Theodore Alexander Weber Art

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

Three surfers carving up the Hawaiian waves, having a blast in the tropical surf. 3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman Limited Edition 01/05 ...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Original Lath Art by Austin Productions, hand painted and signed by the Dutch- American artist Theodore Degroot, circa 1970s This charming piece features a ...

Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...

Impasto winter scene oil on canvas by American Artist David Crespi (1928-1992) Heavy impasto style of village in the snow fall. Palette knife technique.

Artist: Bernard de Hoog (1826-1943), Dutch Titled: Mother feeding her child in a kitchen interior Signed: Lower right Medium: Oil on canvas. In original gilt frame. Dimen...

Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.

Framed oil on canvas "Foggy Coastline" coast ocean scene by Laurel Daniel. Unframed 9" x 12" Laurel Daniel was born in 1956 in Racine, Wisconsin, and graduated with a studio art degree in 1979 from Wheaton College in Illinois. After almost 20 years in the graphic design business, she returned to oil painting in 1999 and has never stopped. Laurel lives and paints full time in Austin, Texas. Daniel shares her joy of painting with budding artists of all ages through workshops in Austin, Texas and St. Simons Island...

Mid Century Painting of boats in Harbor. Framed in a mid century driftwood color frame. This item can ship parcel domestically for $49.

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

Painting of a tropical coastal scene. Oil on canvas with solid wooden frame.