Joseph Bernard Art

one of a kind drawing.

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Scottish artist Patsy McArthur explores the grace and power of human movement in her naturalistic drawings and paintings. Her latest works, including small ink studies, charcoal and ...

Ballroom Dancers by Trudy Good. Original Charcoal & Pastel onto paper. Trudy Good is a British figurative painter who has exhibited in numerous plac...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...

Charcoal and gouache on paper Paper size: 9x 11.5 inches Framed size: 23.5 x 25.75 inches Signed lower right Provenance: Raymond Spencer Co.; Galerie Dominion, Montreal, 1982; Dr Max Stern, Montreal, 1982; Leslie Sacks Fine Art, Los Angeles; Purchased by Haynes Fine Art...

An original pastel-on-paper drawing by British artist Charlie Mackesy - depicting the motion of a musician playing the Cello. Mackesy instantly draws y...

Ballroom Dancers II by Trudy Good. Original Charcoal & Pastel onto paper. Trudy Good is a British figurative painter who has exhibited in numerous pla...

Broken Fist, 2016 Charcoal on paper 30 x 40 cm Signed and dated Kanarelis presents a journey towards the truth, a truth bound to a genuine subjective point of view of the familiar a...

Signature: Signed Lower Right Medium: Charcoal on Paper Sight Size 18.00" x 34.50", Framed 24.00" x 41.00" This is a preliminary drawing. It’s a masterful drawing that was mounted long long ago and so you’ll see a fold down the center. This was a proposal for a Maxwell House...

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...

An original pastel-on-paper drawing by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a glimpse into this atmospheric depiction of a Jazz Trio...