Emma Levine Art

Delph II by Roy Wilce Oil Pastel Monoprint on Archival Paper, signed lower right image 3x4", paper size is 15"x12", unframed, ships flat Colorful little section of three delphinium...

A large, unique oil painting on stretched canvas, ready to hang. The artwork depicts close-up tropical plants in beautiful and rich colours. Framing options are available on request

Delph I by Roy Wilce Oil Pastel Monoprint on Archival Paper, signed lower right image 3x4", paper size is 15"x12", unframed, ships flat Colorful little section of three delphinium ...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is included. Package: protected cardboard box. Dispatching terms: 2-3 work...

This lime green and grey abstract paper artwork titled "Illusionary Paper Series “Frosted Lemon” III" is an original artwork by Daria Aksenova made of hand cut, suspended, layered colored paper. This piece measures 10"h x 10"w x 1"d framed. Best known for creating dreamscape shadow box art...

Untitled II by Roy Wilce Oil Pastel Monoprint on Archival Paper, signed lower right image 6x9", paper size is 12"x15", unframed, ships flat Minimal contemporary landscape in cool t...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

Spot 02 Paper taken from Damien Hirst's "The Complete spot paintings: 1986-2011" Box framed and glazed with conservation glass. 27 1/2 x 27 1/2 in 70 x 70 cm "My aim is to transform an every day object into a piece of work that invites the viewer to see beyond its original source." - Rebecca J Coles...

Old Riga motif 1972. Paper, watercolor, 50x41 cm The central focus of the artwork is on an old town, a historic district known for its antiquated architecture, cobbled streets, and...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

The artwork is framed and floated to the backboard. The dimensions of 44 x 50 cm are that of the artwork only, excluding the size of the frame.