Dorothy Knowles Art

Orange Grove Landscape, 1941, gouache on illustration board, 14 inches x 18 inches (image), 22 x 26 inches (framed) signed and dated lower right, newly framed with museum glazing ...

Unsigned, but it is attributed to Thomas Miles Richardson Jr., R.W.S. (1813 - 1890), since the similar work was sold through Christies in 1998 (same size with signature and date 1861...

'Les Alyscamps Arles', watercolour on art paper, by Yves Brayer (1977). This term has its origins and is related to the Elysian Fields, also called Elysium, which is the final restin...

coast original watercolor paper expressionist painting. This Catalan painter, settled for years in Mallorca, offers a series of landscapes in which the natural is treated in the imp...

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...

Signed and dated lower right: • FARNY • /88

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...

Signed and dated lower right: J.F. Cropsey 1887

View of the Gulf of Naples, with Vesuvius on the background is an original modern artwork realized by Anonymous artist in the mid-19th Century. Mixed colored gouche. Includes a bla...

Approximate Date: 1954 Medium: Gouache on Paperboard Signature: Signed Lower Left Size: 26 1/8 x 20 in. Saturday Evening Post, October 9, 1954, cover illustration. Exhibited: Norman Rockwell Museum...

Sicilian Landscape with Aetna on the Background is an original Gouache on paper, realized by Anonymous Artist of the early 20th Century. In very go...

Netherlands, 1817-1891 Cornelis Springer (Amsterdam, May 25, 1817 - Hilversum, February 20, 1891) was born as the fourth son of carpenter and contractor Willem Springer. Springer received training as a house painter from the house and carriage painter Andries de Wit and from his eldest brother, who was an architect, lessons in architectural drawing and perspective. After studying at the Amsterdam Academy, he painted accurately executed cityscapes with a lot of sunlight effect in Amsterdam, temporarily in Brussels and in Germany. As a member of the 'Felix Meritis' society in Amsterdam, he won a gold medal for a church interior in 1847. Together with Barend Cornelis Koekkoek...