Alexander Gorlizki Art

Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifac...

ink and pigment on paper framed

By developing a geometry between line and the spaces in between in their work, the four abstractionists featured in Transcendental create a point of departure for the mind into a sp...

Pears - sill life composition - exquisite highly contemporary still life drawing / mixed media work, created with dry pigment and conte crayon on 350 pound archival rag paper that is...

ink and pigment on paper framed

This geometric drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. The ordered symmetry of the spirograph drawing in reddish brown is...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...

ink and pigment on paper framed

Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifac...

Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...

'Fagmented', A sublime d drawing. A brilliant and original work of art from Kenyan born African-American artist Stephen Namara who is widely known for creating paintings and masterful drawings with...