Jamini Roy Art

'Krishna and Nanda' is an original painting on paper by the lauded master of modern Indian painting Jamini Roy. In this image, Roy depicts the deity Krishna next to a cow, thus recal...

'Untitled (Elephants)' is an original painting on paper by the lauded master of modern Indian painting Jamini Roy. Roy often painted images of animals as a pair with an adult and inf...

'Untitled (Gopini)' is an original painting on paper by the lauded master of modern Indian painting Jamini Roy. In Hindu tradition, gopinis are female admirers of the deity Krishna, ...

'Untitled (Gopini)' is an original painting on paper by the lauded master of modern Indian painting Jamini Roy. In Hindu tradition, gopinis are female admirers of the deity Krishna, ...

'Untitled (Woman)' is an original painting on paper by the lauded master of modern Indian painting Jamini Roy. This painting, like many others by Roy, probably depicts a gopini. In H...

'Untitled (Gopini)' is an original painting on paper by the lauded master of modern Indian painting Jamini Roy. In Hindu tradition, gopinis are female admirers of the deity Krishna, ...

Jamini Roy (1887-1972). Woman, c.1950. Tempera on card, 11 x 24 inches; 13 x 26 inches framed. Excellent condition with no damage or conservation. Has not been examined outside frame. Original, undisturbed backing paper and hardware. Signed lower right. Biography: Jamini Roy (11 April 1887 – 24 April 1972) was an Indian painter. He was honoured with the State award of Padma Bhushan in 1955. He was one of the most famous pupils of Abanindranath Tagore, whose artistic originality and contribution to the emergence of modern art in India remains unquestionable. Jamini Roy was born on 11 April 1887 into a moderately prosperous family of land-owners in Beliatore village of the Bankura district, West Bengal.[1] When he was sixteen he was sent to study at the Government College of Art, Kolkata.[1] Abanindranath Tagore, the founder of Bengal school was vice principal at the institution. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. However, he soon realised that he needed to draw inspiration, not from Western traditions, but from his own culture, and so he looked to the living folk and tribal art for inspiration. He was most influenced by the Kalighat Pat (Kalighat painting), which was a style of art with bold sweeping brush-strokes. He moved away from his earlier impressionist landscapes and portraits and between 1921 and 1924 began his first period of experimentation with the Santhal dance as his starting point. Jamini Roy had 4 sons and 1 daughter. Roy began his career as a commissioned portrait painter. Somewhat abruptly in the early 1920s, he gave up commissioned portrait painting in an effort to discover his own. Roy changed style from his academic Western training, and featured a new style based on Bengali folk traditions. His underlying quest was threefold: to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Jamini Roy's paintings were put on exhibition for the first time in the British India Street of Calcutta (Kolkata) in 1938. During the 1940s, his popularity touched new highs, with the Bengali middle class and the European community becoming his main clientele. In 1946, his work was exhibited in London and in 1953, in the New York City. He was awarded the Padma Bhusan in 1954. His work has been exhibited extensively in international exhibitions and can be found in many private and public collections such as the Victoria and Albert Museum, London. He spent most of his life living and working in Calcutta. Initially he experimented with Kalighat paintings but found that it has ceased to be strictly a "patua" and went to learn from village patuas. Consequently, his techniques as well as subject matter was influenced by traditional art of Bengal. He preferred himself to be called a patua. Jamini Roy died in 1972. He was survived by four sons and a daughter. Currently his successors (daughters-in-law and grand children and their children) stay at the home he had built in Ballygunge Place, Kolkata. His works can be found in various museums and galleries across the globe. In 1934, he received a Viceroy's gold medal in an all India exhibition for one of his work. In 1954 he was awarded the Padma Bhushan by the Government of India, the third highest award a civilian can be given. In 1955, he was made the first Fellow of the Lalit Kala Akademi, the highest honour in the fine arts conferred by the Lalit Kala Akademi, India's National Academy of Art, Government of India. In 1976, the Archaeological Survey of India, Ministry of Culture, Govt. of India declared his works among the "Nine Masters" whose work, to be henceforth considered "to be art treasures, having regard to their artistic and aesthetic value". On 11 April 2017 Google India dedicated a Google Doodle to celebrate Roy on what would have been his 130th birthday. n 1929 while inaugurating Roy's exhibition sponsored by Mukul Dey...