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Montague Dawson
In the Trough of the Waves, the Clipper Oberon by Montague Dawson

Early 20th Century

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  • Paysage Du Mont Alban, Nice By Henri Matisse
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    Henri Matisse 1869-1954 French Grand paysage, Mont Alban Signed “Henri - Matisse” (lower left) Oil on canvas Hailing from a pivotal moment in the artist’s artistic development, G...
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  • Barque De Peche En Mer By Henry Moret
    By Henry Moret
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    Henry Moret 1856-1913 French Barque de Peche en Mer Fishing Boat at Sea Signed and dated “Henry Moret 1912” (lower left) Oil on canvas A beautiful gestural composition imbued with the sublime beauty of the open sea, this oil on canvas by Impressionist Henry Moret showcases the artist's deft use of color and texture. One of the most celebrated painters of the Pont-Aven School, Moret’s lasting reputation is tied to his talent for capturing the bright skies, lively waterways and the diverse coastline of northern France. With a mastery of plein air composition and a deep appreciation for the natural world, Moret's Barque de Peche en Mer renders a fishing boat navigating through the ocean. Moret creates a visceral sense of the vitality of the water and the enormity of the open skies. The artist captures the vigorous energy of the sea with a profusion of green and blue hues applied with a thick impasto. Small yet mighty against the infinite backdrop, Moret's fishing boat forges ahead. Henry Moret was born in Cherbourg in 1856, though little else is known about his early life. He entered military service as a young man in 1875, and it was during that period when Moret discovered the beauty of France’s northern coasts, particularly those of Normandy and Brittany. After his tour ended, he embarked on his artistic career, completing his formal education at the École Nationale des Beaux-Arts under Jean-Leon Gérôme, and later, from about 1880, under Jean-Paul Laurens at the Académie Julian. He exhibited for the first time at the Paris Salon in 1880, submitting a landscape of the coast of Brittany. During his time in Paris, he frequently traveled to Brittany to paint the region he so loved. In 1888, he more firmly established himself in Pont-Aven, a town whose center had become an artistic refuge for artists such as the great Paul Gauguin, Ernest Ponthier de Chamaillard, Emile Jourdan and others. Under Gauguin's influence, he briefly explored the concept of Symbolism in his works, but after Gauguin left Pont-Aven in 1891, Moret returned to his Impressionist roots. He formed a relationship with the famed dealer Durand-Ruel in 1895, and his career was officially launched. Today, his works can be found in important museums including the Manchester Art Gallery, the State Hermitage Museum (St. Petersburg), the National Gallery of Art (Washington DC) and others. Dated 1912 Canvas: 28 3/4” high x 36 3/4” wide Frame: 36 5/8" high x 44 1/8" wide Exhibited:Henry Moret, Galerie Durand-Ruel, April 5-January 29, 1966, n° 47 Provenance: Sale Marcel Bernheim...
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  • The Battle Of Copenhagen By John Stevens Dews
    By John Steven Dews
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    21st Century and Contemporary Academic Landscape Paintings

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    Canvas, Oil

  • Monastery Complex With Statue Of Maria By Rubaldo Merello
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    Late 19th Century Post-Impressionist Landscape Paintings

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    Canvas, Oil

  • Onward - The Norman Court by Montague Dawson
    By Montague Dawson
    Located in New Orleans, LA
    Montague Dawson 1890-1973 British Onward - The Norman Court Signed “Montague Dawson” (lower left) Oil on canvas The dynamism of the seas and the might of the clipper ships that brave their waters are captured with great accuracy and attention to detail in this monumental work by Montague Dawson. Here, the artist brings vividly to life the historic clipper ship Norman Court as it battles the waves on the open sea. Dawson, arguably the most important maritime painter of his generation, possessed an incomparable talent for rendering ships at sea with unparalleled energy and vitality. The speed and grace of these historic ships is perfectly realized in the present work, enhanced by Dawson's mastery over composition and the large scale of the painting. Built and launched in 1869 by A. & J. Inglis of Glasgow, Norman Court was a composite clipper ship that traveled between the United Kingdom and East Asia under the command of Andrew Shewan and his son, also named Andrew Shewan. While returning from Java to Glasgow carrying sugar, Norman Court's career was cut short in March of 1883 when a powerful gale caused the ship to be wrecked on the rocks of Cymyran Bay, between the villages of Rhoscolyn and Rhosneigr in Wales. Dawson's immersive composition captures the ship at full sail and the height of her glory, battling the white-capped waves on a brilliant day at sea. The son of a keen yachtsman and grandson of marine painter Henry Dawson, Montague Dawson spent much of his childhood on the Southampton Water, where he was able to indulge his interest in the study of ships. Naturally gifted at drawing and painting, the self-taught Dawson became a member of an art studio group in Bedford Row...
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    Early 20th Century Academic Landscape Paintings

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    Canvas, Oil

  • Au Bord De La Rivière By Pierre-Auguste Renoir
    By Pierre-Auguste Renoir
    Located in New Orleans, LA
    Pierre-Auguste Renoir 1841-1919 French Au bord de la rivière (Along the River) Oil on canvas "Renoir may be the only great painter who has never painted a sad picture." - Octave ...
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  • Barques de Peche - Post Impressionist Landscape Oil by Henri Le Sidaner
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