Agnes Murray Art

Represented by George Billis Gallery, NYC & LA --This is a limited edition print of Heller's original painting "Butterfly Roof and Inner Tube." Edition of 75. Print dimension 17 x 24...

Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 21.5 x 28 inches, unframed This unique life study drawing of two seated male nude models was made ...

Represented by George Billis Gallery, NYC & LA --This is a limited edition print of Heller's original painting "Butterfly Roof and Inner Tube." Edition of 75. Print dimension 17 x 24...

Figurative drawing with graphite, charcoal, and conte crayon on Arches paper 30 x 19 inches, unframed One piece of 30 x 19 inch Arches paper. Two drawings on opposite sides. These u...

Figurative drawing of two male nudes made with graphite, conte crayon and charcoal on Arches paper 30 x 18.5 inches, unframed This unique life study drawing of two standing male n...

Original artwork of artist model’s by Julio De Diego using underdrawing of graphite with a watercolor wash. Signed lower left in pencil. Very good original condition. Nicely framed...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Figurative nude drawing made with graphite, conte crayon and charcoal on Arches paper 30 x 19 inches unframed This unique life study drawing of two male nude models was made by Mark...

Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 30 x 13 inches, unframed This unique life study drawing of two standing male nudes was made by Mar...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Panoramic view from the entrance of the Josaphat park in Brussels made from 12 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef You make my h...

Samuel Norkin (January 10, 1917 – July 30, 2011) was a Brooklyn, New York-born cartoonist who specialized in theater caricatures for more than even decades. His drawings of theater, opera, ballet and film celebrities appeared in Variety, Backstage, The Philadelphia Inquirer, The Washington Post, Los Angeles Times, The Boston Globe and many other publications. Norkin learned composition and anatomy from the muralist Mordi Gassner. He received a scholarship to the Metropolitan Art School after his high school graduation, and he later attended Cooper Union, the Brooklyn Museum Art School and the School of Fine and Industrial Art. During the 1940s, newspaper editors wanted to devote more space to new theatrical productions, but photo opportunities usually did not happen until a show opened. Norkin took advantage of the situation and gained access to rehearsals, performers, costume sketches, fittings and scenic designs, providing editors with illustrations prior to an opening. From 1940 to 1956, his theatrical illustrations were a regular feature in the New York Herald Tribune. Then for the next 26 years, he covered the performing arts for the Daily News. Since 1940, Norkin has had more than 4000 drawings published. When he began doing theatrical caricature, he supplied his own captions, which eventually prompted him to write articles and reviews. He was an art critic for the Carnegie Hall house program and a cultural reporter for the Daily News. Norkin's theater reminiscences and 266 drawings came together in the book Sam Norkin, Drawings, Stories (Heinemann, 1994), which was reviewed by David Barbour: A Norkin caricature cartoon is often densely packed with detail and may feature a great deal of solid black space. He also is more daring in his drafting; many of his pieces, in particular one from the Broadway production of The Phantom of the Opera, feature steeply raked lines which plunge vertiginously from top to bottom, to highly dramatic effect. On the other hand, many of Norkin's effects border on the surreal. His version of Michael Jeter and Jane Krakowski in Grand Hotel depicts the pair as a series of interrlated curves; Jeter, in particular, looks like a machine that you crank up and let loose on stage. His version of Constance Cummings as a stroke victim in Wings, uses cruelly sharp angles to create a Cubist deconstruction of the actress's face and limbs, which mirrors the disintegration of the character's mental functions. Norkin offers a wide-ranging collection of his works... He also showscases actors at different points in their careers (as in a trio of portraits of John Gielgud and Ralph Richardson) and different takes on different productions (he gives us a number of Salomes from the Metropolitan and New York City Operas). Exhibitions Artwork by Norkin has been exhibited in the Lincoln Center Library and Museum of the Performing Arts, the Museum of the City of New York, the Metropolitan Opera House, the Hudson River Museum in (Yonkers, New York) and various galleries. Awards In 1942, Sam Norkin drew Joan Roberts, who was then starring on Broadway in Oklahoma!. Various awards received over the years by Norkin include an award for "Outstanding Theater Art" from the League of American Theatres and Producers. (1980) and an award for “Lifetime Body of Work” (1995) from the Drama Desk, the association of drama critics, drama editors and drama reporters. Along with David Levine, Al Hirschfeld and Kin Platt he is one of the great artists of the American press. He received two awards from the National Cartoonists Society, the Special Features Award (1980) and the Silver T-Square Award (1984). Sleuth is a 1970 play written by Anthony Shaffer. The Broadway production received the Tony Award for Best Play, and Anthony Quayle and Keith Baxter received the Drama Desk Award for Outstanding Performance. The play was adapted for feature films in 1972, 2007 and 2014. The play is set in the Wiltshire manor house of Andrew Wyke, an immensely successful mystery writer. Wyke's home reflects his obsession with the inventions and deceptions of fiction and his fascination with games and game-playing. He lures his wife's lover Milo Tindle to the house and convinces him to stage a robbery of her jewelry, a proposal that sets off a chain of events that leaves the audience trying to decipher where Wyke's imagination ends and reality begins. Shaffer said the play was partially inspired by one of his friends, composer Stephen Sondheim, whose intense interest in game-playing is mirrored by the character of Wyke, and by John Dickson...