Jean-Pierre Pincemin Art

Artist: Claude Lagouche (French 1943-2020), signed and dated 1986 Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his t...

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Alexander Markovich, the esteemed American artist painted this work entitled, "Understanding Dharmata- The unconditioned truth", circa 1985. The work consists of pictographic black a...

"Ardor" by Steven Rehfeld is a captivating 19" x 19" mixed media contemporary abstract that invites viewers into a vivid realm of exploration. Dominated by passionate reds and fiery ...

Abstract expressionist style painting on canvas paper in teal, dark blue, and pink with accents of green 'Untitled 2 (Blue & Pink)' by Jenny Nelson Oil on canvas paper, Painted in 2016 14.5 x 10.5 inch painting in 20 x 16 inch white 8-ply mat This modern abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2016. The colorful abstract is composed of calming tones of teal and dark blue. The contrasting patches of pinks and green beautifully pop against the subtle pale pink background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting includes an 20 x 16 inch 8 ply matte and is signed on the lower right hand corner. About the Artist: It is with her commitment to a lifelong, organic process that Jenny Nelson has achieved what so many artists and creatives work for; a language and a technique that is very much her own. She has wooed audiences here and abroad with consistently exquisite and balanced abstract paintings in neutral palettes of blues and grays that give way to pops of pink and orange. But to pin her as solely an abstractionist would be limiting her skill and versatility as a painter. Classically trained at Bard College, Nelson’s thorough knowledge of composition and color relationships as experienced through drawing from life are the tools that prepared her to work in abstraction and develop her technique. Nelson begins all her paintings the same way; she mixes an extensive palette of colors, preps the square canvas, and goes to town obliterating the surface with lots of color and wild gestures using oil sticks and brushes. After sitting with the discomfort and rawness that remains, Nelson turns the canvas around and around until a shape or color comes to the foreground. The next step is reductive as she blocks out bits of chaos with a solid color applied with a palette knife, oil sticks and brushes. Tension is built through the push and pull of paint as it is layered over colors and unruly forms. Nelson studies the painting at all stages of this process, waiting for it to communicate the next step until harmony and balance is achieved. Each work, with its own identity demanding attention and complete surrender to the process, may seem daunting at the onset. But Nelson is comforted by the perspective that painting is infinite and each new canvas is just one of many, therefore easing her expectations. Some pieces in this new body of work differ from previous paintings in that the abstractions are once again rooted in life. Inspired by the photographs of artist Joseph Podlesnik, Nelson uses his architectural and observational compositions as the framework for her new work. While the origins of the photographs’ subjects are not recognizable in the finished painting, she channels the energy discovered in his real-life findings to her canvas for a result that is entirely abstract. Invigorated by this approach, Nelson bravely moves forward, prepared to shift genres if that is where her journey takes her. A graduate of Bard College, Jenny Nelson also studied at the Lacoste School of the Arts in France and Maine College of Art. She completed a Residency at Byrdcliffe Art Colony from 2004 – 2008 and has exhibited regionally and nationally for many years. Nelson currently teaches workshops and an ongoing weekly class at the Woodstock School of Art. More about the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally including, Tria Gallery, Manhattan, NY; Hidell Brooks Gallery in Charlotte, North Carolina; Carrie Haddad, Hudson, NY. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

BUDD HOPKINS (1931-2011) Untitled Abstract, 1964 Oil on paper on canvas 14 x 11 inches Signed and dated at lower right: Hopkins ‘64 Budd Hopkins was born in Wheeling, West Vi...

oil, acrylic and collage on canvas Gdynia is Polish city at the Baltic Sea A Polish artist, Lukasz Fruczek was born in 1975. He studied at the Fine Arts School in Gdansk, with a s...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a orange-bronze and pink background, the artist has attached several objects, including plastic letters, paper cutouts, and glass slides...

"Lawn Chair with White T-shirt" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matt...

"Reader in a Lawn Chair" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...