Sam Silberstein Art
to
10
4
2
1
3
3
3
Overall Height
to
Overall Width
to
6
2
2
10
10
6,952
3,302
2,514
1,213
8
7
7
3
3
Artist: Sam Silberstein
Robert's Dumpster, Modern and Abstract Wall Art, Inspired by Robert Rauschenberg
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
This piece was inspired by a richly splattered construction dumpster. Sections of it reminded me of work by Robert Rauschenberg which I have often admired. I have...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Mixed Media, Leather
Used to be Amazon Boxes, Original Abstract Sculpture, 2021
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
During the COVID-19 pandemic I decided to collect boxes from around my neighborhood and repurpose the cardboard material. By utilizing materials that would otherwi...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Mixed Media, Cardboard
Blue State Red State, Modern and Contemporary Wall Art with Leather, 2019
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
Blue State Red State is meant to address the intense political divisiveness we have been experiencing since the election of Donald Trump. ...
Category
21st Century and Contemporary Modern Sam Silberstein Art
Materials
Leather, Mixed Media
The Tar Pits, Modern and Contemporary Wall Art, 2019
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
Years ago while on a hunt for compositions to photograph, I came across a splattered wall. I was in an industrial area in northeast Los Angeles and driving through...
Category
21st Century and Contemporary Contemporary Sam Silberstein Art
Materials
Leather, Mixed Media
The Dark Web, Original Abstract Painting, 2019
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
This piece is an exploration of the concept of "the dark web". I envisioned a constant flow of binary numbers endlessly moving towards an u...
Category
21st Century and Contemporary Modern Sam Silberstein Art
Materials
Leather, Mixed Media
This Rock is in a Hard Place, Original Abstract Sculpture, 2021
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
During the COVID-19 pandemic I decided to collect boxes from around my neighborhood and repurpose the cardboard material. By utilizing materials that would otherwi...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Mixed Media, Cardboard
Beray Sheet, Abstract Painting on Leather, 2019
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
This piece is based on the "deconstruction" of an image I captured when on a trip to Lancaster, CA to observe hills covered with poppies. I synthesized the basic e...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Leather, Mixed Media
Willem Got His, Acrylic Abstract Painting on Leather, 2019
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
In February of 2013, I was driving around Pasadena, CA. I went down a small street and came face to face with a painted garage door. Whatever images had been paint...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Leather, Acrylic
Emergenc-e, Acrylic Abstract Painting on Leather, 2019
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
I've always wondered what the back of art pieces looks like. Did the artist make notes on the back? What kind of materials where used to construct the piece? Are t...
Category
21st Century and Contemporary Contemporary Sam Silberstein Art
Materials
Leather, Acrylic
Tapiz de Carton, Original Abstract Painting, 2021
By Sam Silberstein
Located in Boston, MA
Artist Commentary:
During the COVID-19 pandemic I decided to collect boxes from around my neighborhood and repurpose the cardboard material. By utilizing materials that would otherwi...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Mixed Media, Cardboard
Related Items
Hourglass (blue): glass sculpture sand, cast camera & quartz crystal; New in box
By Daniel Arsham
Located in New York, NY
DANIEL ARSHAM
Hourglass (Blue), 2019
Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...
Category
2010s Contemporary Sam Silberstein Art
Materials
Glass, Resin, Plaster, Mixed Media, Plastic, Cardboard
Bumble (Folk Style Abstract 3-D Wall Sculpture in Sky Blue, White, Black & Grey)
By Susan Stover
Located in Hudson, NY
Abstract, folk art style, three dimensional wall sculpture in striped patterns of sky blue, black, white and grey
"Bumble", made by Susan Stover in 2020
Cardboard, latex, acrylic, v...
Category
2010s Abstract Sam Silberstein Art
Materials
Mixed Media, Wax, Thread, Latex, Paint, Varnish, Acrylic, Cardboard
“Culture Counter” Red Abstract Contemporary Mixed Media Collage Sculpture
By Brent Fogt
Located in Houston, TX
Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...
Category
2010s Abstract Sam Silberstein Art
Materials
Concrete
H 58 in W 39 in D 20 in
Minimalist Black Oil Painting, Collage, Mixed Media on Canvas Kevin Larmon
Located in Surfside, FL
Kevin Larmon, (American, b. 1955),
1985-1986, oil on canvas; hand signed, titled, and dated on the reverse
Provenance: bear a Curt Marcos Gallery label verso
This is one of a pair we are offering for sale
Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University.
Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight.
Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions.
As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner.
Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal.
From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado.
Exhibitions curated by Tricia Collins and Richard Milazzo
Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons.
Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack...
Category
1980s Contemporary Sam Silberstein Art
Materials
Mixed Media, Oil
Why so Blue? (Abstract Three Dimensional Wall Sculpture in Robin's Egg Blue)
By Susan Stover
Located in Hudson, NY
Abstract, folk art style, three dimensional wall sculpture in striped patterns of robin's egg blue, sky blue, beige, orange, and black
"Why so Blue?", made by Susan Stover in 2020
C...
Category
2010s Contemporary Sam Silberstein Art
Materials
Thread, Cardboard, Acrylic, Wax, Mixed Media, Varnish, Paint, Latex
Untitled
By James Charles 3
Located in Salt Lake City, UT
Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900
James Charles’ minimal and monochromatic work has a boldness that intrig...
Category
2010s Post-Minimalist Sam Silberstein Art
Materials
Metal, Wire
Handmade Paper Collage Sculpture Art Assemblage with String Nancy Genn Modernist
By Nancy Genn
Located in Surfside, FL
Nancy Genn, American (b. 1929)
Marshfield 25 (1977)
Handmade paper collage
Hand signed verso
Dimensions: 20 1/8 x 22 inches
Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s
Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions.
Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children.
Career
Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art.
In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York.
Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...
Category
1970s Abstract Sam Silberstein Art
Materials
Mixed Media, Handmade Paper
Minimalist Black Oil Painting, Collage, Mixed Media on Canvas Kevin Larmon
Located in Surfside, FL
Kevin Larmon, (American, b. 1955),
1985-1986, oil on canvas; hand signed, titled, and dated on the reverse
Provenance: bear a Curt Marcos Gallery label verso
This is one of a pair we are offering for sale
Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University.
Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight.
Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions.
As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner.
Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal.
From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado.
Exhibitions curated by Tricia Collins and Richard Milazzo
Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons.
Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack...
Category
1980s Contemporary Sam Silberstein Art
Materials
Mixed Media, Oil
Totem light . Mixed media on wood with LED light
By Cari Cohen
Located in Miami, US
This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...
Category
21st Century and Contemporary Abstract Geometric Sam Silberstein Art
Materials
Plaster, Wood, LED Light, Mixed Media, Acrylic
"Pylon Truck, " Mixed Media Sculpture
Located in Chicago, IL
To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, each vehicle is an exercise in imagining the future through the lens of the past – or vice versa.
Built from found materials collected over the years, the car's futuristic form is layered with personal memories and keepsakes from the past. The most minute of details is always intentional – from the weathered finish to the fictitious sponsor to the miniaturized furnishings of the cramped interior.
This sculptural car entitled "Pylon Trunk" is intended as a complement to the rest of Fitzgerald's imaginative cars, something of a service vehicle loaded with removable traffic cones and street signs. A simple truck bed...
Category
21st Century and Contemporary Outsider Art Sam Silberstein Art
Materials
Wire
Blue Flying Waves Abstract, Modern, plexiglass, set of Wall Painting Sculptures
By Cari Cohen
Located in Miami, US
Blue Flying Waves Abstract, Modern, plexiglass, set of Wall Painting Sculptures 2021.
These small sized sculptures are part of the Waves series. They are painted with acrylic paint, spray paint and pastels. They are sculpted by hand using heat as a method to make the plexiglass moldable. This include a set of four Wall sculptures Mixed media on Plexiglass, hand sculptured. Blue/turquoise are the predominant colors but also a vibrant palette with yellow, orange and red are adding light to the sculptures. The total size of the installation will depend on the design of the sculptures. Super simple installation system with magnets that allows you to change places very easily.
Sculpture's sizes:
13H x 12W x 3D
11H x 13W x 3D
14H x 8W x 2 1/2D
9 1/2H x 8W x 2 1/2D
The set of four sculptures...
Category
21st Century and Contemporary Abstract Sam Silberstein Art
Materials
Oil Pastel, Mixed Media, Acrylic, Plexiglass, Spray Paint
Tantra in Blue #10: minimalist abstract sculpture / painting w/ madala circles
By Antonio Puri
Located in Bryn Mawr, PA
Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhered to canvas in a range of ...
Category
2010s Abstract Sam Silberstein Art
Materials
Canvas, Mixed Media, Acrylic
Sam Silberstein art for sale on 1stDibs.
Find a wide variety of authentic Sam Silberstein art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Sam Silberstein in mixed media, animal skin, leather and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Sam Silberstein art, so small editions measuring 16 inches across are available. Sam Silberstein art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,800 and tops out at $3,000, while the average work can sell for $2,375.