Hans Juergen Diehl Art

Mily POSSOZ (1888-1967) Summer in Paris, Seine Banks, 1930 Original etching Handsigned in pencil by the artist Numbered / 45 copies Blind stamp of the editor Marcel Guiot (Paris) On...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

Charles KVAPIL The Bathers , c. 1920 Original etching and Aquatint Unsigned On BFK Rives vellum 43 x 60 cm (c. 17 x 24 in) Very good condition

Pierre-Yves TREMOIS Harmony, 1968 Original etching Handsigned by the artist Justified by "Epreuve d'artiste" (Artist proof) On BFK Rives vellum 76 x 56 cm (c. 29 x 22 inch) Exce...

Samson, The Judge is an original artwork realized between 1963 - 1967 by the famous artist Ernst Fuchs. Black and white etching. Included frame: 72.5 x 1.5...

Hand signed and numbered. Edition of 100 prints. Etching on ivory colored paper. Image Dimensions : 40 x 24 cm In excellent condition.

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

Le Peseur d'Or (The Money Exchanger) is a wonderful black and white etching on wire rod cream-colored paper, realized by Léopold Flameng, an after by the Flemish artist Gabriel Metsu...

Sunlit Buttercups by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie h...

Suzanne VALADON La toilette Handsigned original engraving (drypoint) Signiture printed in the plate (in the upper right corner) On BFK Rives vellum at view 13.7 x 9.4 inches (35 x ...

Michelle Stuart is an American artist whose work references a range of influences, from history to astronomy and botany, as well as her extensive travels to ancient archaeological sites. Stuart studied in Mexico, France, and at The New School for Social Research in New York. Since the 1960s, Stuart has created a multifaceted body of work including large-scale earth works...

After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...