Albert Bertalan Art

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed i...

Joan Vives Maristany (XX) - Woman in mourning - Oil on panel Oil measures 25x13.5 cm. Frameless.

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed. Image size, 12L x 9H.

Figurative fauvist watercolor with three nude figures by Doris Ann Warner (American, 1925-2010). From the estate of Doris Warner. Signed "Warner" lower right. Unframed. Image, 15"H x...

Artist: William Weintraub (1926) Title: Young Boy with Donkey Year: 1962 Medium: Oil on board Size: 33 x 25.5 inches Condition: Excellent Inscription: Signed and dated by the artist ...

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

On the red. 1992. Oil on canvas, 80x100 cm Woman on the red with fruits In 1965 graduated from J. Rozentals Art High School, in 1971 graduated from the Painting Department of the Art Academy of Latvia (diploma thesis supervisor Indulis Zariņš). He has participated in exhibitions since 1970, organized about 20 solo exhibitions, and was a teacher. J. Rozentals Art High School, worked in various painting genres, created monumental wall paintings...

The paintings are drawn with oil on the canvas. Midnight in the magic garden. Hurray! The series of paintings "My funny birds" continues. Bright contrasts. Fancy flowers. Each of the...

A whimsical modern figurative piece depicting a reclining woman with a black cat on a bright blue background by California artist Richard "Don" Klopfer (1920-2009). Signed on verso a...

Mid Century portrait of a woman wearing red by Jon Blanchette (American, 1908-1987). Signed by the artist in the lower right corner. Canvas has been mounted on fiberboard. Unframed. ...

Red Poppies in Vase French School, mid 20th century signed oil on canvas, unframed canvas: 21.5 x 15 inches provenance: private collection condition: poor condition (ie: paint loss a...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...