Louis Marcoussis Art

Louis Marcoussis, Polish (1878 - 1941) - La Mort de Nerval, pl. 10, Portfolio: Dix Eaux fortes pour Aurelia de Gerard de Nerval, Year: 1931, Medium: Etching on Van Gelder Zonen, num...

Louis Marcoussis, Polish (1878 - 1941) - Le Pont Mirabeau, pl. 4 from Alcools Portfolio, Portfolio: Alcools, Year: 1934, Medium: Etching and Drypoint, signed in pencil, Image Size: ...

Louis Marcoussis, Polish (1878 - 1941) - The Song of the Poorly Loved, pl. 5 from Alcools Portfolio, Portfolio: Alcools, Year: 1934, Medium: Etching on Rives, signed in pencil, Imag...

Louis Marcoussis, Polish (1878 - 1941) - La Belle En Dormant, Year: c. 1921, Medium: Etching on Arches, numbered and signed in pencil, Edition: AP 1/2, Image Size: 7.5 x 5.25 inches...

Medium: original burin etching and engraving. This impression on wove paper was printed in 1939 and published in Paris by San Lazzaro for the art revue XXe Siecle (issue number 5-6)....

Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate 10 from "Plaches de Salut" Published by Aux Editions Jeanne Bucher, Paris Rue Caulai...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE La Seine et la Tour Eiffel, vue d'un balcon by Louis Marcoussis (1878-1883) Oil on canvas 33 x 66 cm (13 x 26 inches) Signed lower left, Marcoussis Executed in 1925 Provenance Alice Halicka (the artist's wife), Paris Blanche Fabry Tézé, New York Stern Pissarro Gallery...

Letter from Louis Marcoussis to Countess Pecci Blunt is an original manuscript. The letter is addressed to Countess Pecci Blunt and it's written from Hotel Minerva, Florence Marco...

C.P.S.s.l.d. addressed to Countess Pecci Blunt with letter-dressing games recalling Apollinaire's calligrams and some small sketches. Marcoussis is the pseudonym of the French-born ...

Deluxe edition of only 23 copies including 40 original etchings by L. Marcoussis, including the title and a portrait of Apollinaire. One of the 20 copies on vélin d'Arches numbered i...

L.A.S. Rue Caulaincourt, Paris, November 3, 1935. (21x27 cm). Perfect conditions. In French. The wistfulness for the days spent at Marlia with the Countess (renewed by the photos tha...

Invitation to Marcoussis's solo exhibit inspired by Alcools by Guillaume Apollinaire at the Pierre Gallery from November 18th to 30th, with the artist's interventions (written in green pastel or with ink in china, and glasses and bottles sketch). It includes an envelope with stamps dated 18 November 1935. Since 1930, Marcoussis focuses mainly on engravings, including the Apollinaire Alcohol-inspired etchings, which will be collected and presented to the public by Galerie Pierre. The same Galerie that, ten years earlier, appointed him as one of the emerging artists of Paris (as you can see in the invitation addressed to Pecci Blunt...

Autograph Postcard signed without indication of place nor date, addressed to Countess Pecci Blunt with china and pastel, pink and blue sketches. Marcoussi...

Autograph Letter Signed, on headed paper "61, Rue Caulaincourt", with initial and sentence "Chère Amie", painted in watercolours and decorated with tears, including an envelope with ...

Autograph Postcard signed without indication of place nor date, addressed to Countess Pecci Blunt with letter-dressing games recalling Apollinaire's calligrams and some small sketche...

Watercolour with greetings "Bonne Année", with a sketch of a face, with the author's signature. (21x27 cm). Perfect conditions. Marcoussis is the pseudonym of the French-born Polish...

Louis Marcoussis (1883-1941), Un Reve, etching, 1930, signed in pencil lower right and inscribed “2nd etat 1/2” lower left. Plate 1 of the portfolio Aurelia. Reference: Milet 55II, second state (of 4), before the edition (of 153 in the fourth state). In good condition, on a wove paper with full margins (a small area of discoloration below the border lower left, remains of prior glue right margin edge), 7 1/4 x 5 3/8, the sheet 15 5/8 x 9 3/8 inches, archival matting. A fine impression of a rare proof, before the edition. This is one of the two proofs of the second state. After this state the plate was reduced in a third state (from 183 to 174 mm), and then steel faced for the edition. Provenance: Libreria Prandi Reggio (blindstamp lower right corner) Jean Cassou and Pierre Courthion asked Marcoussis to illustrate Aurelia, a novel by Gerard de Merval. This was the first album of their collection “Le Blanc et Le Noir,” edition chez Fourcade. Marcoussis was familiar with this novel, in which imagination and reality intermingle. In it de Merval wrote: “La Reve est une seconde vie.” (The Dream is a parallel life.) Marcoussis wrote of the print: “Il ressemblait a l’Ange de la Melancholie d’Albrecht Durer.” (It recalls the angel in Durer’s Melancholia...

"Le Pacte", Paris: Editions Forcade, 1930. In Gold Leaf Frame. Original etching printed in black ink on japon. Hand signed with artist’s monogram lower left, an impression of the f...

Eaux-fortes Pour Alcools de Guillame Apollinaire: Nuit Rhenane," 1934. Original etching signed in pencil and inscribed `a Mola bien amicalement Marcoussis /New York le 26 Mai 1935...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) Łódź, Poland 1878/1883 – 1941 Cusset, France (Polish/French) Title: Planches de Salut, 1931 Technique: Origi...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: The Balcony (Drawing for Plate I, Plan...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: Frontispiece for Planches de Salut, ...