Leone M. Bracker Art

one of a kind drawing.

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

Rosanna Gaddoni 'Within' 66 x 48 cm Charcoal and graphite on Rives Arches Paper 175 gm2 crème white Framed the size is 80 x 60 cm ( Frame is included...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

Caleb Althin (1866-1919) Sweden The Wounded Man Caleb Althin studied at the Academy of Fine Arts in Stockholm 1885–1894 with a few years break for studies abroad in decorative pai...

Work : Soft Pastel on archival and heavy paper for pastel drawing. The colors are fixed on the paper and the work has been treated with a UV-resistant varnish. Signed lower right. Un...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...

Gouache and charcoal on paper, 53cm x 37cm (74cm x 55cm framed). Provenance: the Artist’s estate (stamped verso). Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines...

Artworks of art that are part of the exhibition "The Fragile Space" Landscape b/w 70x100 cm mineral oxide on papers ( Fabriano Paper 300gr) Original drawing , one of a kind , fram...

Alice Kent Stoddard 1885-1976 Sledders (circa 1950-1960) Black chalk on card Image Dimensions: 19.75 x 16 inches (50.2 x 40.6 cm) Framed Dimensions: 26.5 x 22.3 inches Signed lower...

A drawing by Fernando Botero. "Dibujo a la Manera de Velasquez" is a portrait, charcoal and pastel on cardboard in an earth-tone palette by Latin American artist Fernando Botero. It is signed upper right, "Sobre Velazquez Botero -1-27-60 Para Rita. el recuerdo de uno payaso". Fernando Botero, best known for his voluptuously rotund human figures, was born in Medellín, Colombia on April 19, 1932. His father died when he was young, and he was raised by his mother, along with his two brothers. He attended a Jesuit school in Medellín and from the age of 12 to 14, he attended a matador training school. The bull fight became a recurring theme in Botero’s early work and while he was in his early teens, he sold his pictures of bull fights in front of the arena. By the time he was 16 years of age, Botero was working as an illustrator for the local magazine El Colombiano. He also began writing articles about art theory, one of which, entitled Picasso and Non-Conformity in Art, led to his expulsion from the Jesuit school for its endorsement of Cubism. One of Botero’s important early works, Woman Crying...