Adolf Friedrich Harper Art

Antique, romantic oil painting, 19th century. Old hunting lodge at the lake. The painting with frame is displayed smaller in the interior preview, because the dimensions were measur...

Decorative antique painting, oil on canvas, 19th century. Walking the dog, castle view. Dimensions with frame: 65.5 cm x 74 cm

Decorative, romantic oil painting Heinrich Hartung "Dinner in the Park" oil on canvas Very good original condition. Signed lower right. Dimensions w...

Beautiful landscape of gum trees by listed Australian artist John Sharman (Australian, b. 1947), c.1990. These lovely iconic trees appear in the foreground, while the Australian landscape sprawls out into the distance. Signed "John Sharman" lower right. Displayed in a silver tone giltwood frame. Image size, 21"H x 23"L. Born in Sydney in 1947, John Sharman turned to full time professional art practice in 1980. He became part of a group of artists that included Bob Simpson, Doug Sealy, Robert Wilson, Warwick Fuller...

19th century English countryside landscape "Summer in the Highlands" This peaceful painting depicts an Highlands countryside scenery during a sunny summerday. In the foreground two ...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 OUTSIDE THE TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right) oil...

Mid 19th Century oil on canvas view of a Swiss valley and mountainscape by Alexander Calame. The painting is signed bottom left. The canvas is on a fine stretcher with 'keys'. The painting has been in a private collection in the North of France since the early 20th Century. A very beautiful and expert rendition of one of Calame's iconic Swiss mountain views. Atmospheric view of light and shade, a moody sky with the sun just breaking through over a small mountain cottage retreat. Alex Calame was born in Corsier-sur-Vevey, today a part of Vevey, Switzerland. He was the son of a skillful marble worker in Vevey, but because his father lost the family fortune, Calame could not concentrate on art, but rather he was forced to work in a bank from the age of 15. When his father fell from a building and then died, it was up to the young Calame to provide for his mother. In his spare time he began to practice drawing small views of Switzerland. In 1829 he met his patron, the banker Diodati, who made it possible for him to study under landscape painter François Diday. After a few months he decided to devote himself fully to art. In 1835 he began exhibiting his Swiss-Alps and forest paintings in Paris and Berlin. He became well known, especially in Germany. He is associated with the Düsseldorf school of painting. In 1842 he went to Paris and displayed his works Mont Blanc, the Jungfrau, the Brienzersee, the Monte Rosa and Mont Cervin. He taught in Geneva, where Adolf Mosengel was one of his pupils as were some of the children of the Russian Imperial family of Nicholas I. Alexandre Calame...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 THE CARD GAME signed, located & dated "Joaq. D. Becquer. Sevilla - 1849." (lower left) oil on ...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...