Pietro Bardellino Art

The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...

Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...

This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...

Artist/ School: English School, circa 1740's Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'. Medium: oil painting on canvas, framed Size: painting: ...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Cherubim with flowers - Oil on canvas cm.80x100 by Giulio Di Sotto, Italy, 2002. Gold leaf gilded wooden frame available on request This wonderful oil on canvas represents two putti...

18th century English school portrait of a lady, said to be Mrs. John Ruscombe of Colne, Lancaster, as the muse Erato This very skilfully painted portrait depicts a lady as the muse Erato, playing the Lyre. Her eyes are filled with emotion and her lips are curved in a soft, delightful smile. Hinting at the love song she is composing? Erato is one of the nine Muses in Greek mythology. She is the muse of lyric poetry, love poetry, and mimicry. Erato is often depicted holding a lyre, symbolizing her association with music and poetry. She inspires poets and writers to create works that celebrate love, beauty, and human emotions. Our painting was sold in the early 1900s as a work by Angelica Kauffman. Kauffman was an 18th-century Swiss Neoclassical painter who achieved significant success and recognition in a male-dominated art world. Born in Switzerland in 1741, she showed exceptional talent from a young age and received formal art training in Italy. Kauffman gained fame for her historical and mythological paintings, as well as her portraits, which were characterized by their grace, elegance, and classical influences. She was a founding member of the Royal Academy of Arts in London and enjoyed patronage from aristocrats and royalty throughout Europe. Kauffman's work contributed to the rise of Neoclassicism and she remains one of the most prominent female artists of her time. Measurements: Oil on canvas ca. 98 by 77cm and with the frame ca. 118 by 97 cm Provenance: Collection of Felix Gouled American Art Association, Anderson Galleries, by 1937 Kende Galleries at Gimbel Brothers, Jay Gould...

Roman master (c. 1650) - The Fall of Phaeton. 40.5 x 52.5 cm without frame, 56.5 x 59.5 cm with frame. Oil on copper, in carved and gilded wooden fra...

"Portrait of Emperor Rudolph of Austria (1557-1619)" circle or studio of Josef Heinz the Elder Emperor Rudolph II, born in 1552, was a visionary ruler whose reign as the Holy Roman ...

The scene of Christ carrying the cross is imagined in a rocky landscape. Two soldiers press the cross onto his shoulders, another leads him, holding the rope. A line of soldiers and prisoners moves from right to left. In front of them the three Marys kneel and pray for Christ. A nursing woman, symbol of Caritas, sits in the right foreground. Some dogs and playing kids enliven the scenery. Simon de Vos was born in Antwerp, and was first taught by Cornelis de Vos...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

The crucifixion of Crist Italian school 17th or 18th century. Beautiful detail in the face and hands. The lighting makes the figure of Crist seem to glow. In a good quality later frame. Presented by Joseph Dasta Antiques...