Daniel Maclise Art

"Pause" by Rick Sindt is a small graphite drawing of two male figures - one gazing directly at the viewer. We, the viewer, seem to be interrupting this i...

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

Provenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017 While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches. This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks. While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs. The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery. We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...

SIR WILLIAM BLAKE RICHMOND, RA (1842-1921) Study of an Angel Pencil on the artist’s writing paper for Beavor Lodge, Hammersmith Unframed 22.5 by 17 cm., 9 by 6 ¾ in. (mount size ...

William Clarke Wontner 1857-1930 British Portrait of a Beauty Signed and dated "W. Wontner 1918" (lower left) Oil on canvas Classical beauty a...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Noel Laura Nisbet. English ( b.1887 - d.1956 ). Such Young Love. The Anticipation of a Kiss. Watercolor. Signed. Image size 17.3 inches x 13.8 inches ( 44cm x 35cm ). Frame size 25.4 inches x 20.9 inches ( 64.5cm x 53cm ). Available for sale; this original painting is by Noel Laura Nisbet and dates from around 1930. The watercolor is presented and supplied in its original frame that has an Arts and Crafts aesthetic. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is ready to hang and display. The watercolor is signed lower right. Noel Laura Nisbet was an English oil and watercolor artist, who painted figures, landscape, fantasy and romantic scenes. She created some wonderful original Pre-Raphaelite-influenced works which are now much sought-after. She was the youngest daughter of Hume Nisbet, a Scottish artist, author and traveller, whose support and generosity enabled her talent to flourish. The family moved from Scotland to London in 1887 and Noel was born in Harrow on 30 December that year. Noel attended the Notre Dame Convent school in Clapham, then studied art at South Kensington, under L.C. Nightingale, where she won three gold medals and the Princess of Wales Scholarship (established on 1863 to reward the most distinguished female art student in the UK and what is now the Republic of Ireland). Noel’s elder sister Margaret also became an artist. In 1910 Noel married Harry Bush, who she had met as a fellow art student. They went on to have two daughters. Harry was away for most of the Great War, and Noel stayed with her daughter Hazel in Bath Cottage in Speen. A few years later her father set up his artistic daughters in two matching houses, with purpose-built attic studios, on an estate then being built in south west London. The address of Noel Nisbet and Harry Bush was 19 Queensland Avenue, Merton Part, Wimbledon, SW19 and they lived there for the rest of their lives. Harry Bush was to immortalise their world in his pictures of suburban London. Nisbet illustrated five books of fairy tales and legends, including Russian Fairy...

Inscribed, upper left: “Miss Laura Keppel” Provenance: Commissioned from the artist and by descent in the Keppel family estate, Lexham Hall, Norfolk, to: Major Bertram William Arnol...

The son of the legendary Napoléon Bonaparte, Napoléon François Charles Joseph, takes a spirited stance in this remarkable oil painting attributed to the Austrian portraitist Johann Peter Krafft. Believed to have been exhibited at the Exposition Universelle of 1900 in Paris, this work stands as a testament to both Austrian artistry and the legacy of one of the most powerful men in history. After Napoléon's exile to the island of Elba in 1814, his son was seen by many of his supporters as the last hope of France. The child was named the ruler of half of Europe, holding the titles of Napoléon II...

This stunning exhibited Pre-Raphaelite 19th century watercolour painting is by British Victorian female artist Marcella M Walker. The painting was painted in 1880 and exhibited at th...