Lampada da tavolo o terra con doppia accensione in vetro soffiato opalino bianco, base in metallo laccato. Buone condizioni

Exquisite pair of Max Ingrand design for Fontana Arte frosted glass table lamps, model 1853. Originally designed in the Mid 20th C, these are later reissues, made by Fontana Arte cir...

Max Ingrand (Italian, 1908-1969) for Fontana Arte Mid-Century Modern opaque glass table lamp, marked on bottom. In very good vintage condition. Dealer: S138XX

Designed in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of whic...

Large Max Ingrand Model #1853 'Fontana' glass table lamp for Fontana Arte. Designed in 1954 by the incomparable Max Ingrand, the Fontana table lamp features Minimalist styling with illumination from both the base and shade. White-painted metal frame. Lampshade and globe in white, stained, blown glass. Black power flexes and switch. Also available in a gloss black painted metal finish for an additional fee. This is for the largest edition in white in excellent condition. One in stock and ready to ship. UL Listed. 4 X 120V 60W E26 (medium base) A19 incandescent lamps...

Model number 1853. Designed in 1954 made in opaline glass with light fittings at the top, inside the shade and inside the base. An earlier model - labeled at switch.

Max Ingrand for Fontana Arte Italian Modern table lamp in white glass with white glass shade. Designed by Max Ingrand in the 1950s, this model is likely from the 1970s-1980s. In grea...

Midcentury table lamp in white glass designed by Max Ingrand for Fontana Arte in the 1950s This one is a vintage example and we would date it between 1960s-1970s This lamp ha...

Authentic Italian blown glass table lamp. The lamp has an original mark on the ignition mechanism. The medium of three available sizes The "Fontana" by Max Ingrand Both shade and b...

Large "1853" model midcentury white opaline glass table lamp. This masterpiece was the first model designed by Max Ingrand for Fontana Arte in Italy during 1954. This large pice has both the structure and the base in painted metal. The body is in white opaline glass, while the lampshade is new fabric. This piece includes the first two-way switch, for body and lampshade. Bibliography: Giuliana Gramigna, "Repertorio dell Design Italiano 1950-2000", p. 39, illustrated. Maurice Max-Ingrand, better known as Max Ingrand (20 December 1908, Bressuire – 25 August 1969, Paris) was a French artist and decorator, known for his work in studio glass and his stained glass windows. He was educated at the École nationale supérieure des beaux-arts and École nationale supérieure des arts décoratifs, studying under Jacques Grüber and Charles Lemaresquier. He married Paulette Rouquié (1910-1997) in 1931. He worked with his wife in glass etching, exhibiting work at the 21st Société des artistes décorateurs in 1931. Ingrand began to work in stained glass windows for private commissions. His first church windows were for Sainte-Agnès, Maisons-Alfort and participating in the design for Notre-Dame de Paris in 1937. He was drafted for military service in 1939 and fell into captivity at Hoyerswerda in May 1940. He returned from captivity only in 1945. He divorced his wife in 1946 and married Marie-Alberte Madre-Rey, with whom he had two children. He was artistic director of Milano interior design company Fontana Arte during 1954–1967. He was elected president of the French scouting association (Association Française de l'Éclairage) in 1968. He founded the company Verre Lumière, one of the first producers of halogen lamps, in 1968. Ingrand created numerous church stained glass windows during the late 1940s to 1960s (in some cases replacing windows that had been destroyed in World War II) including windows in Pontoise Cathedral (1955), Strasbourg Cathedral (1956), the chapels of Château de Blois (1957), Château d'Amboise, Château de Chenonceau and Château de Caen, Saint-Pierre de Yvetot (at 1046 m² the largest stained glass window in Europe), Saint-Pierre de Montmartre, Rouen Cathedral, Beauvais Cathedral, Saint-Malo Cathedral, Tours Cathedral, Church of the Jacobins, Münster Cathedral (1961), Liège Cathedral (1968), São Paulo Cathedral, Washington National Cathedral (with Claude Serre...

This large table or floor lamp, model 1853/1, was designed by Max Ingrand in 1954 for Fontana Arte. This fabulous lamp is made of frosted white blown glass. The lamp has a triple sw...

Pair of table lamps designed by Max Ingrand (1908-1969) for Fontana Arte. First series. Opaline glass. Model: 1853. Manufactured in Milan, Italy, 1960s-1970s.