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Sonal Varshneya OjhaPop Art Woman Female Artist India Set 6 Etching set Ed 4/7 Storytelling2022
2022
About the Item
Compelling set of 6 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 6 works come from a series of 25 works, Edition 4/7. The full Edition is available on our 1stDibs store. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries.
Vachik, Edition 4/7, Etching on Archival paper, dated 2022, signed and titled under each piece in pencil
17" x 98" (depending on hanging layout), without framing, comprising 5 etchings.
Each etching: Sheet size 17" x 14", image size 13" x 10"
2022
Signed, Editioned, dated and titled in pencil
Provenance: From the artist's studio
Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same.
The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels.
In Sonal's own words,
'This work is very close to my heart, a lot of emotions are attached to this work. Some such
feelings that awakened for the first time and they were priceless. I have lived that time, felt
it very closely, whatever happened to me at that time, I have tried my best to make it work.
We did yoga because we had to fight the disease and doing yoga was the best treatment, it also made a good habit a part of our life.
After Vedu's birth, we both learned a lot, some learned on our own, some people taught us. One of them was teething of children, it is said that when children's teeth come out, then children suffer a lot, so many home remedies are also done, calcium medicines are given which are not prescribed by doctors, The people of the neighborhood who give their lives while walking, tell the same thing, and this goes on generation after generation and this medicine is very effective too. After Vedu was born, both of us together tried to make a whole forest on one wall, which could not be completed till date due to paucity of time.
There was a time when I used to see everyone driving four and used to think when will we have a car and when will I drive. But when it happened, I learned that it was very easy, then I started driving in my brand new car, then it seemed that I do not know anything. Lest anything happens to our car, we drive the car as if we are riding a bicycle, and if our heart beats fast at that time, if someone measures the blood pressure, then we may have to take medicine for sure. And we keep remembering our favorite Lord Hanuman ji till we reach our destination.
Everyone's ears get stiff when they hear "potatoes" because everyone likes potatoes, you must have heard people saying that if you eat more potatoes, you will become like potatoes. What is the matter if we Indians get samosas with potatoes, then they do not go without eating samosas. In our Baniyas' place, no vegetable is cooked without potatoes. Whether you get something or not, you will always get boiled potatoes.'
- Creator:Sonal Varshneya Ojha (1985, Indian)
- Creation Year:2022
- Dimensions:Height: 17 in (43.18 cm)Width: 84 in (213.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Norfolk, GB
- Reference Number:
Sonal Varshneya Ojha
Sonal Varshneya Ojha is an exciting young artist from India. Born in 1985 in Agra, she now works from a studio in Lucknow. With a Masters Degree in the Visual Arts from Agra University, Sonal’s work has been shown at major International Art Fairs such as the last Edition of the India Art Fair in 2020 in New Delhi. The artist will be exhibiting at the forthcoming India Art Fair in April 2022. She has enjoyed success with major Galleries worldwide and at the beginning of 2022 she was selected for the CIMA Emerging Art Awards. Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or Emoticons series, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that speak to each other in any combination of pattern. Likewise the artist works in watercolour on paper although these works are more individual and less part of a particular set. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed down. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, the artist pulls together the narrative, expanding it into many different levels. Sonal’s is a very specific language, one which merges pop culture with traditional imagery. However there is nothing parochial about the artist’s work which places these local tales into her understanding of society at large and within a global context. Sonal Varshneya Ojha’s work is in many important collections. The artist was part of a recent show at Palette Art Gallery in Delhi, Collective 22 alongside some of India’s leading artists. Over the past two years she has exhibited in many shows across the Sub-Continent. In July 2021 Sonal was part of a show at MOSA in Belgium. In January 2022 she was selected for the CIMA Emerging Artist Award In India. She will be exhibiting at the India Art Fair in April 2022.
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