Damiano Bernard Art
to
2
1
1
1
2
Overall Height
to
Overall Width
to
2
2
1
1
2
6,938
3,292
2,514
1,213
2
2
Artist: Damiano Bernard
Abstract Composition DB5, 1962 - oil paint, 115x146 cm, framed
By Damiano Bernard
Located in Nice, FR
Oil on canvas, signed on the back.
Category
1960s Abstract Damiano Bernard Art
Materials
Oil
Woman, 1986 - oil paint, 142x114 cm., framed
By Damiano Bernard
Located in Nice, FR
Oil on canvas, signed back
Bernard Damiano ne découvre sa ville natale, Coni, qu'en 1935, après neuf années d'émigration familiale avec son père Pietro (1895-1964), sa mère Rosa (née en 1897) et sa sœur Angela2, en Alsace, puis à Vallauris.
En 1940, en même temps qu'il fait l'apprentissage du métier de taillage de la pierre dans l'atelier Revello à Coni, Bernard Damiano se lie, par des affinités artistiques et littéraires, d'une amitié durable avec le futur poète et linguiste Sergio Arneodo : plus tard, ils s'attacheront communément à la valorisation culturelle et spirituelle d'un village du Val Grana, Sancto-Lucio de Coumboscuro3.
Trouvant un emploi de tailleur de pierre et de marbre à Tende (Alpes-Maritimes) en 1948 (c'est là qu'il rencontre son épouse Giselle2), puis d'ébéniste à Nice en 1951, il vit successivement à Nice, Villefranche-sur-Mer, Vallauris, puis de nouveau Nice où, dans un atelier situé dans un sous-sol de la rue Benoit Bunico4 dans le Vieux-Nice, il peint tout en étudiant les peintres de la Renaissance et les impressionnistes.
Lors de sa première exposition personnelle (Nice 1958, suivie rapidement de participations à des salons), Bernard Damiano reçoit les encouragements du peintre niçois Sylvain Vigny (1904-1970) avec qui il restera en relations. Sa vie à Nice est interrompue par deux années à Paris (Bernard réside alors rue Saint-Vincent, au cœur de la vie montmartroise), coïncidant avec sa première exposition personnelle dans la capitale, de 1966 et 1968. Il obtient la nationalité française en octobre 1974 et se partage dès lors entre Nice et San Remo2.
C'est précisément au cours de la décennie 1970 que la peinture de Bernard Damiano est dite s'éloignant d'une parenté avec Jean Dubuffet, l'Art brut ou le mouvement Cobra pour, dans « une touche nerveuse et une pâte triturée »5, puiser son style dans la suite de l'expressionnisme6. Cette proposition est toutefois énoncée avec réserve : à l'instar de l'espagnol Eduardo Pisano, Bernard n'a jamais daté ses œuvres, reprenant et retouchant même souvent un même tableau pendant plusieurs années. C'est peut-être dans l'usage du « trait-couleur et du flamboiement des chairs...
Category
1980s Abstract Expressionist Damiano Bernard Art
Materials
Oil
Related Items
Transitions and Thresholds No. 1
Located in Columbia, MO
Meyer studied art at University of Central Missouri, Indiana State University and received her degree in painting and drawing from Columbia College. She has had the privilege of havi...
Category
21st Century and Contemporary Abstract Damiano Bernard Art
Materials
Wax, Oil, Archival Paper
Binyamin Basteker, The sounds of flowers (Jerusalem flower series) oil on canvas
Located in Jerusalem, IL
Binyamin Basteker
The sounds of flowers , 2020
oil on canvas
80 x 60 cm
31 x 24 in
Exhibited: "Jerusalem Flowers", 2020 Rosenbach Contemporary, Jerusalem
Binyamin Basteker was bo...
Category
2010s Abstract Expressionist Damiano Bernard Art
Materials
Oil
"Untitled, " Alan Fenton, Abstract Expressionism, New York School, Color Field
Located in New York, NY
Alan Fenton (1927 - 2000)
Untitled, 1958-1960
Oil on canvas
90 x 84 inches
Fenton's quiet and contemplative nonobjective paintings and drawings were widel...
Category
1950s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
"Untitled, " Alan Fenton, Abstract Expressionism, New York School, Color Field
Located in New York, NY
Alan Fenton (1927 - 2000)
Untitled, 1958-1960
Oil on canvas
90 x 84 inches
Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting.
More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers.
Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets.
He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract...
Category
1950s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
"Manhattan Night Life"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
"Untitled, " Alan Fenton, Abstract Expressionism, New York School, Color Field
Located in New York, NY
Alan Fenton (1927 - 2000)
Untitled, 1958-1960
Oil on canvas
90 x 84 inches
Fenton's quiet and contemplative nonobjective paintings and drawings were widel...
Category
1950s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
"Untitled, " Alan Fenton, Abstract Expressionism, New York School, Color Field
Located in New York, NY
Alan Fenton (1927 - 2000)
Untitled, 1958-1960
Oil on canvas
96 x 78 inches
Fenton's quiet and contemplative nonobjective paintings and drawings were widel...
Category
1950s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
Jacob's Ladder, 2021 oil on canvas oil on canvas 110 x 140 cm (43 x 55 in)
By Raquel Sanchez
Located in Jerusalem, IL
Raquel Sanchez
Jacob's Ladder , 2021
oil on canvas
110 x 140 cm (43 x 55 in)
Exhibited: Jerusalem Biennale 2021
Influenced by the Impressionist and Modern masters, Raquel's perso...
Category
2010s Abstract Expressionist Damiano Bernard Art
Materials
Oil
Untitled
By Roland Petersen
Located in Palm Desert, CA
A painting by Roland Petersen. This Untitled, oil on canvas, abstract painting is executed in thick and lush impasto, in colors primarily of greens, blues, teals, white, red, ochre a...
Category
1960s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
"Untitled, " Alan Fenton, Abstract Expressionism, New York School, Color Field
Located in New York, NY
Alan Fenton (1927 - 2000)
Untitled, 1958-1960
Oil on canvas
88 x 82 1/2 inches
Signed on the stretcher
Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting.
More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers.
Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets.
He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract canvases...
Category
1950s Abstract Expressionist Damiano Bernard Art
Materials
Canvas, Oil
Oil on Canvas “Arroyo 14”
By Frank Arnold
Located in Fresno, CA
" Arroyo 14" is 72” x 60”. A rich sienna and ochre figure centered on a textured field of light yellows and beige. Frank Arnold’s paintings exhibit the highest quality materials for ...
Category
2010s Abstract Damiano Bernard Art
Materials
Canvas, Oil
Binyamin Basteker, Abstract composition , 1990 oil on canvas 87 x 115 cm
Located in Jerusalem, IL
Binyamin Basteker
Abstract composition , 1990
oil on canvas
87 x 115 cm
34 x 45 in
Binyamin Basteker was born in Mumbai in 1953. Growing up in a family of artists, his unique tal...
Category
1980s Abstract Expressionist Damiano Bernard Art
Materials
Oil
Damiano Bernard art for sale on 1stDibs.
Find a wide variety of authentic Damiano Bernard art available for sale on 1stDibs. You can also browse by medium to find art by Damiano Bernard in oil paint, paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Damiano Bernard art, so small editions measuring 45 inches across are available. Customers who are interested in this artist might also find the work of Josep Grau-Garriga, Arnold Weber, and Lynne Golob Gelfman. Damiano Bernard art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,782 and tops out at $6,593, while the average work can sell for $5,188.