Joseph Dierickx Art

Academic figurative oil painting of a muscular male athlete with a vintage green wrestling uniform "Wrestler in Singlet", Painted by Mark Beard as Bruce Sargeant (a pseudonym in homage to the figurative painting of John Singer Sargeant and fashion photography by Bruce Weber) Oil on canvas, signed upper left corner 30 x 20 inches, 34.5 x 24.5 inches in a black painted wood frame Excellent condition, the frame exhibits some wear consistent with age which is the artist's intention as the painting was made by his fictitious persona "Bruce Sargeant" who painted during the 1930's - 40's. Artwork description: This vertical, figurative portrait painting of a muscular male in a green wrestler singlet...

Academic style figurative oil painting of a muscular male gondolier with Venice's St. Mark's Campanile in the background "Gondolier" painted by Mark Beard as Bruce Sargeant (pseudony...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...

Academic style figurative oil painting on canvas of a young man undressing in a rural camp setting with a mountain landscape in the distance "At the Camp", Painted by Mark Beard as ...

Academic style figurative oil painting of two muscular football players Painted by Mark Beard as Bruce Sargeant Oil on canvas, signed upper right 20 x 16 inches unframed, 26 x 22 in...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 28 x 22 inches unframed This vertical, contemporary portrait painting of a single young m...

Academic, nautical style figurative oil painting of a handsome sailor against an ocean landscape "Sailor with Rope" painted by Mark Beard as Bruce Sargeant (pseudonym in homage to th...

Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

Academic style figurative portrait painting of a handsome young man against a grey background "Gio Taking Off His Singlet", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargent) 14 x 11 inches 18.5 x 15.5 inches framed Excellent condition Signed by the artist, upper left "B. Sargeant" This vertical, portrait painting of a young man was made by Mark Beard under his fictitious artistic persona, Bruce Sargeant. Painted in a modern Academic style, the handsome man is posed stoically against a pale grey background as he gingerly removes his wrestling singlet...

Academic style figurative painting of two men in trousers and suits with naval flags by Mark Beard aka "Bruce Sargeant" "Boy in Suit", painted in the late ...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...