Frank Roth Art
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Artist: Frank Roth
The Cat's Pajamas
By Frank Roth
Located in Long Island City, NY
Artist: Frank Roth, American (1936 - )
Title: The Cat's Pajamas
Year: 1968
Medium: Oil on Canvas, signed, titled and dated verso
Size: 66 x 72 in. (167.64 x 182.88 cm)
Category
1960s Abstract Geometric Frank Roth Art
Materials
Oil
Untitled - Two Wedges, Abstract Screenprint by Frank Roth
By Frank Roth
Located in Long Island City, NY
Artist: Frank Roth, American (1936 - )
Title: Untitled - Two Wedges
Year: 1978
Medium: Serigraph, signed, titled and numbered in pencil
Edition: AP 30
Image Size: 17 x 34 inches
Size...
Category
1970s Abstract Expressionist Frank Roth Art
Materials
Screen
Four Green Shapes in Continuous Space, Surrealist Screenprint by Frank Roth
By Frank Roth
Located in Long Island City, NY
Artist: Frank Roth, American (1936 - )
Title: Untitled - Four Green Shapes in Continuous Space
Year: 1978
Medium: Serigraph, signed and numbered in pencil
Edition: 125, AP 30
Image S...
Category
1970s Op Art Frank Roth Art
Materials
Screen
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By Lydia Dona
Located in Surfside, FL
1982-84 Hunter College, New York (M.F.A.)
1978-80 School of Visual Arts, New York
1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.)
American, born in Romania
Lives and works in New York City
Solo Exhibitions
2008 Michael Steinberg Fine Art, New York
2006 Galeria Joan Prats, Barcelona
2005 Karpio + Facchini Gallery, Miami
Jacob Karpio Galeria, San Jose (Costa Rica)
2004 Michael Steinberg Fine Art, New York
2001 Marella Arte Contemporanea, Milan
2000 Von Lintel & Nusser, New York
Galerie Von Lintel & Nusser, Munich
1998 Galerie Thomas von Lintel, Munich
1997 Galerie des Archives, Paris
1995 Galerie Samuel Lallouz, Montreal
L.A. Louver, Los Angeles
1994 Marc Jancou Gallery, London
Galerie des Archives, Paris
1993 Galerie Barbara Farber, Amsterdam
Real Art Ways, Hartford (Connecticut)
1992 Tom Cugliani Gallery, New York
Galerie Marc Jancou, Zurich
Galerie des Archives, Paris
1989 Tom Cugliani Gallery, New York
Galerie Barbara Farber, Amsterdam
Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still.
What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making.
Selected Group Exhibitions:
2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija
Slavkovic, Studio Vendome Gallery, New York.
2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic,
South Carlton Beach and The Betsy-South Beach Exhibition Programs,
Art Basel, Miami Beach.
2013 Imprinted Pictures: Lydia Dona...
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Bright Vibrant Pop Art Silkscreen Lithograph Print NYC Abstract Expressionist
By William Scharf
Located in Surfside, FL
Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message.
William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism.
He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004).
In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004).
Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City.
Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association.
EDUCATION
1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar)
1949 The University of Pennsylvania — Philadelphia, PA
1948 The Academie de la Grand Chaumiere — Paris, France
1947 The Barnes Foundation — Merion, PA
1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club)
TEACHING HISTORY
Instructor: Painting & Drawing
1987-Present Art Students League, New York, NY
1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA
1965-69 he School of Visual Arts, New York, NY
1964 Art Center of the Museum of Modern Art, New York, NY
Guest Lecturer
1979 Pratt Institute, New York, NY
1974 Stanford University, Palo Alto, CA
1974 California College of Arts and Crafts, San Francisco, CA
Recent Solo Exhibitions:
2005 Meredith Ward Fine Art, New York, NY
2004 Richard York Gallery, New York, NY
2002 P.S.1/MOMA, Queens, NY
2001 The Frederick R. Weisman Museum of Art, Malibu, CA
2000-2001 The Phillips Collection, Washington, DC
Selected Group Exhibitions:
2005 National Academy of Design, New York, NY
2005 Peter McPhee Fine Arts, Stone Harbor...
Category
1970s Abstract Expressionist Frank Roth Art
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Frank Roth art for sale on 1stDibs.
Find a wide variety of authentic Frank Roth art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Frank Roth in screen print, oil paint, paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Frank Roth art, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Robert Kuszek, Katherine Chang Liu, and Will Petersen. Frank Roth art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $480 and tops out at $27,500, while the average work can sell for $1,025.