Skip to main content

Andrew Ingamells Art

British, b. 1956
Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells' work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HRH King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan.
(Biography provided by Manning Fine Art)
to
3
1
1
2
1
1
1
1
Overall Height
to
Overall Width
to
1
1
1
3
3
6,952
3,302
2,514
1,213
3
1
Artist: Andrew Ingamells
University College, Oxford etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew...
Category

21st Century and Contemporary Andrew Ingamells Art

Materials

Etching

King's College, Cambridge etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew...
Category

21st Century and Contemporary Andrew Ingamells Art

Materials

Etching

Andrew Ingamells (b.1956), Jesus College Cambridge engraving after David Loggan
By Andrew Ingamells
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew Ingamells Jesus College, Cambridge Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...
Category

21st Century and Contemporary Realist Andrew Ingamells Art

Materials

Aquatint, Etching

Related Items
Mountebank - XXI Century, Contemporary Figurative DryPoint Etching Print
By Czeslaw Tumielewicz
Located in Warsaw, PL
Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...
Category

2010s Contemporary Andrew Ingamells Art

Materials

Paper, Etching, Drypoint

The Pantheon in Rome: A 19th Century Etching by Cottafavi
Located in Alamo, CA
This is a 19th century architectural etching of the Pantheon in Rome entitled "Panteon di Agrippa detta La Rotonda", plate 9 from "Raccolta delle principali vedute di Roma e...
Category

Mid-19th Century Realist Andrew Ingamells Art

Materials

Etching

Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category

Mid-19th Century Naturalistic Andrew Ingamells Art

Materials

Etching, Engraving

14 Przedborska Street - XXI Century, Contemporary Etching Print, City view
By Zdzislaw Wiatr
Located in Warsaw, PL
ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...
Category

21st Century and Contemporary Contemporary Andrew Ingamells Art

Materials

Paper, Etching

La rentrée du Berger by Camille Pissarro - Etching
By Camille Pissarro
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...
Category

1880s Impressionist Andrew Ingamells Art

Materials

Etching

La Vilaine, France
By Roger Hebbelinck
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912) Title: La Vilaine Year: Circa 1965 Medium: Color etching with aquatint Edition: Numbered 30/350 in p...
Category

Mid-20th Century Realist Andrew Ingamells Art

Materials

Aquatint

La Vilaine, France
La Vilaine, France
H 24 in W 16.25 in D 0.01 in
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
By Thomas Rowlandson
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category

Early 1800s Other Art Style Andrew Ingamells Art

Materials

Etching, Aquatint

Homme dévoilant une Femme. (Man uncovering a woman).
By Pablo Picasso
Located in Storrs, CT
Homme dévoilant une Femme. (Man uncovering a woman). 1931. Drypoint. Bloch 138; Baer 203 B.d. Vollard Suite, plate 5. Printed by: Lacourie...
Category

Mid-20th Century Modern Andrew Ingamells Art

Materials

Etching

18th Century Etching of "Chiesa di S. Lucia" in Rome by Giuseppe Vasi
By Giuseppe Vasi
Located in Alamo, CA
This 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...
Category

Mid-18th Century Old Masters Andrew Ingamells Art

Materials

Etching

Waning Crescent Moon by Guy Allen. Print from acid etching with wooden frame
By Guy Allen
Located in Coltishall, GB
During the Waning Crescent Moon phase, the illuminated part of the Moon decreases from the lit up semicircle at Third Quarter until it disappears from ...
Category

21st Century and Contemporary Contemporary Andrew Ingamells Art

Materials

Etching, Paper

Fortune - XX Century, Figurative Etching Print, Nude, Fantasy, Landscape
By Barbara Rosiak
Located in Warsaw, PL
Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...
Category

20th Century Other Art Style Andrew Ingamells Art

Materials

Paper, Etching

Landscape with Pond
By Roger Hebbelinck
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912) Title: Landscape with Pond Year: Circa 1960 Medium: Color etching with aquatint Edition: Numbered 43/3...
Category

Mid-20th Century Realist Andrew Ingamells Art

Materials

Aquatint

Andrew Ingamells art for sale on 1stDibs.

Find a wide variety of authentic Andrew Ingamells art available for sale on 1stDibs. You can also browse by medium to find art by Andrew Ingamells in etching, aquatint and more. Not every interior allows for large Andrew Ingamells art, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of John Webber, James Carter, and Leon Danchin. Andrew Ingamells art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,051 and tops out at $1,549, while the average work can sell for $1,179.

Artists Similar to Andrew Ingamells

Recently Viewed

View All