Roger Hebbelinck Art

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

Image dimensions: 34 x 45 cm. Venice is an original lithograph realized by an unknown artist (Michel Kingl) in the 1960s. Colored lithograph on paper. Hand-signed in pencil by the ...

The First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome.Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5...

Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed...

Montagne by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Montagne is a limited edition signed etching print on paper by Sarah Duncan of a black and white mountain...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

"Marine Chantier de Construction", plate VIII from the 18th century "Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers" (Encyclopedia, or a Systematic Dict...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Richard Haas City Service Building (70 Pine Street, Manhattan), 2005 Etching Signed, titled, dated and numbered 7/20 in pencil on the front 20 × 16 inches Unframed Rare print by Rich...

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...