Sabine Marcelis Furniture

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

The donut-shaped Boa Pouf by Sabine Marcelis is perfectly sculptural, a bold graphic form that interrupts interior landscapes with its faultless chunky geometry. This piece of upholstered occasional furniture is rounded and soft, encased in a seamless outer layer that gives it an air-brushed finish: The smooth shape-knit textile...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Sabine Marcelis Freestanding table in mint From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam...

Available sizes: Off Round 450, H450xW380xD25mm Off Round 550, H550xW503xD25mm Off Round 700, H700xW620xD25mm Off Round 900, H900xW845xD25mm Off Round 980, H980xW1000xD25mm Off Roun...

A contemporary design classic. In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ a series of glass objec...

Now a contemporary design classic, Sabine Marcelis’ off-white Soap table, first unveiled at Nomad St Moritz 2018, is a dynamic dinner setting, featurin...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Table lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2018 Resin, Neon (+transformer) Measurements 30 cm ...

Table lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2021 Resin, Neon (+transformer) Measurements 30 cm x 17 cm x 60 H cm 11,81 in x 6,69 in x 23,62 H in Edition Limited edition of 12 + 2AP Sabine Marcelis (b.1985 New Zealand) is a designer living and working in Rotterdam, The Netherlands. Raised in New Zealand, she was recognized from a young age for her design abilities, being awarded the New Zealand Young Designer of the Year. Marcelis studied industrial design for two years at Victoria University in Wellington, and continued her studies at the Design Academy Eindhoven, where she graduated in 2011. When graduating the designer was nominated for a fleet of prestigious design grants, such as the ‘Unge Talenter Designpriser’ by the Norsk Designråd, the René Smeets Award, and the Keep an Eye Grant. Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin volumes which are slightly rotated on a central axis. The carved-out void where the neon light is inserted allows for a multifaceted play between the twisted planes of polished resin and light reflections. Every angle of the lights is a unique visual experience. As well as designing object pieces, the Dutch designer has a series of impressive installation projects associated with her profile including, the Aesop Vedovelle Fountain, the Dutch Pavilion at Cannes Film festival 2017, a Light installation at Biennale Interieur 2018, The Solo Sun Dial project 2018, Burberry x OC in 2018 and De/Coding ‘Alcantara in the tapestry Rooms’ in 2019. Perhaps her most famous installation was her Shapes of Water or Fendi Fountains installation, first exhibited at Design Miami 2018. The ten water sculptures designed from cast resin were a continuation of Marcelis experience and experimentation in material practices, projecting her own vision her elegant avant-garde creativity corresponded directly with the Fendi philosophy. The designers most prestigious exhibition yet, was her museum show “NO FEAR OF GLASS” in December 2019. The intervention commissioned by Side Gallery in collaboration with the Mies Van de Rohe Foundation, consisted of five original works by the Dutch designer, meticulously placed within the Pavilion. The five pieces were designed to extrude from the architecture itself; two large chaise lounges...

In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ - a series of glass objects resulting from an ongoing s...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

Color options: Multicolor Cobalt Gold Aubergine (pictured) more colors available upon request About: In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ a series of glass objects resulting from an ongoing study into optical effects created with glass as the primary material. Glass specialists allowed the designers to play around and experiment in their factory to investigate new possibilities and through the use of materials, color and layering, unexpected effects are created which play with ones visual perception as well as the surrounding space. The seeing glass project involved different collections one of them being the off round mirrors...

Floor lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2021 Resin, Neon (+transformer) Measurements 18 cm x 17 cm x 170h cm 7,08 in x 6,69 in x 66,92h in Edition Limited edition of 12 + 2AP Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin volumes which are slightly rotated on a central axis. The carved-out void where the neon light is inserted allows for a multifaceted play between the twisted planes of polished resin and light reflections. Every angle of the lights is a unique visual experience. As well as designing object pieces, the Dutch designer has a series of impressive installation projects associated with her profile including, the Aesop Vedovelle Fountain, the Dutch Pavilion at Cannes Film festival 2017, a Light installation at Biennale Interieur 2018, The Solo Sun Dial project 2018, Burberry x OC in 2018 and De/Coding ‘Alcantara in the tapestry Rooms’ in 2019. Perhaps her most famous installation was her Shapes of Water or Fendi Fountains installation, first exhibited at Design Miami 2018. The ten water sculptures designed from cast resin were a continuation of Marcelis experience and experimentation in material practices, projecting her own vision her elegant avant-garde creativity corresponded directly with the Fendi philosophy. The designers most prestigious exhibition yet, was her museum show “NO FEAR OF GLASS” in December 2019. The intervention commissioned by Side Gallery in collaboration with the Mies Van de Rohe Foundation, consisted of five original works by the Dutch designer, meticulously placed within the Pavilion. The five pieces were designed to extrude from the architecture itself; two large chaise lounges...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ - a series of glass objects resulting from an ongoing study into optical effects created with glass as the primary material. Glass specialists allowed the designers to play around and experiment in their factory to investigate new possibilities and through the use of materials, colour and layering, unexpected effects are created which play with ones visual perception as well as the surrounding space. The Seeing Glass project involved different collections - one of them being the Off Round mirrors. The Off Round mirrors are continually evolving and expanding, and has developed into the Off Round Hue...

Etage Projects is proud to unveil the new light by the resin-whisperer Sabine Marcelis. The Curve Light is a continuation of the Dutch-Kiwi designer's stud...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordi...

A contemporary design classic by the Dutch designer Sabine Marcelis. Sabine Marcelis and Brit van Nerven collaborated on the project ‘Seeing Glass’ - ...

Sabine Marcelis’ SOAP Table is a dynamic dinner setting, featuring her signature resin with a soapy matte surface, now with cylinder column legs a...

Celebrated designer Sabine Marcelis introduces a new product: the Dew dining table. Dew marks a departure for Sabine. She’s translated her unique form language into a wooden object, ...

In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ - a series of glass objects resulting from an ongoing study into optical effects created with glass as the primary material. Glass specialists allowed the designers to play around and experiment in their factory to investigate new possibilities and through the use of materials, colour and layering, unexpected effects are created which play with ones visual perception as well as the surrounding space. The Seeing Glass project involved different collections - one of them being the Off Round mirrors. The Off Round mirrors are continually evolving and expanding, and has developed into the Off Round Hue Collection - a collection of colourful, organic shaped mirrors exclusively available through Etage Projects...

Available sizes: Off Round 450, H450xW380xD25mm Off Round 550, H550xW503xD25mm Off Round 700, H700xW620xD25mm Off Round 900, H900xW845xD25mm Off Round 980, H980xW1000xD25mm Off Roun...

Sabine Marcelis & Brit Van Nerven Wall Mirror model “Copper” from the series “Seeing glass” Produced for Side Gallery Rotterdam, 2016 Mirror, glass, colourfoil metal mounting system Bronze round wall...

A simple brush stroke is what this area rug conveys, in grade A+, Hand-knotted Himalayan wool. Stroke by Sabine Marcelis The Stroke collection was rea...

Ceramic vase model “Urn for unwanted limbs and other things” Manufactured by Virginia Leonard New Zealand, 2022 Clay, lustre Virginia Leonard ho...

Sabine Marcelis’ SOAP Table is a dynamic dinner setting, featuring her signature resin with a soapy matte surface, now with cylinder column legs a...

Ceramic vase model “A Frock Will Hide Those Sticky Out Bits He Said” Manufactured by Virginia Leonard New Zealand, 2021 Clay, resin, pure gold Virginia Leonard holds that sh...

Sabine Marcelis’ glossy resin candy column side table and stools were first unveiled at Life in Vogue in Milan, creating a dynamic mise-en-scéne with yell...

Seemingly solid objects with a magical glowing edge. The unique translucent and highly polished properties of the material give a magical effect to these multifunctional pieces. Col...

Sabien Marcelis Floor lamp model “TOTEM” Manufactured by Sabine Marcelis Produced in exclusive for Side Gallery Rotterdam, The Netherlands 2018 Resin, Neon (+transformer) Contemporary Lighting Measurements: 30 cm x 17 cm x 60 H cm 11.81 in x 6.69 in x 23.62 H in Edition Limited edition of 12. Sabine Marcelis (b.1985 New Zealand) is a designer living and working in Rotterdam, The Netherlands. Raised in New Zealand, she was recognized from a young age for her design abilities, being awarded the New Zealand Young Designer of the Year. Marcelis studied industrial design for two years at Victoria University in Wellington, and continued her studies at the Design Academy Eindhoven, where she graduated in 2011. When graduating the designer was nominated for a fleet of prestigious design grants, such as the ‘Unge Talenter Designpriser’ by the Norsk Designråd, the René Smeets Award, and the Keep an Eye Grant. Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin...

Mint Candy cube From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam, The Netherlands 2017 High polished single cast resin. Measurements...

Available sizes: Off Round 450, H450xW380xD25mm Off Round 550, H550xW503xD25mm Off Round 700, H700xW620xD25mm Off Round 900, H900xW845xD25mm Off Round 980, H980xW1000xD25mm Off Round 1100, H1100xW990xD25mm Off Round Thin 400, H400xW352xD17mm Off Round Thin 650, H650xW548xD17mm Off Round Thin 850, H850xW777xD17mm Available Colours: Blue Bronze Green (pictured) Rosé Silver Custom colours available on request About: In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass...

Ceramic vase model “Fallen Chandelier” Manufactured by Virginia Leonard New Zealand, 2021 Clay, resin, pure gold, LED light Virginia Leonard h...

Candy cube. Nude colour. From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam, The Netherlands 2019 High polished single cast resin. Siz...

Candy cube. From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam, The Netherlands 2019 High polished single cast resin. Availab...

A contemporary design classic by the Dutch designer Sabine Marcelis. Seemingly solid objects with a magical glowing edge. The unique translucent and highly polished properties of t...

Now a contemporary design classic, Sabine Marcelis’ Soap table, is a dynamic dinner setting, featuring her signature resin. It is designed with th...

Sabine Marcelis & Brit Van Nerven Mirror, model “Big Round” From the series “Seeing Glass” Manufactured by Sabine Marcelis & Brit Van Nerven Rotterdam, 2015 Mirror, glass, col...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Measures: Closed: Ø 65 x H 8 cm Open: L 65 x W 77 x H 8 cm During the Palazzo Monti x Etage Projects residency the one thing we most enjoyed was to spend time with the other de...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Sabine Marcelis Freestanding table in color caramel From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam, The Netherlands 2017 Hi...

Sabine Marcelis & Brit Van Nerven Wall mirror model “Copper” from the series “Seeing glass” Produced for Side Gallery Rotterdam, 2016 Mirror, glass, colorfoil metal mounting system ...

Sabine Marcelis Freestanding table From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam, The Netherlands 2019 High polished single cast ...

Candy cube. Mint color. From the series “Candy Cubes” Manufactured by Sabine Marcelis Produced for Side Gallery Rotterdam, The Netherlands 2019 High polished single cast resin. Size...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...