a group of shapes...

Signed, titled and dated on the verso. Acquired directly from the artist. Free shipment worldwide. Working on a variety of perceptual levels, Philippe Huart lets one visit his intim...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object of fascination, only its visual a...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

This is a fine detailed French Naturalistic portrait. Executed on November 2nd 1889 and signed PHL. In good condition. Signed and dated middle right. Provenance. Private collection. ...

Straight Lines and Curves This graphite pencil drawing ‘Neco Deco – 09-02-23’ is a representation of the female body in both straight lines and curves. After the last one I ...

Yummy Sweets & Treats Cartoon Pop Art on Abstract Background by British Urban Graffiti Artist, Chris Pegg. Art measures 30 x 30 inches Frame measures 36 x 36 inches (deep edge bla...

Artwork size: 100x70 cm Frame size 116x86 cm Signed, titled and dated on the verso. Acquired directly from the artist. Free shipment worldwide. Working on a variety of perceptual ...

This is a unique and unusual work, by artist Tom Rooth. The spider is drawn with underglaze pencils (pencils made out of ceramic), on a handmade ceramic panel. The handmade frame, wh...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Power Are My Words This series looks at the emotion around words. The way we use words can be uplifting or hurtful, empowering or degrading. Words have always been a tool to suppres...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings "Morandi 19” by Hudson Valley artist, David Dew Bruner, made in 2023 Graphite on pap...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object of fascination, only its visual a...

We acquired a series of works from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Jane Gray (b.1931) The Scarlet Pimpernel's Home, Richmond Hill...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. The work is matted and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: The New Batman Adventures, Animal Act SKU: IFA10618 ABOUT THE IMAGE: The New Batman Adv...

I register it and then part of it automatically goes to work. I'm not trying to paint literally, but I'm trying to bring the emotions being exerted on me closer to the viewer. A feel...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

JOHN SERGEANT (1937-2010) Head of a Young Man Pencil 32 by 25 cm., 12 ½ by 10 in. (frame size 51 by 43 cm., 20 by 17 in.) Sergeant was born in London, the son of a civil servant....

This colored pencil drawing on delicate dark-grey colored paper was made in 2023 by Amanda Andersen. Large asymmetrical forms typical in the artists work, connect a group of shapes ...

The swimmer. Marco Silombria (Savona, 1936 - Albissola, 2014) Painted on paper, mixed technique Hand signed lower right "Silombria". Painting represent...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

MEDIUM: Limited Edition Cel IMAGE SIZE: 12 Field EDITION SIZE: 200 SKU: CCV2724 ABOUT THE IMAGE: This cel is hand-signed by Chuck Jones and is numbered 84/200.

This beautiful Victorian pencil drawing dates to around 1890 and is by an unknown hand. It is a bust length seated portrait of a young girl gazing to her right. Her long hair is bac...

MEDIUM: Original Production Drawing signed by Scott Menville IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Teen Titans SKU: IFA10637 ABOUT THE IMAGE: Leading the crew in Teen Titans to prot...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA10606 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Br...