Jack Delano Art

"Italian Hats" by Hulton Archive Models wearing a collection of Italian designed hats for winter 1956/7 and spring 1957, at the fifth Men's Fashion Festival, San Remo, Italy. Unfra...

Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. signed in ink and with photographer stamp verso and hand written title. Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Village Voice Greenwich Village old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others have all been shot by him. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Smithson was born in Passaic, New Jersey. He studied painting and drawing in New York City at the Art Students League of New York from 1955 to 1956 and then briefly at the Brooklyn Museum School. His early exhibited artworks were collage works influenced by "homoerotic drawings and clippings from beefcake magazines", science fiction, and early Pop Art. He primarily identified himself as a painter during this time, but after a three-year rest from the art world, Smithson emerged in 1964 as a proponent of the emerging minimalist movement. His new work abandoned the preoccupation with the body that had been common in his earlier work. Instead he began to use glass sheet...

Gorbals Boys (1948) - Silver Gelatin Fibre Print (Photo by Bert Hardy/Getty Images Archive London) Possibly Bert Hardy's most famous image. Two boys in the Gorbals area of Glasgow. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. Original Publication: Picture Post - 4499 - The Forgotten Gorbals - pub. 1948 Additional Information: Unframed Paper Size: 20 x 16'' inches / 51 x 41 cm Printed 2024 Silver Gelatin Fibre Print Limited edition issued and stamped on front by the Getty Archive London Edition size 300 only NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 8'' 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' FRAMING AVAILABLE ON REQUEST Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso, Jean Cocteau, Jacqueline Picasso, Spanish actress Lucia Bose, her husband the famed ...

Signed in ink and with photographer stamp verso and hand written title. Donald King (born August 20, 1931) is an American boxing promoter known for his involvement in historic boxing matchups. He has been a controversial figure, partly due to a manslaughter conviction (King was pardoned in 1983 by Ohio Governor Jim Rhodes, with letters from Jesse Jackson, Coretta Scott King, George Voinovich, Art Modell, and Gabe Paul, among others, being written in support of King.), and civil cases against him. King's career highlights include, among multiple other enterprises, promoting "The Rumble in the Jungle...

This is a photo of Friedl Dzubas (Abstract Expressionist) at Castelli Gallery, signed in ink and with photographer stamp verso and hand written title.. Over a 50-year span, McDarra...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

Last Bus In London by Bert Hardy Limited Edition silver gelatine print A couple saying goodbye on a bus in Shaftesbury Avenue in London, July 1953 . Original Publication: Picture Post - 6576 - Known Your Piccadilly - pub. 4th July 1953 (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images Archive London England) Paper size 12x16 inches / 31 x 41 cm Produced utilising the original negative Numbered and stamped by the Getty Archive London Limited edition to 300 only Silver gelatine fibre based baryta paper print Certificate of authenticity included printed 2024 Ships securely from London. Other sizes and Framing available on request. Bert Hardy Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Street Art A surrealist image of a man walking over a Sandro Botticelli chalk drawing in a NYC park Hand signed, titled and dated 1989 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

'Marlon Brando & Vivien Leigh Smoking On-Set' Marlon Brando and Vivien Leigh smoking cigarettes on the set of 'A Streetcar Named Desire,' 1951....

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting a portrait of a costumed Pablo Picasso. During the Feria de Nîmes festival, Picasso dressed...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso in the garden with a large bronze sculpture. Mougins, 1965. Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 11 3/4" height x 9" width to sight. Framed measures approx. 17 1/4" height x 14 3/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His vintage photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape paintings...