Australian Furniture

Blue and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. C...

Raw and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White. ...

Earth and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Black and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink C...

Blue and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White ...

Solid Brass Aesop Oil Burner by Henry Wilson Dimensions: W 13 x D 11 x H 7 cm Materials: Brass An object of substance and beauty, a unique, refined alternative to traditional burners. Designed for Aesop by Studio Henry Wilson...

An exceptionally rare pair of John Campbell planter pots. The design is attributed to John Cambell's son, Rupert John Campbell. John Campbell produced decorative pots at his brick works and pottery in Launceston, Tasmania from 1880 until 1975. Rupert John inherited his father's works and was a skilled artisan and potter. He developed presses for decorative pottery. This beautiful pair of jardinières likely date to the early 1900s. They were passed down through three generations. The original owner gave them to her son. In the 1980s the (then elderly) son gifted them to a friend (the last owner before this sale). At the time they received them they were made aware of their age and rarity. Now, another forty years later, they are potentially the only pair in existence. Only one similar John Campbell un-glazed terracotta 'umbrella stand' can be found on record. It was sold in 2008 in Tasmania, at a 'Fine Colonial Decorative Arts' auction run by Mossgreen Auctions, a reputable auction house, though since closed. I can find no other reference to this model, except an acknowledgement of the existence of an un-glazed terracotta umbrella stand, in the definitive record of Campbell's work by Kevin Power, 'John Campbell Pottery: Recollections and Collections' published 2014. These are of the same design and size but were manufactured with drainage holes in the base. They were clearly decorated using a press but the clay slabs were pushed into the press by hand. The interior of each pot shows the marks of hammers used to force the clay into the face of the press pattern. They have a hand-crafted appearance, with hand finished mould lines to each side and there are pressing faults apparent in various areas of the pattern. Tasmania was notably independent in production of most household goods, due to the isolation of the colony right up until the turn of the 19th century. Being at the farthest reaches of the British Empire, settled as a penal colony, with a relatively low consumer population, it was not a market for the high-volume import of domestic goods. As a consequence, household wares and decorative pieces produced in Tasmania through the 19th century represent a wholly independent category of Australian colonial design, production and craft. These pots are highly collectable and scarce artifacts of one of Tasmania’s earliest industries. In aesthetic terms, many Tasmanian artifacts are notable for following British, Georgian and Victorian fashions but with a colonial character of their own devising. Local characteristics became a stronger feature of Tasmanian decoration over time. Note the classical Georgian/Victorian chinoiserie motif of a bird foraging among rushes. In this case, the local interpretation depicts a Brolga (the largest Australian wetland bird) foraging amongst native Australian reeds and water lilies. Another of the things that sets early Tasmanian artifacts apart is the way in which necessity forced artistic production in pottery to be less refined than that of their British counterparts. A broad range of products had to be produced to meet local requirements, often by a single producer. John Campbell’s pottery is a great example of this practical necessity. It produced everything from industrial drainage pipes and bricks to household pottery and decorative items, all from a relatively small family run factory. Their domestic wares were so well trusted and appreciated that they by the 1940s they made their way all over the mainland of Australia. Under these circumstances, the refinement of decorative technique was not as great a priority as utility, consistent quality of production and durability. As a consequence, Australian colonial works and their early 20th century descendants such as these pots, are hugely appealing. They have an idiosyncratic and vernacular appearance, with British and European stylistic trends of their day overlaying a base of inventiveness, local interpretation and sturdy functionality. We hope you can appreciate the rarity and significance of this well-preserved pair of planter...

A lovely kiln-formed and wheel cut mosaic glass bowl from Klaus Moje's time in Canberra. Cf.: Dan Klein, "Artists in Glass - Late twentieth Century Masters...

The powerful LED reflects off a delicately curved dish, accenting a room with a soft indirect light. The textured, matte white aluminum reflector can be matched with our wide range o...

Introducing the Pietra Dining or feature table; a new addition to the Pietra collection. Designed by Just Adele. Handcrafted in Italian natural stone combined with steel in bronze pa...

Onda Side Table in White Onyx designed by Just Adele. The Onda Side Table is characterised by its soft forms and bold stone finishes. Translating to “...

Onda Side Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Side Table is characterised by its ...

Continuum 900 Wall Sconce by Lost Profile Studio Dimensions: W 38 x D 12 x H 90 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (w...

Continuum 500 Wall Sconce by Lost Profile Studio Dimensions: W 22 x D 9 x H 50 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (wa...

Art Deco silver plate cocktail shaker of exaggerated geometric form with incised line decoration to the foot and body, an exaggerated handle and spout with a threaded cap secured by ...

Onda Coffee Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Coffee Table is characterised by its ...

Aegis Vase 350 by Lost Profile Studio Dimensions: ⌀ 15 x H 35 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Aegis Vase 450 by Lost Profile Studio Dimensions: ⌀ 20 x H 45 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Altus Hall Table by Lost Profile Studio Dimensions: W 180 x D 40 x H 90 cm Materials: Brass, Aluminium (substrate under stone), Four Seasons Quart...

Rene Coffee Table in Walnut stained natural oak and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes with soft curved edges, elevate...

Sofia Side Table designed by Just Adele. An occasional table, designed with soft curved edges allowing the natural veins in travertine to shine. Each piece...

Sofia Coffee Table designed by Just Adele. Designed with soft curved edges allowing the natural veins in travertine and texture to shine. Each piece is hol...

Rene Side Table in Walnut and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes and soft curved edges, elevated by the perfect mix of ...

'Into The Inferno' is a sculptural coffee table, inspired by the process in which the elements and continuity of time shape our world. This piece conv...

Vintage 1980s Local Motion surfboard. Features neon airbrushed tribal artwork design with glass-on on thruster (tri-fin) setup. A great example ...

White Onyx Stool by Henry Wilson Limited Edition Of 8 Pieces Dimensions: D 67,5 x W 61,5 x H 62,5 cm. Materials: White onyx. Henry Wilson's work combines a rational, democratic util...

This classic, tailored, double ceiling lamp, inspired by old Hollywood and menswear is reminiscent of the 1940s and the early simplicity of Art Deco. Its clean shape is the perfect foil for our hand crafting and signature stitching to both tiers of upholstered shade edges, our signature bronzed armatures, and our removable linen diffuser. Joe Ceiling Lamps come in two proportions. Pictured is our 700 diameter x 350 deep size shown in powder blue. Joe Ceiling Lamps work individually or in pairs in hallways, glamorous powder rooms and bedrooms, over chic kitchen islands, desks and hallways and individually, projecting a soft useful ambient light. Depending on fabric and stitching selection, Joe Ceiling Lamp is a strong style statement, or a quietly glowing volume of light. Joe Ceiling Lamp is the companion of our Joe Pendant Lamp...

This strikingly elegant round boucle ottoman enhances the contemporary mood of an interior. Crafted from exquisite short curly wool, shearling sheepskin providing soft and natural textures to a space. Designed and made in Australia, the natural white boucle ottoman...

These elegantly simple, handmade, modern classic, large brass and Italian linen wall lights with full-size signature hand-stitched linen taper shades, illuminate with light levels similar to large-scale table lamps. They cast a cozy intimate glow without cluttering table tops. The chic large scale of these wall lights adds a stylish statement to any wall arrangement and decor. J 260 wall lights work well flanking sofas as reading lamps, or over bedside tables, as lighting...

This original, minimal, rustic, understated and graceful hand-stitched linen and brass wall light is a refined example of 21st century artisanal design. Made in Australia to order, these are supremely functional as bedside lamps, reading lamps flanking a sofa or behind a comfortable chair, as dining or living room sconces...

Artisanal Tulip 520 Pendant is custom made to order Inspired by nature, this original sculptural, signature hand-stitched Italian linen pendant lamp is a refined example of 21st ce...

Frank Side Table is original sculptural, organic modern. Frank Side Table is a refined example of 21st century artisanal design. Its signature sensuous shape and perfect proportions...

This original sculptural, truly artisanal small table lamp is a handmade, timeless example of 21st century organic modern design. Its artisanal, sensuous shape, reminiscent of Brancusi's minimal, totemic 20th century sculptures, is designed and made in Australia of hand-selected, rock maple on a single lathe by master craftsmen. Our soft black ebonized finish is buffed to an elegant gloss. Baby Frank Table Lamp is the perfect desk or hall table light. Baby Frank Table Lamps are also available in sustainable richly figured native rosewood with a natural hand-oiled finish. Baby Frank Lamps includes an Italian linen shade in a wide range of colours, with our signature hand-stitched stitched bottom edge and side seam and our signature bronzed shade armature. Standard stitching colours are white, black and we source custom colours. We are also happy to work with suitable custom fabrics. Baby Frank Table Lamp is wired in Australia for international use with elegant clear lamp...

After a long day of learning and playing, there is no better way for a child to relax and find oozing comfort than in our junior-size fluffy sheepskin bean bag...

After a long day at work, there is no better way to relax than submerging into the oozing comfort of our fur bean bag chair cover. Handcrafted in Austr...

Combining hand blown opal glass with a perforated metal housing, Perf pendant is an elemental and versatile decorative fixture. Utilizing a low energy LED...

This classic, tailored, double ceiling lamp, is inspired by old Hollywood and menswear, reminiscent of the 1940s and the early simplicity of Art Deco and 20th Century Modern. Its clean shape is the perfect foil for our signature stitching to both tiers of upholstered shade edges, our signature bronzed armatures, and our removable linen diffuser, Our Classic 640 diameter x 470 deep proportion is shown in creamy white Italian linen with black stitching. This light works individually or in pairs in hallways, glamorous powder rooms and bedrooms, over chic kitchen islands, desks and hallways projecting a soft useful ambient light. Depending on fabric and stitching selection, Joe Ceiling Lamp is a strong style statement, or a quietly glowing volume of light. Joe Ceiling Lamp is the companion of our Joe Pendant Lamp...

A Brutalist earthenware wall hanging or plate. This is a recent production (2012), but with an intentional 60s/70s vibe. We love the ocean-blue central glaze. It is deeply crackled...

A total commitment to experimentation with materials. This piece is unsigned, but we note the muscular slab-built Brutalism of this piece and wonder about the influence of American Brutalist sculptor...

Missing link wall sconce by Volker Haug Dimensions: Diameter 15 x height 34 cm Material: Brass. Finish: Polished,aged, brushed, bronzed, blackened, o...

Lean back into a life of diplomatic trade agreements with this Arthur Stutchbury office chair. Blackbean frame with vinyl cushions freshly restored. Swivels, reclines and rolls. Adj...

Carl Cooper (1912-1966) was born in Williamstown, Victoria, Australia.  He was a ceramicist associated with the influential Boyd family and in the mid-1940s he worked with Arthur Merric Boyd and John Perceval at the AMB pottery in Murrumbeena just outside Melbourne. ​Cooper lost the use of his legs from polio contracted in his twenties.  Each day, Arthur Boyd’s brother David would push Cooper’s wheelchair to the pottery. Cooper’s earthenware pieces were incised or painted in designs often influenced by Aboriginal bark paintings...

Very nicely hand turned bespoke wooden bowl, made from Jarrah Wood originating from Australia. Turned by hand, the bowl has a wonderful thick rim to it, giving a very nice chunky ap...

Small granite top bistro table. imported by James Richardson. Seats four. Could work indoors or out. Two available. H 72cm, D 90cm Located ...

We offer an exquisite Aboriginal artwork created by Tjunkiya Napaltjarri (1927-2009) in 2002, sourced from the Papunya Tula Art Center. Her work can be found in the collections of th...

It's the season of wild and exotic leopard prints, so set your interiors free with this glamorous leopard fur pillow. A beautifully designed print, ...

Ghanem Rectangular Dining Table by Daniel Poole Dimensions: D 120 x W 300 x H 74 cm. Materials: American Back Walnut with 10% gloss lacquer. This table includes a certificate of au...

Aluminium Bottle Bracket by Henry Wilson Dimensions: W 4 x D 7 x H 8 cm Materials: Aluminium, Brass, Black Bronze Bottle Bracket is a solid, hand poured form available in dual or si...

Fantastic modern and sculptural wall light by Melbourne based studio Lost Profile. The unique pieces exposed for the Salone del mobile 2018 in Milan, then...

A set of four original Pop Art serigraph (screen) prints by Australian artist Catherine Ford, signed and dated 1974. These can be hung in a pattern or any ...

Add luxe and comfort textures to your interiors by draping this limited edition genuine cashmere fur throw blanket over a chair, sofa or bed. For those cooler evenings, the petite size rust pink fur throw is a great leg warmer whilst indulging in the supreme softness and warmth of this decedent and timeless piece. Fashion dyed in a contemporary rustic pink color the real fur blanket...

Kingston Dining Table by Daniel Poole Dimensions: D 90 x W 240 x H 74 cm. Materials: American Back Walnut with 10% gloss lacquer. This table includes a certificate of authenticity....

Introduce rich and irresistible tactile elements to your decor with this sumptuous pink fur pillow. Featuring a silky wool pile with superior softness, this collection of hand-crafte...

Ghanem Rectangular Dining Table by Daniel Poole Dimensions: D 120 x W 300 x H 74 cm. Materials: American Back Walnut with 10% gloss lacquer and stone. This table includes a certifi...

Caldow Dining Table by Daniel Poole Dimensions: D 110 x W 300 x H 74 cm. Materials: American White Oak with a Walnut Stain and 3% matte lacquer finish. This one is American White O...

Original vintage movie poster for the Australian release of the Japanese science fiction film Godzilla vs. Gigan "The Entire World Gripped by Terror!" (the 12th film in the Godzilla ...

This is an original oil painting by James Northfield. This paining has been signed by James Northfield himself, the painting has been done on board. It was most likely a study. The o...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...