Carlyle Wolfe Lee Paintings

The Sailor and the Albatross and The Colours in the Shadows are an original diptych of paintings by artist Louisa Longstaff Scales. The soft pa...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake II, From 1992 show; Night Paintings, Galerie Pierre Passebon, Paris, France, Les Ruines des Plus Beaux Monuments de la Grèce, Stubbs Books & Prints, New York Konstantin Kakanias (born September 18, 1961 in Athens) is a contemporary Greek painter, illustrator and multimedia artist. He currently lives and works in Los Angeles and Greece. Throughout his career Kakanias has created drawings, paintings, sculptures, performances, ceramics and books. Kakanias' work does not belong to any single style. He is known to explore a range of themes in his work from the light and comic to the dark and psychological. Kakanias attended the Fashion Institute of Technology in New York City, majoring in Textile Design, from 1977-1979. Kakanias moved to Paris in 1979. He attended the Studio Berçot where he studied Fashion and Art. He was also taught by the Italian artist and stage designer Lila de...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake III, From 1992 show; Night Paintings, Galerie Pierre Passebon, Paris, France, Les Ruines des Plus Beaux Monuments de la Grèce, Stubbs Books & Prints, New York Konstantin Kakanias (born September 18, 1961 in Athens) is a contemporary Greek painter and multimedia artist. He currently lives and works in Los Angeles and Greece. Throughout his career Kakanias has created drawings, paintings, sculptures, performances, ceramics and books. Kakanias' work does not belong to any single style. He is known to explore a range of themes in his work from the light and comic to the dark and psychological. Kakanias attended the Fashion Institute of Technology in New York City, majoring in Textile Design, from 1977-1979. Kakanias moved to Paris in 1979. He attended the Studio Berçot where he studied Fashion and Art. He was also taught by the Italian artist and stage designer Lila de Nobili...

Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...

Primary Colour Series- White Butterfly ( It's just Another Stage of Life) is Shizico Yi's latest project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition....

Oil paint and mixed media on repurposed bulletin board. Note, the wood border is part of the artwork, not to be mistaken for an actual "frame."

Cotswold Track II by Eleanor Woolley [2021] Cotswold Track II is an original oil painting on a deep edged wooden panel by artist Eleanor Woolley. A small scale landscape...

"Rust" by Katheryn Holt is an 18" x 18" mixed media canvas that speaks in the subtle language of contemporary landscape abstraction. Soft, ethereal whites and greys form a serene hor...

Represented by George Billis Gallery. Ben Schwab writes of his work, “the concepts of ‘here’ and “there” have always been interesting to me—particularly the question of what causes ...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Represented by George Billis Gallery. Ben Schwab writes of his work, “the concepts of ‘here’ and “there” have always been interesting to me—particularly the question of what causes ...

Represented by George Billis Gallery. Ben Schwab writes of his work, “the concepts of ‘here’ and “there” have always been interesting to me—particularly the question of what causes ...