Michele Luger Art

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Litografo (Volume I) Italian edition from 1972. Catalogue of works: Cramer 160. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Wonderful mid century, signed (illegibly) and dated. I believe it is German or Austrian but not certain. It is an assemblage of textures and materials collaged together, done in bright jewel tones. Avant Garde painting...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Madonna 1997. Paper, mixed media, 20x12 cm "Madonna" is a symbolic and emotionally charged artwork, celebrating the iconic religious figure of the Virgin Mary and the spiritual sig...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Joan Miró - "Original Lithography X". Lithograph in colors from Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 866. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Francis Bacon Francis Bacon (hand signed and warmly inscribed by Francis Bacon), 1975 Softcover catalogue with stiff wraps (hand signed and warmly inscribed by Francis Bacon) hand si...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...