David Robinson Art

The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...

This takes dead aim at how being Black in our culture is a very dangerous game. The imagery is of an old arcade shooting gallery. Throughout the 1800s, right up until the 1960s, carnival games...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Delicate, frightening, otherworldly are all descriptions that apply to these sculptures by artist, Kirk Roda. "The Joke" is an exploration of pure fantasy th...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Balloon Animals Set II (matching edition number) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art Limoges po...

Karen Kuo 'Galaxy Cup No. 11,' 2022 Colored porcelain, ^6 oxidization 3.5 x 3.5 x 2.75 inches ━━━ (This piece is part of the exhibition titled 'WORK' on LAD...

Karen Kuo 'Cobblestone Nerikomi Bowl,' 2022 Colored porcelain, ^6 oxidization 5.25 x 5.25 x 4 .2 inches ━━━ (This piece is part of the exhibition titled 'WO...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Ross Redmon Title: Serpent Ceramic, Post Fire Surfaces Year: 2014 Size: 84 x 26 x 19 inches Signed COA provided Ross Redmon is a Kansas City based artist, originally from Greer, So...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...