Pierre Boncompain Art

Rene Genis (French 1922-2004) “Fruits, Flures Et Vase Blanc ” Fruits, Flowers And White Vase. Oil on Woven Paper (BFK). Oranges, blacks, greens and shades of pink off-set against a ...

Oil on panel Eugène Boudin " Trouville harbor scene at low tide " Biography: Eugène Louis Boudin (French 1824 – 1898) was one of the first French landscape painters to paint outdoo...

A charming 19th Century painting of Anemone flowers in a wicker basket. It has a warm, seasonal and festive feel. I love the great simplicity and sincerity it exudes. French in origi...

Oil on canvas by Pierre TROFIMOFF (1925-1996), France, 1992. "STILL LIFE WITH BASKET". Another version of this still life, very close to this one and entitled "Still life with the blue wall", is found in the book "Trofimoff" by Jacqueline de Grandmaison, Editions Vision sur les Arts, Béziers, 1978, page 29, full-page color illustration. This last work will have been used as cover page for the invitation 4 pages-card to the exhibition which took place from October 18 to November 10, 1978 at La Cadrerie - Galerie Edouard Chaix-Bryan, 23 rue du Docteur Fiolle in Marseille. With frame: 82x71 cm - 32.3x28 inches ; without frame: 65x54cm - 25.6x21.3 inches. 5F format. Signed "Trofimoff" and dated "92". Titled on the back (see photos). Pierre Trofimoff was born October 20, 1925 in Marseille in a very traditional bourgeois family, distant Polish origin. Very early, he declares a desire to become a painter. At 10, he entered the Melizan Institute in Marseille. His teenage vacation, he spent them in the house of his grandmother in Revest-les-Eaux near Toulon. In the countryside, he observes many artists drawing or painting on the motif, like the painter Eugène Baboulène and the sculptor Dionisi. Later, he will meet on the same place the engraver Decaris. Little encouraged by his family in his vocation, he was denied entry to the Ecole des Beaux-Arts in Marseille. However, he will go there as a free listener every Thursday It's the war. He is an inveterate museum-goer and deprives himself of cinema to buy books of Art. He likes Puget, Loubon, Delacroix, Courbet. Later Van Gogh, Soutine, Modigliani, Leprin, Pascin, Marquet, Dufu, Braque and Verdilhan by which he will be influenced. At the end of the war, Trofimoff works as a leather and hides broker. But simultaneously, he works his painting. He paints a lot in the company of Pierre Gontard and often goes to Meiffren's studio, cours Estienne d'Orves. There, the poet Boissin, the painters Jammes, Helene Martin and the actors of the troupe of the Galion d'Or meet. Trofimoff also meets Louis Pons, Raffaelli, Pierre Ambrogiani and Antoine Ferrari...

Jan Dingle Still Shade Limited Edition Etching Print Edition of 180 Image Size: H 8cm x W 6cm Sheet Size: H 19cm x W 15.5cm Signed and Numbered Sold Unframed Please note that any ins...

A. FERREYROLLES (active around 1880) Bread, fourme de Rochefort-Montagne and pottery on a wooden table Oil on canvas Signed and dated lower right 73 x 59 cm 1881 Few things are known to us about this Auvergne artist, who could to be Antoine Ferreyrolles, born in 1842 in Murat-le Quaire, about thirty kilometers southwest of Clermont-Ferrand; his surname being also very widespread in this part of Puy de Dôme. The Murol museum preserves three of his paintings, local landscapes, and there is a Entombment, painted in 1880 for the decor of the church of Rochefort-Montagne. There is also a Still Life with Game, dated 1886, and apparently in the same vein as our painting. This is executed in a very realistic style, bordering on trompe l'oeil, visibly inspired by artists from the beginning of the 17th century, such as the German Georg Flegel, the Dutch Floris Van Schooten or the Antwerp artist. Clara Peeters...

Alexandre Jean-Baptiste THEUVENOT (Port-sur-Saône, 1834 – Paris, 1882) Red-breasted Merganser Oil on canvas Signed at the bottom 78 x 56 cm Born in 1884 in Port-sur-Saône (Haute-S...

Pierre Coquet - Still life with peaches Reference number F357 Framed with an ebony color wood floated frame. 41 x 58 cm frame included (21 x 38 cm withou...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...