Bruce Barry Art

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

A Chinese, Tang Dynasty, Sancai-glazed, three colors of brown, green and creamy, sculpture of a horse with a cut fur blanket. This Chinese, Tang Dynasty (618-907 AD), glazed earthenw...

Karen Kuo 'Galaxy Cup No. 11,' 2022 Colored porcelain, ^6 oxidization 3.5 x 3.5 x 2.75 inches ━━━ (This piece is part of the exhibition titled 'WORK' on LAD...

Visage noir Moucheté, Picasso, Plate, Portrait, Naif, Multiples, Earthenware Visage noir moucheté Ed. 39/200 pcs 1948 white earthenware clay, decoration in engobes under glaze 31 x ...

The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...

Ross Redmon Title: Serpent Ceramic, Post Fire Surfaces Year: 2014 Size: 84 x 26 x 19 inches Signed COA provided Ross Redmon is a Kansas City based artist, originally from Greer, So...

Karen Kuo 'Cobblestone Nerikomi Bowl,' 2022 Colored porcelain, ^6 oxidization 5.25 x 5.25 x 4 .2 inches ━━━ (This piece is part of the exhibition titled 'WO...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

Balloon Animals Set II (matching edition number) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art Limoges po...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

REID NICHOLLS Lines, lines, lines, 2018 ceramic, glaze, clay pigment, paint, acrylic glass 60h x 32w x 28d in Reid Nicholls is an American ceramic artist from Ohio, where he st...