Jody Alexander Art

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE The Gates (Project for Central Park, New York City) by Christo (1935-2020) Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 x 56 cm (14 x 22 inches) Signed and dated lower left and inscribed on the reverse, Christo 1998 Provenance Private collection, Germany This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff. The Gates, Project For Central Park is probably one of the most iconic and most recognizable of Christo's projects and the works around it are amongst the most sought after by international collectors. Artisti biography Christo Javacheff was born in 1935 in Gabrova, in Communist Bulgaria. Dropping his surname, Christo studied at the Fine Arts Academy in Sofia (1953–56) before defecting to the West, via Prague, in 1957. That year, he spent one semester at the Akademie der Bildenden Künste in Vienna and moved to Paris in 1958 where he met his future wife and artistic collaborator, Moroccan-born Jeanne-Claude de Guillebon (d. 2009). Indebted to Vladimir Tatlin's Constructivist edict "real materials in real space," Christo's first artworks, dating from 1958, consist of appropriated everyday objects such as bottles, cans...

'Hereditary Flaws,' 2020 Mixed fabrics over stretched vintage linen 36 x 48 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyo...

Bob DYLAN (1941-) Train Tracks mixed media 76 x 61 cm Signed Dylan's iconic Train Tracks image has resonated with fans and collectors since the initial s...

'Paternoster,' 2023 Buried bed sheet and wool over stretched canvas 50 cm x 40 cm 19.6 x. 15.7 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recont...

5184 spools of thread, aluminum ball chain and hanging apparatus, clear acrylic spheres, steel stand Devorah Sperber’s work exists at the intersection of art, science, and technol...

'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...

5024 spools of thread, aluminum ball chain and hanging apparatus, clear acrylic sphere, steel stand, edition 1 of 1 Devorah Sperber’s work exists at the intersection of art, science...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...

Meike Legler 'Agape,' 2022 Cotton, polyester, linen, acrylic paint and bleach over stretched canvas 48 x 36 inches - Meike Legler’s works are a bold post-feminist reframing of sewn...

chenille stems, mixed media platform, polished stainless steel cylinder, edition 1 of 1 Devorah Sperber’s work exists at the intersection of art, science, and technology. Following ...

Robert Rauschenberg Red River (RR 2007.012), 2007 pigment transfer on polylaminate 61 x 73.5 in. The Runts are Rauschenberg’s final painting series, so name...

Becca Van K 'Drexcyen Star Chamber (Drexciya),' 2014 Embroidery floss, canvas mesh, pine, and hardware 18.5 x 18.5 x 2 inches ━━━ (This piece is part of t...