Joseph Henry Sharp Art

Alphonse Mucha (Czech, 1860 - 1939) Medieval Thoughts, circa 1890 Wash, ink, and watercolor on paper 11 x 9 inches Signed lower right Provenance: Phillips New York, 19th and 20th ce...

View of the Brooklyn Bridge at night. Oil pastel on archival paper by the American artist, Leon Dolice. Signed lower right. Circa 1950. Condition: exc...

Dove, Arthur (American, 1880-1946). OIL BOAT. Watercolor and crayon on paper, 1932. Signed "Dove," lower right. Provenance, Alfred Stieglitz, American Place Gallery; Terry Dintenfass...

Edward Hopper 1882-1967 American Group of Houses Signed “Edward Hopper” (lower right) Watercolor and pencil on paper Edward Hopper is unparalleled in his depiction of the America...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Original watercolor on archival paper of Accabonac Harbor in East Hampton, Long Island by the regional artist Susan Deutscher. Signed lower left. Circa 1985. Condition is excellent. Professionally matted and framed in a thin natural birch wood frame. Overall framed measurements are 18 by 24...

Signed and dated (at lower right): BROSEN•20 A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamor...

Singed (at lower left): Jane Peterson

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

Estate stamp lower right

Signed lower left: Pleissner

A painting by Irving Norman. "Big City" is a social surrealism city scape, watercolor on paper in a dark palette of reds, blues, and yellows by artist Irving ...