Items Similar to View of Ponte Milvio in Rome
Want more images or videos?
Request additional images or videos from the seller
1 of 6
UnknownView of Ponte Milvio in Rome
About the Item
Northern painter active in Rome in the second half of the 17th century, View of Ponte Milvio
Oil painting on canvas 73 x 97 cm in coeval Roman Salvator Rosa frame.
- Dimensions:Height: 28.75 in (73 cm)Width: 34.65 in (88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Roma, IT
- Reference Number:1stDibs: LU1927214350082
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2022
- ShippingRetrieving quote...Ships From: Roma, Italy
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Riva d'Arno in FlorenceLocated in Roma, RMDomenico Bresolin (Padua 1813 - Venice 1890), Riva d'Arno in Florence Oil on canvas applied to cardboard 26 x 40 cm. INFO: to get more information Publications D. Ritter, Venedig...Category
Mid-19th Century Academic Landscape Paintings
MaterialsCanvas, Oil, Cardboard
- Peasant woman at work in the fields of CapriBy Charles Caryl ColemanLocated in Roma, RMCharles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- The ‘Alba’ study for The awakening of natureLocated in Roma, RMGiovanni (Nino) Costa (Rome 1826 – Marina di Pisa 1903), The ‘Alba’ study for The awakening of nature Oil on canvas cm 25 x 53 signed lower left. Provenance: Reverend Stopford Br...Category
1870s Italian School Landscape Paintings
MaterialsCanvas, Oil
- The cannonball fountain at Trinità dei MontiLocated in Roma, RMPaolo Pietro Baroni (Turin 1871 - Rome 1938), The cannonball fountain at Trinità dei Monti (1938) Oil painting on canvas 65 x 75 cm signed, located Rome and dated XVI lower left.Category
Early 20th Century Other Art Style Landscape Paintings
MaterialsCanvas, Oil
- Passeggiata a cavallo a TriesteLocated in Roma, RMAlfredo Tominz (Trieste 1854 – 1936), Passeggiata a cavallo a Trieste Dipinto ad olio su tela di cm 69 x 110 firmato e datato 1890 in basso a destra. Provenienza: Asta Stadion Trie...Category
Late 19th Century Academic Landscape Paintings
MaterialsCanvas, Oil
- Alpine lakeLocated in Roma, RMEmilio Longoni (Barlassina 1859 - Milan 1932), Alpine Lake (1910) Oil painting on canvas pasted on board 20 x 41 cm signed lower right in Emilian frame late 16th century.Category
Early 20th Century Pointillist Landscape Paintings
MaterialsCanvas, Oil, Board
You May Also Like
- Antique battle painter - 17th century figure painting Battle KnightBy Jacques CourtoisLocated in Varmo, ITJacques Courtois, known as il Borgognone (Saint-Hyppolite 1621 - Rome 1676) circle of - Battaglia. 53 x 80 cm without frame, 73.5 x 97.5 cm with frame. Antique oil painting on canv...Category
Late 17th Century Old Masters Landscape Paintings
MaterialsOil, Canvas
- 17th Century by Jacob de Heusch Pair of Landscapes Oil on CanvasLocated in Milano, LombardiaDimensions: 50 x 80 cm without frame, 70 x 100 cm with frame. Gilded, carved, sculpted and chiselled wooden box frames. Publications: Jacob de Heusch (1656 – 1701). Un pittore ol...Category
17th Century Old Masters Landscape Paintings
MaterialsCanvas, Oil
- A WolfLocated in New York, NYProvenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...Category
17th Century Old Masters Animal Paintings
MaterialsPaper, Canvas, Oil
- 16th Century by Cristofano Roncalli Saint Catherine of Siena Oil on CanvasLocated in Milano, LombardiaCristofano Roncalli (Pomarance 1552 - Rome 1626) Saint Catherine of Siena chooses the crown of thorns oil on wood, cm. 101,5x59.5 - with frame cm. 120x76 Shaped, carved and sculpted wooden cassetta frame, partly gilded and partly ebonized wood Expertise: Marco Ciampolini The marvellous scene that opens before our eyes is that of Christ's apparition to Saint Catherine of Siena; she must choose between a golden crown, the symbol of earthly royalty, and a crown of thorns, the symbol of virtuous Christian sacrifice. Catherine does not hesitate to choose the crown of thorns, her life in imitation of...Category
16th Century Old Masters Landscape Paintings
MaterialsCanvas, Cotton Canvas, Oil
- Claude-Joseph Vernet 18th century Old Master landscape, grand tour ItalyBy Claude-Joseph VernetLocated in Petworth, West SussexClaude-Joseph Vernet (French, 1714 – 1789) Fisherman by a cascade in a gorge Oil on canvas 22.1/4 x 25.1/2 in. (56.5 x 64.7 cm.) Provenance: The estate of the late Betty, Lady Grantchester Du Catalogue Collection #39 Christie's London, 3 Dec 1997, Lot 52 (£41,000) Claude-Joseph Vernet was the leading French landscape painter (with Hubert Robert) of the later 18th century. He achieved great celebrity with his topographical paintings and serene landscapes. He was also one of the century's most accomplished painters of tempests and moonlight scenes...Category
18th Century Old Masters Landscape Paintings
MaterialsOil, Canvas
- Early oil depicting the Great Fire of LondonLocated in London, GBThe Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...Category
17th Century Old Masters Landscape Paintings
MaterialsCanvas, Oil