Mark Lewis Art

Robert Petrick's "Plan B" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece i...

I created this piece through the inspiration I got from the garden I visited, the artwork preaches the essence of nature to magnify the existence of human beings, starting from the a...

Robert Petrick's "The Plan" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

This contemporary political painting, The State of America, is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of sys...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

This contemporary political Black White House painting is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of systemic...

A painting by Patrick Wilson. “Meadowlark” is a geometric abstract painting, acrylic on canvas executed in a vibrant palette of yellows, whites, grays and blacks by contemporary Amer...

"Health Formula" Human health is its main well-being. But a person is not only a Body, it is, first of all, a Spirit and a Soul. Therefore, the healing process cannot be considered solely as a treatment of the Body. There is an expression: "Physics needs physics." This suggests that if you have health problems, then you should definitely go to the doctor and use it to eliminate these problems at the physical level. But, eliminating the consequence - the disease, doctors will not eliminate the causes of its occurrence, since they are at the level of the subtle plane and are caused by damage to the energy shell of the sick person, leakage of vital energy or its transformation into negative. A person with such energy will “catch” any negativity rushing around and more often suffer from relapses and chronic diseases, accidents, depressive states, etc. Our ancestors knew about this and, using the methods of body treatment available at that time, for example, herbs, they also used symbols and signs to heal and close energy wounds, and as amulets for protection and prevention. That is why all clothes, utensils, furniture, houses, armor, etc. of our ancestors are decorated with appropriate symbols. The memory of the ancestors still lives in us, their strength and influence growing every day. How it works, science explains: the higher the frequency of waves in the space around a person and in himself, the healthier he is both emotionally and physically (about the Schumann resonance, changes in the structure of water under the influence of sounds, frequencies of the tertiary structure of the DNA helix, frequencies of brain waves in different emotions and states, etc. you can read on your own). How can the Health Formula help? - In a positive effect on both the physical state and the mental, managing the flow and direction of thoughts and the general condition of a person, maintaining the fire of life in all life situations. It balances the forces responsible for the proportions of the five main elements in the body, and, as a result, the functioning of all human systems and organs is normalized. For example, an excess of the elements of ether and air can cause nervous irritation, high blood...

Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas. Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work. After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media. By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow. Such notable collectors of the era, including Fred and Marcia Weisman, Steve Martin...

Milan Tiff Cracker 48 x 48 inches Hand-signed by artist Artist's signature, artwork title and date on back of canvas Milan Tiff was born in 1949 in Shaker ...