Old Masters Art

PROVENANCE Presumably commissioned by the sitter’s father-in-law, John Carteret, 2nd Earl Granville, Haynes Park, Thence by descent, Lady Louisa Carteret , who married Thomas Thynne,...

“Timete Deum et date Illi honorem quia venit hora iudicii Eius” (Fear the Lord and honour Him, for the hour of His judgement has come): the passage from John's Apocalypse (chapter 14...

John Rathbone (1750-1807) View at Tivoli Signed lower right Oil on Canvas Canvas size - 18 x 24 in Framed size - 24 x 30 in John Rathbone was born in Cheshire in 1750 and worked as ...

The Penitent Saint Italian artist, 17th century oil on copper panel, framed framed: 10 x 8 inches copper panel : 7.5 x 5 inches provenance: private collection, France condition: very...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

Romantic painter (19th century) - The Lutist. 72 x 57 cm without frame, 85.5 x 69.5 cm with frame. Antique oil painting on canvas, in a gilded wooden frame. Condition report: Orig...

Classical Dutch Winter Scene signed, 20th century oil on canvas, framed canvas: 22.5 x 30 inches framed: 24 x 36 inches provenance: private collecti...

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...

This painting fits well into the Dutch pictorial production of the Golden century. The composition, built on the harmonious presentation of rich wild game and fine details such as th...

Letter V is an etching realized by Luigi Vanvitelli artist of the 18th century. Good condtions. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (origina...

A beautiful late 17th century Italian Old Master oil on canvas depicting The Virgin in Adoration, circle of Carlo Maratta. Excellent quality early Italian work, presented in an ant...

Portrait of a Gentleman dressed in a 17th century style. French School, 20th century oil on board, framed board: 21 x 16 inches framed: 26 x 21.5 inches provenance: private collecti...

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 20 x 10 x h 19 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserva...

Exo.17 - Old Testament Story is an Etching print realized by Sisto Badalocchio. About The Old Testament Story, 1607 ca. Passpartout included 31 x 35 cm The artwork is in good cond...

Francis Sartorius (1734-1804) A horse and groom with a dog signed 'F.Sartorius.Pinxt' (lower right) Oil on canvas Canvas Size - 14 1/4 x 18 in Framed Size - 16 1/2 x 19 1/2 in Franc...

A very atmospheric view of a cottage or outhouse by a pond. The artist has given wonderful texture to the paint to simulate the appearance of the foliage of the trees and vegetation to the foreground of the painting. The scene imbued with a dusky northern light. John Berney Crome...

PROVENANCE Private Collection, England Colonel Charles William Garnde Walker (1882 - 1974) Thence by descent to; Sir Michael Walker (1916 - 2001) Thence by descent We are grateful t...

Genesis 27 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 31 x 35 cm The artwork...

Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...

Exo.24 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 31 x 35 cm The artwork is ...

Portrait of a Lady English School, 18th century oil on canvas, unframed canvas : 31 x 25 inches provenance: private collection, UK condition: good and sound condition

Formerly Canesso Collection, Paris. Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, ...

Francis Sartorius (1734-1804) A horse and groom with a dog signed and dated 'F.Sartorius.Pinxt.1777' (lower right) Oil on canvas Canvas Size - 14 1/4 x 18 in Framed Size - 16 1/2 x 1...

William Jones (c.1798-1860) Two spaniels working with a huntsman beyond Oil on canvas Canvas Size - 16 x 21 in Framed Size - 21 x 26 in William Jones’s work is well-known, emanating...

98 x 36 cm each without frame - 112 x 50 cm with frame Antique gilded and shaped wooden box frames Expertise by Prof. Giancarlo Sestieri This marvellous pair of flower vases has b...

19th century Dutch romantic painting of animals resting in their pasture by Jan Van Ravenswaay Jan van Ravenswaay was a prominent Dutch painter of the 19th century, recognized for h...

17th century Flemish Old Master - Orpheus charming the animals with his music The present painting is full of delightful details, such as the unicorn galloping in the distance, the ...

Mother & Child British artist, late 18th century after the painting by Sir Anthony van Dyke oil on canvas, unframed canvas : 20 x 18 inches provenance: private collection, Berkshire,...

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Ancient oil painting on panel. in wooden frames. Condition report: In...

Italian painter (19th century) - Memento Mori. 43 x 67 cm without frame, 48.5 x 72.5 cm with frame. Antique oil painting on wood, in a wooden frame. Condition report: Original can...

Beautiful oil on canvas, study of a horse in stable.Housed in a gilt frame signed and dated 1886 lower right The size being 60 x 44 cm. whilst overall 75 x 60 cm Provenance: The contents of a Cheshire Country House. Presented in very good condition. HENRY FREDERICK LUCAS LUCAS...

Virgin and Child Franco-Spanish sculptor from the Catalan/Pyrenean area Late Middle Ages, 13th-14th century Carved oak, flat back Height: 67 cm Fascinating and rare wooden sculpt...

Francis Sartorius (1734-1804) A bay horse with groom and dog Signed and dated 'F.Sartorius.Pinxt.1788' (lower right) Oil on canvas Canvas Size - 14 1/4 x 18 in Framed Size - 19 1/2 x...

17th century Flemish old master painting depicting a peaceful countryside scenery by Lucas Van Uden Lucas Van Uden's life unfolded against the backdrop of the rich artistic tapestry...

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

Numbered and limited to 8 copies Signature: Hand-signed by artist Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, me...

Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...

John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...

Without frame. Expertise by Prof. Antonio Vannugli A brightly lit gash opens up in the middle of the sky; within it appears the figure of the Virgin with the Child and beside her a...

Thomas Smith of Derby (c. 1710-1767) View of Shipping on the River Avon from Durdham Down, near Bristol, 1756 Oil on canvas Canvas size - 20 x 47 in Framed size - 26 x 53 in Provena...

58 x 136 cm without frame, 71.5 x 150 cm with frame Antique shaped and gilded wooden box frame Publications: unpublished This beautiful painting shows a varied still life with var...

Justus Sustermans was first recorded working for the Medici in Florence in October 1621. He then worked continuously for the Grand Dukes until his death 60 years later in 1681. Suste...

During a festive bacchanal a big satyr is eating grapes, lying on the ground and surrounded by a large group of putti who, with festoons and vine leaves, fill and populate the pictor...

17th century Flemish Old master painting "Adoration of the Shepherds" by Victor Wolfvoet the Younger Surrounded by an elegant and broad black frame, i...

Circle of Bernhard Keilhau, known as Monsù Bernardo (Helsingør 1624 - Rome 1687) - Maddalena. 64 x 79.5 cm without frame, 82 x 98 cm with frame. Antique oil painting on canvas, in ...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...

Lucas Van Uden (Antwerp 1595 - Antwerp 1673) Signed lower right: (Lucas v. ud...) Hillside landscape with pond oil on wood panel 34 x 54 cm, with frame 51 x 71 cm. Work published ...

Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...

Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula. This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself. Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...

17th century Dutch old master oil seascape, Stormy sea with boats including a Dutch Hoy and a Packet-Boat The present painting is a peaceful, yet very lively, seascape and a beautif...

Portrait of a Lady Italian Old Master, 17th century oil on copper, framed framed: 8.75 x 7.75 inches painting: 5 x 4 inches provenance: private collection, England condition: very go...

Attributed to HUBERT ROBERT (Paris 1733 - 1808) Dancing couple (recto) Various sketches (verso) Red chalk and charcoal on the reverse numbered in pencil “4229” circa 1770 34 x 21 c...

Peter Paul Rubens (Siegen 1577 - Antwerp 1640) Workshop / circle Crucifixion of Christ with Saint Mary Magdalene Oil painting on canvas 112 x 62 cm. - In antique frame 126 x 73 cm. ...

Hendrick ter Brugghen (The Hague 1588-1629 Utrecht) Workshop Violin Player Oil on canvas 72 x 60 cm. Framed 87 x 78 cm. An analysis of the composition and style of this interestin...

18th century old master painting depicting a peaceful countryside scenery at sunset with a fortified town visible in the distance attributed to Franz Paula de Ferg In the present je...

Oil Lamp is an Etching realized by Giuseppe Guerra (1740-1815). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercola...

17th century Flemish old master painting depicting a forest landscape with a majestic oak Alexander Keirincx, born around 1600 in Antwerp, Belgium, was a prominent Flemish landscape...

Circle of Michael Coxie (Malines, 1499 - Malines, 1592) Ecce Homo with Pontius Pilate Oil on panel Flemish school 16th-17th century 112 x 81 cm - framed 121 x 90 cm. The proposed p...