Ralph Edward Joosten Art

At Doug's Place by Lu Haskew Oil 12x10" image size Plein Air artists sit by a river discussing on break from the day of painting. ABOUT THE ARTIST: Lu considered it a must to work...

David Grossman's (US based) "Nightfall Gathering" is an original, handmade oil painting that depicts the yellow sun setting in a purple and blue sky above a snow-capped mountain. D...

A fine impressionist painting on the shore of Cape Cod with cottages, boats, and figures by American artist Alexis Jean Fournier (1865-1948). Fournier was born on the fourth of July ...

Classical portrait of a woman harvesting grapes. In this oil painting, I captured the serene essence of nature and the simple elegance of human connection with the earth. The centr...

"Planes of the Head" by Lu Haskew Graphite on Paper 14x12" framed, 10x8" image size ABOUT THE ARTIST: Lu considered it a must to work with live models once ...

Sunny contrasting girl portrait at the sea coast. The beautiful sea waves crushing on the coast. The sea wind is playing with hair. An artwork which brings summer and sea in to your ...

A continuation of the ballet topic. A beautiful ballerina in a dance moving. Realistic contemporary art with dancing ballerina. You can see also the beginning of the painting with gr...

"A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). The texts of troubadour songs deal mainly with themes of chivalry and ...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

In the Garden by Lu Haskew Oil Painting of woman with an umbrella in a backyard garden 10x8" image size 14x12" framed Shipping price includes the custom packing necessary for safe t...

"Mrs. Snell/Figure (reverse)" are two pencil drawings on paper by Henry Snell (New Hope, Pennsylvania / Gloucester, Massachusetts 1858 - 1943). Each drawing measures 5 3/4 x 3 3/4 inches and is conservation framed and matted in black, wood frames, and put behind glass. These drawings come from an original sketchbook...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...