Nude Sculptures on Sale

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

3 standing figures IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 61 × 22 × 17 cm (24 × 8.7 × 6.7 in).   The sculpture is signed and numbered, i...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Vintage signed and numbered art deco sculpture by Erte. Painted Bronze cica 1987.

Inner Energy is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 25 × 20 cm (11.8 × 9.8 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

Terracotta sculpture - Prometheus - Italy, 18th century. 48 x 50 cm x h 94 cm. Entirely in terracotta. - All shipments are free and professionally packed. - This item is sold wit...

Artist: Salvador Dali (1904-1989) Title: Piano surréaliste Year: 1984 Medium: Bronze Edition: 34/350, plus proofs Size: 26.3 x 15.7 x 12 inches Condition: Excellent Inscription: Inci...

OTTO - Opus 348 e OTRA - Opus 349 is a joyful polished and patinated bronze couple of sculptures representing a decomposable male and female bust, realized by the Spanish artist, Berrical Miguel in 1987. This wonderful Contemporary scultures are signed and numbered (the signature and the number of the specimen is inscribed on the hoof). Edition of 999 copies. In excellent conditions. Generally it is combined with the female decomposable nude. Berrical Miguel (Villanueva de Algaidas, 1933 - Antequera, 2006) Berrical Miguel was a Spanish sculptor and artist also known as the puzzle sculptor, due to the particularity of his sculptures. In the first half of the twentieth century the young Berrocal sought his artistic journey by asking himself: "How to awaken the public thanks to a sculpture?". From this reflection comes his personal artistic philosophy and his plastic language that can be summarized in 7 key concepts: scientific inspiration, empty space, disassembly, interactive aesthetics, techniques, multiple. His work was unified by an underlying search for beauty, borne from his study of mathematics and physics early in life. His sculptures, like this one, often consist of interlocking elements known as “component parts” that can be assembled into unique forms within a series of almost identical objects. Working in a wide range of sizes, Berrocal’s pieces could be sometimes very large in scale for public spaces, while other times small enough to be worn as jewelry. The Spanish artist spent much of his life in Verona, Italy because here he discovered a small foundry that allowed him to cast his complex and modular sculptures...

Bronze sculpture by Betty Jacob depicts a smooth and curvaceous gilt bronze figure posing on her knees. Signed high on the left thigh and mounted on a blac...

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

This sculpture is a small replica of Wilhelm Lehmbuck's Kneeling Woman. The original sculpture is much larger at around 69.5 x 56 x 27", currently at th...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

Alabaster temple with Corinthian capitals decorated with swans and flower ornaments. At the centre, a bronze statue representing the Queen Omphale dre...

"Aquatic Dance" is a larger version of Pietrina Checcacci's signature bronze legs. Pietrina Checcacci was born in Taranto, Italy. Currently, she lives in Rio de Janeiro, Brazil. ...

Ritual Canoe Transfer, movement. Germán Consetti proposes works of art as elements for self-knowledge. He unites the formal and aesthetic search in sc...

Charriot Transfer, movement. Germán Consetti proposes works of art as elements for self-knowledge. He unites the formal and aesthetic search in sculpt...

Charming early 1900s alabaster sculpture of a young maiden, seated nude on a stump. This work dates to the period when the artist was active in Italy, during this time Ceccarelli's w...

Ceremonial carriage Transfer, movement. Germán Consetti proposes works of art as elements for self-knowledge. He unites the formal and aesthetic searc...

The Sybil The oracle's mouth is covered, unable to explain anything to you. His whole body is rigidly encased in the block immobilized against his will. Germán Consetti...

Ulysses The heroic traveler, his journey transforms him. Germán Consetti proposes works of art as elements for self-knowledge. He unites the formal an...

All rivers go to the sea. At the bottom of the boat there are only a few traces of dust, vestiges of a long voyage. Germán Consetti proposes works of ...

Seminude alabaster sculpture of a young woman in ancient Egyptian garb, wearing an elongated sash. She stands against a pedestal draped by a rug, similar in style to other works from...

MEL RAMOS (1935-2018) Dita 2017 Cast and polished stainless steel 58 x 33 x 26 cm 22.83 x 12.99 x 10.24 inches Number 29 of 60, Edition of 60 + 6 A.P. Cast signature and number on b...

Gerard Ramon recognizes the influence of the great sculptors, such as Auguste Rodin (1840-1917), and that of his master at the Beaux-Arts, Marcel Gimond. ...

Early 20th C Italian Art Nouveau Alabaster Sculpture of a young female bather. Bather is seated on a stone with arms crossed in a mode...

Numbered 1/8 Cast Fonderie Rocher A fine cast with a vivid green patina of a bird of prey

A fine quality, twentieth-century bronze model of a roaring lioness by Alberic Collin (Belgian 1886-1962). Prior to casting by the Valsuani foundry it w...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

The small bronze statue portays a lady standing, with the arms lifted up while she's holding her long hair. It can be dated to the 30-40 of the 2...

A sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his upper torso is c...

"Pioneer Family," 23 1/2 x 16 1/4 x 10 3/4 inPlaster. c. 1927. Unsigned. Realism The Smithsonian has a cast of this sculpture in its collection. Pictured on the cover of “The Sculpt...

Venus Bronze Sculpture Woman Contemporary Female Nude Sitting Lady The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They ...

Dana Younger's (US based) "Leaning Woman is a original, handmade Bas-relief sculpture on Maple and Niove that depicts a classical Roman depiction of the f...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.

Artist: Kuno Lange, German (1950 - ) Title: Seated Nude Woman Year: 1996 Medium: Bronze Sculpture with Black Patina, signature and number inscribed Edition: 3/9 Size: 17 in. x 18 in....

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

One flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.

SALE ONE WEEK ONLY “Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

"Deux femmes nues ". " naked women " is a ceramic plate signed Masson (underneath ) ." unic piece ". dated 1921 . Andre Masson realized very few works o...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Primarily a figure sculptor in marble and wood, he was born in Russia. In New York City, he studied at the Educational Alliance and Art Workshop and was active in numerous art associ...

2 Sculptures: "The Power" & "The Glory" WPA Depression WWII era mid 20th century by Agnes Yarnall circa 1940s. Sculptor, painter, poet and artistic historian, Agnes Yarnall has, since the age of six been breathing life into her art. Renowned as a sculptor, whose commissioned portrayals of contemporary celebrities are prized. She has sculpted Judith Anderson, Edna St. Vincent Millay, Carl Sandburg...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Inscribed on base, 'W.G.' for Wedo Georgetti (American, 1911-2005) and created circa 1950. Acquired directly from the artist and accompanied by certificate of authenticity. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

Signed 'Lloyd' for Caroline Lloyd (American, 1875-1945) and created circa 1935. Base impressed with foundry stamp, 'C. Valsuani Cire Perdue', for Claude Valsuani Fonderie, Paris. Please note: Video has not been color corrected; for correct color, refer to photographs. Born in Indiana, Caroline Lloyd first studied at the Convent of Notre Dame in Milwaukee. After raising a family, she moved to Paris where she studied under Robert Wierick at the Ecole des Arts Appliqué à l’Industrie and, subsequently, at the Académie de la Grande Chaumière in Montparnasse. In France, Lloyd quickly achieved both commercial and critical success and was made welcome in Modernist artistic circles. She exhibited widely, including at the Salon D'Automne, the Salon des Tuileries and the Salon des Beaux Arts among other Ateliers and galleries. At the Paris International Exposition of 1937, Lloyd was awarded a medal and her exhibited work was purchased by the French government for the permanent collection of the Jeu de Paume...

ANTONIUCCI VOLTI "RECLINGING WOMAN" BRONZE, SIGNED, NUMBERED 2/6 VALSUANI FOUNDRY ITALiAN, WORKED IN PARIS, C.1960 6.5 X 18.5 X 10.5 INCHES Antoniucci Volti 1915-1989 Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France. Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...

Bronze sculpture. Incised artist signature with date and edition. Size includes base. Additional images are available upon request. Certificate of Authenticity is included. Please ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Sculpture Original bronze BELLE en SONGE Wax lost bronze signed on the thigh: N °: 3/8 foundry stamp CHAPON Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance...

A beautiful street art, abstract Mannequin Bust decorated by artist Angel Ortiz. Here we find this stylish bust figure with the artist signature tag...

Sculpture Original bronze BELLE ATTENTE Wax lost bronze signed on the thigh: N °: 2/8 foundry stamp CHAPON Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance...

Magnificent beautiful masterpiece bronze sculpture of lady with the Scottish Deer Hunter dog bronze comes with green patina; 1/10 So beautiful and a lot...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Lost wax bronze 3/8. founder Paumelle. French artist, born in 1954 in Versailles. Lives and works in Paris but also in Lozère (in the south of France) where, as soon as she can, she ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Bronze sculpture with wooden base. Signed and dated under the base. Certificate of authenticity signed by the artist,