Adirondack Decorative Art

Original oil painting on canvas, Tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water at deep dusk or early dawn. A lone shepherd, seated beneath a tree, watches over his herd of sheep as they make their way down to the water. The tone is relaxed and misty, with softly blurred details and an air of hazy tranquility. William Keith was a Scottish-American painter famous for his plein air California landscapes, characterized by how the landscapes captured feelings and emotions, rather than actual details. He was neither pure Realist nor pure Impressionist. During the 1870s, Keith painted a number of six-by ten-foot panoramas, including "Kings River Canyon" (Oakland Museum, originally owned by Governor Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by famous California landscape painters Albert Bierstadt and Thomas Hill. Keith is associated with Tonalism and the American Barbizon school of painting...

We are delighted to offer for sale this lovely original 17th century Dutch, oil on canvas painting of a noble gentleman. The condition of the oil is very good, the frame is distr...

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

Old Skull Board Old Skull Board/ Life After Life Board è una tavola da skateboard decorativa, disponibile in due varianti colore e con un disegno intarsiato simbolo della continui...

Life After Life Board Old Skull Board/ Life After Life Board è una tavola da skateboard decorativa, disponibile in due varianti colore e con un disegno intarsiato simbolo della con...

A beautifully engaging, darkly nuanced Theotokos of Vladimir Russian icon (or possibly Our Lady of Kazan Icon/Mother of God of Kazan) tempera painting (and possibly gold leaf) on a wooden panel featuring the Madonna (Mother Mary) and infant child (a baby Jesus Christ) in her arms. Theotokos is the term for an Eastern icon...

Fabulous early painting by listed Italian artist Sergio Sarri, Man and Horse, circa 1961 found in its original gilt silver and gold burnish wood frame. St...

Age: mid-century Pile: flatweave Wear Notes: 0 Material: hemp and wool Vintage rugs are made by hand over the course of months, sometimes years. Their imperfections and w...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...