Frank Bowling Art

Frank Stella Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Offset lithograph on thin board (hand signed) Frame included:: elegantly floated and fra...

Wallscape VI (Il Famoso) by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes in Italy 48 x 60 inches / 122cm x 152cm edi...

“Shadows Kept Alive No. 113” is a triptych of 3 abstract images composed together as one single image measuring 14” high by 42” wide. It is a giclée print on archival Hahnemüle paper. The gallery is offering Free Shipping on this item globally, which ships rolled carefully in a tube. From the artist, Chris MaGee...

“Shadows Kept Alive No. 104” is a triptych of 3 abstract images composed together as one single image measuring 14” high by 42” wide. It is a giclée print on archival Hahnemüle paper. The gallery is offering Free Shipping on this item globally, which ships rolled carefully in a tube. From the artist, Chris MaGee...

'Spring Couplet' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

Harriet Hoult At-ha Limited Edition Giclee Print Edition of 50 Sheet Size: H 91cm x W 63cm x D 0.1cm Signed by the Artist This is a signed, Limited Edition Giclée print of the origi...

Bruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo...

Florence Arnold (American 1900-1994) hard-edge abstract color screenprint (c.1976) pencil signed 6/25, 19in x 25in. Florence Arnold began painting seriously in 1947. By the late 1950s she associated with a group of painters including Karl Benjamin, Paul Darrow, Doug McCleland, Frederick Hammersley...

Jonathan Moss NV10 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ image...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...

“Shadows Kept Alive No. 16” is a triptych of 3 abstract images composed together as one single image measuring 14” high by 42” wide. It is a giclée print on archival Hahnemüle paper. The gallery is offering Free Shipping on this item globally, which ships rolled carefully in a tube. From the artist, Chris MaGee...