Charles Fuhrman Art

The Old Town French Post-Impressionist artist, circa 1900's oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: very good and sound condi...

River Landscape signed oil on canvas stuck on board, unframed board: 14 x 11.75 inches inscribed verso dated 1961 provenance: private collection, France condition: very good and soun...

Signed lower left, 'Sheri Lenz' (American, 20th century) and painted circa 2000. A substantial oil on canvas landscape showing a lyrical view of hills floo...

signed oil on canvas, unframed canvas: 15 x 18 inches inscribed verso dated 1970 provenance: private collection, France condition: very good and sound condition

Fluffy Clouds over the landscape signed oil on board, unframed board: 9.75 x 13 inches inscribed verso dated 1958 provenance: private collection, France condition: very good and soun...

Starry Night (after Van Gogh Saint Remy 1889) by British Artist Anthony D Padgett BA MA PGDip, born 1969. Original Sculpture and 67 paintings inspired by the art, life and letters of...

Paddy Japaljarri Sims was born in about 1917 at Kunajarray (Mt Nicker), south-west of Yuendumu at a site where a number of Dreaming tracks interconnect. When he died in 2010 in Yuendumu. He left behind his wife Bessie Nakamarra, his seven children and many grandchildren and great grandchildren. Paddy sometimes worked in collaboration with his wife, who was an acclaimed artist in her own right. His wife lived in Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the Northern Territory of Australia. She died in 2012. Paddy lived in his country as a young, single man. Back then Warlpiri people wore hair string belts that they had made. When Japaljarri was young he worked sawing mulga trees for wood and for fuel for fires. Later Paddy became involved with gardening and farming in the Yuendumu district. This included growing watermelons, cucumbers, carrots, tomatoes and other vegetables. The farming was at Four Mile Bore where they had chickens, pigs, ducks and other animals. All his life he hunted for goanna, kangaroo, emu and other animals each day for bush tucker and Paddy passed on his hunting knowledge to many young men in the community. This also led him to working at the Yuendumu school teaching Jukurrpa (Dreaming), painting, hunting, traditional dancing, bush tucker and helping out on excursions 'out bush' as well as to Alice Springs and Darwin. Paddy Painted with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, for a long time. In 1988 Paddy Sims was selected by The Power Gallery, Sydney University to travel to Paris with five other Warlpiri men from Yuendumu to create a ground painting installation at the exhibition 'Magiciens de la Terre' at the Centre Georges Pompidou. The trip took place in May 1989 and the painting was received with world-wide acclaim. Paddy was also one of the senior male artists who worked on the Yuendumu Doors. In 2000 Paddy Japaljarri Stewart undertook to produce 30 etchings of the original Yuendumu Doors in collaboration with Paddy Japaljarri Sims and under the guidance of Basil Hall, Northern Editions Printmaker (Northern Territory University). The first print of the etchings was all on one page and had its debut alongside the Yuendumu Doors when they were exhibited in Alice Springs. The etchings in a set were launched in 2001, to great acclaim with the set winning the Telstra, 16th National Aboriginal and Torres Strait Islander Art Award, for works on paper. Paddy has painted and exhibited regularly with Warlukurlangu Artists both nationally and internationally since 1985. Japaljarri's Jukurrpa stories or Dreamings include Yiwarra (Milky Way), Ngarlkirdi/Warna (witchety grub/snake), Warlu Kukurrpa (fire), and Yanjirlpirri (star). In his early work he often chose to work in tones of blue, pink and purple but later used traditional iconography and an unrestricted palette to develop a modern individualist style to depict his traditional Jukurrpa. His work has been included in numerous general exhibitions of Aboriginal art including Dreaming: The Art of Aboriginal Australia, The Asia Society Galleries, New York, 1988; The Continuing Tradition, Australian National Gallery, Canberra, 1989; Mythscapes: Aboriginal Art of the Desert...

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lovely pastel color composition, by the beach, on the French Atlantic coast nearby Cabourg or Deauville. Newly framed with a gray and green ceruse wood frame and a blue canvas matte. Measurements: With frame: 22.82 in. wide (58 cm) x 19.32 in. high (49 cm). Opening: 16.13 in. wide (41 cm) x 12.63 in. high (32 cm). About: André Hambourg was born in Paris on 5 May 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the Ecole Nationale Superieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old. Because of the early recognition of his talent, Hambourg became active in major Paris salons in the first stages of his fledgling career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. The first of Hambourg’s many honors was the Prix de la Villa Abd-el-Tif, awarded in 1933. As a result, the artist traveled to North Africa for the first time and spent nearly ten years working in Algeria and Morocco. The strong light of the sun, and the bleak poverty of this region, inspired Hambourg’s works. In 1937, he executed a large mural for the Algerian Pavilion at the Exposition Internationale of Paris. Throughout his years in North Africa, Hambourg would exhibit his paintings in numerous solo exhibitions in Algeria and Paris. In 1939, Hambourg was mobilized as a military reporter and draughtsman and worked on the staff of the Journal de Commissariat a la Guerre, the newspaper of the French army, under the pseudonym Andre Hache. Special missions on combat vessels led to his appointment as a war correspondent in 1944 with the staff of inter-allied SHAEF. As such, he participated in the campaigns of Germany, Alsace, the Atlantic front, and the Liberation of France. After returning to his artistic career for a short time, Hambourg became the official painter of the Navy in 1952. He undertook numerous voyages aboard French Navy vessels on missions worldwide, including Venice, the Soviet Union, Israel, Great Britain, The Ivory Coast, The United States, and Mexico. From these extended trips, the artist brought back numerous sketches and preparatory drawings for future paintings and illustrations. His international trips would have a lasting influence on his artwork. Hambourg’s adventurous maritime career resulted in his receiving the honor of Laureate of the Salon de la Marine and becoming the official painter of the Marine Ministry. In 1970, five hundred of his works created a prestigious retrospective at the Maison de Culture in Bourges, France. Other notable shows include Drawings of Venice...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Sunset Sail Oil on canvas Hand signed lower right and verso 22 x 20 inches Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

Inspired by paintings created by old masters and the immersive nature she experienced in the Black Forest, German artist Katharina Husslein paints in a representational hyperrealistic manner to capture lively bouquets and saturated landscapes. Husslein’s controlled and smooth still-life floral artworks derive direct inspiration from art history and flower photography. Flowers’ visual and tactile qualities, as well as their associations with love, femininity, and the natural world, have contributed to Husslein's colorful compositions. This one-of-a-kind oil painting on canvas measures 35 inches high by 51 inches wide. The artwork is stretched, wired, and ready to hang. The sides are painted as a continuation of the front. It is signed by Husslein on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. “I create paintings that capture the joy of the moment in time where everything seems quietly perfect and the flowers are in full bloom. A metaphor as old as time, to seize the moment and enjoy it to its fullest extent.” When you look closely at these paintings you will see all kinds of amazing plants arranged together in a vase, some of which may not flower at the same time. The artworks focus more on the colors, lighting, textures, and botanical details which make Husslein's paintings so intriguing. Born in Wertheim, Germany, Husslein grew up in a quaint village surrounded by luscious hills and flowing rivers. To grow her practice and widen her perspective, she left Germany to study art in London, UK. As part of her studies, she lived in Los Angeles, New York, and Australia. Now based in Munich, Germany, Husslein has exhibited her artworks across Europe, gaining collectors internationally. Her original oil paintings have been exhibited at Artspace Warehouse Los Angeles since 2022. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 Texture and Topography, Artspace Warehouse, Los Angeles Flowers, Galerie Katapult, Basel, Switzerland Aldeburgh Art Fair with Newinger Art Affordable Art Fair Hampstead with Newinger Art Discovery Art Fair Cologne with Newinger Art Affordable Art Fair Battersea Spring with Signet Contemporary Affordable Art Fair Brussels with Folly & Muse 2022 Exhibition with Edward Montgomery Fine Arts Affordable Art Fair Hamburg with Folly & Muse Affordable Art Fair Battersea with Signet Contemporary Affordable Art Fair Amsterdam with Folly & Muse Signet Gallery...

The Luberon Hilltop Perched Village French Impressionist artist, signed lower corner, inscribed verso dated 2016 oil on canvas, unframed canvas: 32 x 39.5 inches provenance: private...