William Ongley Art

Signed and dated lower left: "SW Griggs 73". In fine condition.

This coastal landscape is done by the famed painted William Frederick De Haas (1830-1880). This painting shows two men in a canoe paddling off the cliff shore in the foreground with ...

Signed lower right: F.A. SILVA.

A fine New York landscape with cows by American artist Emile Faure Beaulieu (b. 1828, actively exhibiting in the 1850-1860’s). Beaulieu was known as...

A finely detailed oil landscape of the Delaware Gap attributed to French American artist Regis Francois Gignoux (1816-1882). Gignoux was born in Lyon, France, and began his studies i...

This small, horizontal oil on canvas en plein air landscape painting was painted by Hudson Valley based artist, Judy Reynolds. The composition features a peaceful landscape as the fo...

William Hart (1823 - 1894) Pastoral Landscape, 1877 Oil on canvas 9 1/2 x 14 1/2 inches Signed and dated lower left Born in Paisley, Scotland, William Ha...

THE WATERFALL - Oil on canvas cm. 55x70 by Paolo De Robertis, Italy 2002. The painting is inspired by the paintings of Thomas Hill, an American landscape painter belonging to the H...

Charming Hudson River school antique oil painting of a sailboat on a lake, circa 1880-90. Signed "R. Labarr." after Richard LaBarre Goodwin...

Rawstorne was active/lived in New York.

A fine New Hampshire landscape by American artist Frederick Dickinson Williams (1829–1915). Frederick Dickinson Williams was born into a patrician household in Boston, Massachusetts and attended the prestigious Boston Latin School before entering Harvard University in 1846. After graduation and until 1874, Williams taught drawing and painting in the Boston Public School System as a Professor of Drawing until 1874. Williams and his wife, the former Lucia M. Hunt, of Newburyport, relocated to Paris, France, where both studied the new French art and painted landscapes and genre scenes in their studio until 1888, when Lucia died in Paris. Williams returned to the United States and settled in Boston, opening a studio in late 1888. He continued to paint in the Boston area with regular trips to the White Mountains of New Hampshire and other wilderness areas where he produced a large body of French-inspired landscapes in the manner of Corot and other contemporary French painters. In 1904, a serious fire in his Boston studio destroyed all of his inventory, including a number of award-winning canvases from his Paris sojourn. Despite this significant loss, he continued to paint. During his long and successful career, Williams exhibited his work at the Pennsylvania Academy of Fine Art, the Washington DC Art...

Monogrammed lower left: ATBRICHER