Ross Richmond Art

Created by San Jose based glass artist, the " Blue Mahoe Pair" is an elegant two-piece glass sculpture made by hand blowing glass and then manipulating it while it is still hot. Using various pigments of teal, green and ochre, Treg masterfully captures the appearance and texture of driftwood. Each piece of this duo measures about 22"h x 12"w x 6"d. For more works by Treg Silkwood...

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

From canvas to kiln, Hunt Slonem brings his signature subject to life like never before. This wonderful hand-blown sculpture depicts one of Slonem's signature bunnies in beautiful pink opaque...

A grouping of luscious pomegranate red glass and one single seed. Skilfully executed in blown glass - the inner element opaque, the outer translucent. Works from this series were rec...

Created by San Jose based glass artist, Treg Silkwood, the "Golden Nautilus" is an intricate sculpture of a seashell created entirely out of glass. Using layers of ochre (Gold) and white pigment, Treg masterfully captures the intricate shell details typically found on a nautilus'. This breathtaking piece measures 13"h x 11"w x 5"d and comes with a custom metal stand affixed with a rubber coating to ensure stability of the sculpture. About the Artist: Treg Silkwood is a glass artist whose career spans over three decades. He is recognized as a premier California Marine Artist and one of the foremost artists working in glass. Taking inspiration from walks along the California coast, Treg’s artwork explores his fascination with the many species of shells and natural objects he’s collected from his excursions. In response to these elegant forms, Treg creates blown glass sculptures that not only enrich his appreciation for the intricate complexities of the natural world but also form a personal connection to a place which he calls home. Treg has a BFA in glass from Alfred University and studied abroad at the Academy of Applied Arts in Prague, where he learned Czech mold-making and coldworking techniques. Post graduation, Treg worked as a glass blower recreating Early American Glassware at Greenfield Village, within The Henry Ford Museum in Dearborn, MI. He was an artist-in-residence at The Corning Museum of Glass in New York and part of the original crew that created The Corning Musuem of Glass Roadshow. In 2002, Treg and his wife Candace, established Silkwood Glass, a custom glass company specializing in marine life sculpture...

**ANNUAL SUPER SALE TIL APRIL 25th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* One of a kind seashells encrusted round mirror. The...

Clustered and sensuous oblong forms in translucent red glass have a smooth polished surface like the fruit that surrounds pomegranate seeds. A single seed sits next to the cluster. T...

Luscious pomegranate red glass nesting in a bronze casing. Vamvakas Lay uses bronze and glass to create the illusion of scattered pomegranate seeds. Vamvakas Lay often incorporates ...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...

From canvas to kiln, Hunt Slonem brings his signature subject to life like never before. This wonderful hand-blown sculpture depicts one of Slonem's signature bunnies in an iridescen...

This miniature compact mirror sculpture of a snowy winter scene titled "Child’s Play, Make Way, Replay" is an original artwork by Kendal Murray made of m...