Impressionist Prints and Multiples

Edition of 100 prints, not signed. One of the most celebrated graphic works of Renoir, showing his son, the future Director Jean Renoir. Belogs to the suite “L’Album d’estampes orig...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a cool blue palette with warm orange and pink accents throughout. Printed on canvas, ...

Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches. An impression of this work is in the permanent collection of the Philadelphia Museum of Art. ABOUT THE ARTIST Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design. In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League. Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press. In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928. In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

Mervyn Jules studied at Baltimore City College and the Maryland Institute College of Art before moving to New York City and continuing his art education at the Art Students League of New York under the tutelage of, among others, Thomas Hart Benton. Jules was a Works Progress Administration artist in the 1930s, as a silk screen artist...

This is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a vibrant blue and yellow palette. It captures an abstracted view of a shoreline. Pri...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a cool blue palette with warm orange and pink accents throughout. Printed on canvas, ...

Original etching on archival laid paper of Claude Renoir the son of Pierre August Renoir. Pierre Auguste Renoir (French 1841-1919) "Claude Renoir Fils ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a vibrant blue and yellow palette. It captures an abstracted view of a shoreline. Pri...

Ella Fort Spring in Brittany Color lithograph Signed, numbered or inscribed Edition: 390 + E.A. Size: 7.8 × 11.7 on 10.9 × 14.8 inches COA provided *Framing Options Available - Please Inquire ** Edition number may vary Tags: Provence landscapes, French countryside art...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a vibrant blue and yellow palette. It captures an abstracted view of a shoreline. Pri...

Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 325. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included...

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size:...

A City of Lights II is a popular Thomas Kinkade series. This large painting titled "Paris, Eiffel Tower, 27” x 18” edition size is limited in Standard Numbered to 2750 S/N on canva...

"Sur la rivière (Marne)" - On the River Marne - Hand Colored Lithograph Serene depiction of a house along the Marne River by unknown artist "Charlot." This piece was commissioned and printed by Camilla Lucas Publishing in New York. A two-story house with a red roof sits on the bank of the river. Lush trees line the banks, some of which are depicted with orange-brown leaves, indicating that autumn has arrived. The color in this piece was added by hand. Titled "Sur la riviere (Marne)" in the lower left corner. Signed "Charlot" in the lower right corner. Presented in a wood frame with a double mat. Frame size: 20"W x 16"W Image size: 11.5"H x 9"W In 1928, Hungarian-born Sidney Zoltan Lucas founded "Camilla Lucas Publishing" which encompassed a wholesale art publishing house and a retail art gallery. This business was both wholesale and retail and dealt in reproductions of antique, modern, and contemporary prints. It also sold original art including etchings, lithographs, and paintings. Starting in the 1930's and continuing into the 1950's, Sydney Lucas traveled to Europe periodically and contracted with French and Flemish artists to publish their work under the banner of the "Paris Etching Society." During his career, Sydney published many thousands of images. He brought art into the homes of people at all levels of income through his etchings, serigraphs, woodblock prints, restrikes and reproductions. The various subjects included Redouté and Prevost Flowers, Barraband and Gould Birds, Piranesi, French Landscapes, Urban Scenes, Women, Children, Animals, Hunting and much more. Later on in the 1950s, Sydney and his wife Phyllis Lucas became the first North American publishers of original signed, limited edition lithographs by the famous surrealist artist Salvador Dali. They worked directly with Mr. Dali over several years and the three created such fine images that in 1985 the Lucas’ Collection of limited edition lithographs from Salvador Dali’s paintings were displayed alongside his original paintings at the Salvador Dali Museum...

Ella Fort The Lonesome Road (La course seule) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size: 7.8 × 11.7 on 11.7 × 15.6 inche...

The Four Seasons - Autumn by Lélia Pissarro (B. 1963) Serigraph 51 x 69 cm (19 ⅞ x 27 ⅛ inches) 61.5 x 79 cm (24 ¼ x 31⅛ inches) Signed and numbered Printed in an edition of 300 Art...

Pierre PUVIS DE CHAVANNES (after) The Reaper : Life and Death, 1873 Original Etching Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Afternoon Tea Party Drypoint and aquatint printed in colors, printed 1991 Initialed in the center of the plate Condition: Excellent Archival framing with silk matting, finished corner gold...

This original etching is hand signed in black ink by the artist "Henri Matisse" at the lower right margin. The work is from the edition of 1,000 published alongside 50 reproductions...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbered: "No. 20" in pencil Printed by Thomas Way, London A beautiful impression with tonal variations in the stump work (shading) As published in: L'Estampe Originale, Paris, 1893, Album IV Edition: 107 impressions, this No. 20 There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London Lacking the huge support sheet and embossed series stamp by Charpentier With the letterpress lower left: "T. Way. Imp London" The stone erased in 1904 The majority of the lifetime impressions are in public collections Condition: Excellent condition Hinges from original issuance of L'Estampe Originale verso at top as described in Spink Three hinges residue along right edge of the sheet from a later matting of the print Image size: 8 1/4 x 6 3/8 inches Sheet size: 11 3/8 x 9 1/16 inches Reference: Spink/Tadeschi 72, published edition Levy 74 Way 46 A superb Neoclassical lithograph...

The Four Seasons - Spring by Lélia Pissarro (B. 1963) Serigraph 50.5 x 69 cm (19 ⅞ x 27 ⅛ inches) 61.5 x 79 cm (24 ½ x 31 ⅛ inches) Signed and numbered Printed in an edition of 300 ...

Mère et enfant by Lélia Pissarro (b. 1963) Etching 3 x 3 cm (1 ¹/₈ x 1 ¹/₈ inches) Signed lower left, Lélia Pissarro Inscribed lower right: E.A (artist proof in French) Artist biog...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884 - 1967) "Oh! To Be In England Now That April's There" Lithograph 51 x 67 cm Signed in pencil lower left. Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...

Enclosed is a rare etching of the famous image of "Sylvie" with either she was a model or a lover. Nicola was a Lady's man and loved woman who are his major theme. Sylvie, was origin...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

.This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 60/150 2 in the catalogue of lith...

Paper Size: 26.25 x 31.75 inches ( 66.675 x 80.645 cm ) Image Size: 23 x 29.75 inches ( 58.42 x 75.565 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or ag...

.Print on Canvas /size for order.YOU can order different sizes. In "Sunny Emotions: A Bouquet of Wildflowers in the Sunlight" we see a beautiful bouquet consisting of wildflowers, b...

MORNING REFLECTION This hand crafted Giclee print on canvas, 'Morning Reflection', by Nikolai Timkov, provides the opportunity to own and enjoy a Timkov masterpiece at a very afford...

This lithograph is a piece of my private collection from 20th century School of Paris era artists. It is hand signed and numbered and is in very good condition.

"This is not just a portrait of a dog, but also a portrait of loyalty. There are no words here, only a gaze that speaks volumes. It's enigmatic yet open as if inviting us into a worl...

In this oil painting, a portrait of a Basset Hound stands before us, its gaze directed straight at us. Embedded within this gaze is a silent question, as if the dog wishes to convey ...

Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with paper manufacture, in right marg...

Pierre Auguste RENOIR (after) Shepherdess and lamb Lithograph and stencil (Jacomet process) Printed signature in the plate On paper mounted on vellum 45 x 34 cm (c. 18 x 13 inch) E...

GOLDEN RYE This hand crafted Giclee print on canvas, 'Golden Rye', by Nikolai Timkov, provides the opportunity to own and enjoy a Timkov masterpiece at a very affordable price. B...

AFTERNOON IN ROSTOV This hand crafted Giclee print on canvas, 'Afternoon in Rostov', by Nikolai Timkov, provides the opportunity to own and enjoy a Timkov masterpiece at a very affo...

A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...

Original linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...

"Welcome to the world of my art! I present to you a unique painting titled "Enchanting Cow Muzzle in Approach," a Funny oil painting with a farm animal that brings the canvas to life...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

"Harmony Peaks: White Church amidst Alpine Mountains" .Print on Canvas /size for order/YOU can order different sizes. The landscape conveys a sense of tranquility and harmony intric...

The painting of an orangutan immersed in his thoughts transports us into the realm of his inner reflections. The orangutan's visage conveys a unique blend of emotions – astonishment,...

In this oil painting, the visage of a gorilla unfolds, as if it emerged from the depths of the jungle to capture our attention. The gorilla's gaze proves penetrating, despite its wil...

BEAUTY OF SPRING This hand crafted Giclee print on canvas, 'Beauty of Spring', by Nikolai Timkov, provides the opportunity to own and enjoy a Timkov masterpiece at a very affordable...

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

.Print on Canvas /size for order. "Scent of Spring: Immersion into the World of Spring Emotions" On this canvas, we immerse ourselves in the enchanting realm of spring. In the fore...

This oil painting unveils a beautiful image of a country house, as if taken from a fairy tale. Its thatched roof and windows, surrounded by the aromas of a blooming garden, c...

This piece is part of my private collection of artist lithographs, etchings and engravings from the 20th Century. It is a limited edition Epreuve d' Artiste. Pierre Eugene Clairin...

Lon Megargee 1883-1960 "Self Portrait" Wood block print Signed in plate, lower right Image size: 15.63 x 12 inches Frame size xx x xx inches Creator of S...

Artist: Harold Altman (American, 1924-2003) Title: Duck Pond Year: circa 1980 Medium: Original color lithograph Edition: 285. This one: 29/285 in pencil Paper: Arches Image size...

Howard Terpning Image Size: 10.5 x 13.5 Frame Size: 18 x 21 Medium: Print Dated 1980 "Shoshonis Indians" #962 of 1000

Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella immig...

This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons. The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface. At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples. An original painting of the series can be seen at Musée d'Orsay in Paris, France...