Old Masters Art

"Portrait of Emperor Rudolph of Austria (1557-1619)" circle or studio of Josef Heinz the Elder Emperor Rudolph II, born in 1552, was a visionary ruler whose reign as the Holy Roman ...

Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...

Attributed to HUBERT ROBERT (Paris 1733 - 1808) Dancing couple (recto) Various sketches (verso) Red chalk and charcoal on the reverse numbered in pencil “4229” circa 1770 34 x 21 c...

Hendrick ter Brugghen (The Hague 1588-1629 Utrecht) Workshop Violin Player Oil on canvas 72 x 60 cm. Framed 87 x 78 cm. An analysis of the composition and style of this interestin...

18th century old master painting depicting a peaceful countryside scenery at sunset with a fortified town visible in the distance attributed to Franz Paula de Ferg In the present je...

17th century Flemish old master painting depicting a forest landscape with a majestic oak Alexander Keirincx, born around 1600 in Antwerp, Belgium, was a prominent Flemish landscape...

John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...

The Resting Place Dutch School, mid 17th century oil painting on board, unframed canvas: 7 x 9 inches provenance: private collection condition: very good and sound condition

The Clerical Gentleman English School, early 1800's period oil on canvas, framed framed: 41.5 x 34 inches canvas: 36 x 28.5 inches provenance: private collection, England condition: ...

Floral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage...

Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk ...

Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...

Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...

Pair of large and opulent 17th century Flemish floral still lifes by the celebrated artist Gaspar Pieter Verbruggen I Our paintings depict opulent floral arrangements consisting of,...

The Nativity Dutch Old Master, early 1700's period oil on canvas, unframed canvas: 36 x 27.5 inches provenance: private collection condition: very good and sound condition, some scuf...

Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text and signatures as described below. Ref...

Portrait of a Gentleman in Ruff Collar and Robes Dutch School, 18th century oil on canvas laid over panel, unframed board: 28.5 x 24 inches provenance: private collection condition: ...

17th century Flemish old master painting depicting a peaceful countryside scenery of a vast landscape with a fortified town visible in the distance by Lucas Van Uden Lucas Van Uden'...

Portrait of Françoise Marie de Bourbon, Duchess of Orléans as Venus A magnificent painting depicting the princess in all the splendour of her youth, Françoise Marie de Bourbon, known...

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 inches copper: 7.5 x 9.5inches provenance...

The Arcadian View Italian School, circa 1800 Grand Tour subject oil on canvas, unframed canvas : 12 x 16 inches provenance: private collection, UK condition: very good and sound cond...

Let’s come together Let’s learn to love one another Learn to love your brother Learn to love your sister Love your neighbor One eye can’t see One ear doesn’t hear One hand can’t cla...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Print on paper prized antique print "View of Naples" by Friedrich Bernhard Werner.

The Council says; Forget about where you come from As long as you’re a black man You’re an African if you come from Clarendon, Portland, Westmoreland… Don’t mind your nationality Yo...

Christ and the Samaritan woman at the well Attributable to Ludovico Pozzoserrato (Antwerp circa 1550 - Treviso 1605) Oil on the table 37 x 27 cm., In ...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

We are all crying out for peace, But none is crying out for justice. Not just all about peace, But equal rights and justice. It’s a must-have. Slavery then, advanced colonization no...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Jacopo Confortini (Florence 1602-1672) Madonna and Child with Two Angels Oil on canvas 80 x 60 cm./Framed 101 x 81 cm. The proposed painting, datable to around the middle of the 17th century, depicts the Virgin enveloped in a golden glow and reclining on a throne of fluffy clouds, while lovingly supporting the Child on her lap, with two adoring angels...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...

Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-...

Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-...

Artist: Francesco Bartolozzi (Italian, 1727-1815) Title: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartolo...

Circle of Peter Paul Rubens (Siegen 1577 - Antwerp 1640) The Judgement of King Solomon Oil on copper (41 x 49 cm. - with ebonised and gilded wooden frame 58 x 66 cm.) The proposed painting, executed in oil on copper, depicts the biblical episode known as the 'Judgement of King Solomon' and is taken from the Book of Kings, in the Old Testament (I Kings, 3, 16-28). The work is derived from the painting in the Statens Museum for Kunst in Copenhagen depicting the 'Judgement of Solomon', which was largely created by Rubens' workshop with some intervention by the master. The iconography of the painting was certainly made popular by the print made by the Dutch engraver Boetius Adams Bolswert (Bolsward, c. 1585 - Antwerp, 1633) now in the collection of the Metropolitan Museum. The extraordinary critical and illustrative success of the work is certain, of which several replicas and copies exist, preserved in museums and private collections: Delft, Rouen and Coutrai, Liechtenstein in Vaduz and in Seville Cathedral. The prototype for the original Copenhagen painting...

This powerful pen and brown ink wash drawing is a study for an altarpiece depicting The Martyrdom of Saint Bartholomew. Signed and dated 1604, it was painted at the end of his life b...

17th century German portrait of the wine merchant Caspar Roemerskirchen at the age of 26 in 1628, attributed to Gottfried de Wedig This highly decorative portrait depicts the 26 yea...

Titan Fine Art present this exquisite portrait, that formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Reg...

King Charles I British artist, early 20th century signed with initials oil on canvas, framed framed: 36 x 29 inches canvas: 32 x 26 inches provenance: private collection, UK conditio...

Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...

17th century Antwerp school Landscape, animals and stilllife by a pupil of Jan Brueghel the Younger (1601-1678) Figures by a pupil of Frans Francken II Oil on canvas: h. 52,5 cm, w. ...

Flemish painter of the 16th-17th century The Annunciation Oil on canvas 844 x 33 cm./ in frame 63 x 52 cm.) The work presents itself with a canonical iconographic and stylistic scheme, with the Archangel Gabriel devoutly delivering the supreme annunciation to the Virgin child, although there are some details that make the composition very interesting. Entering into the details of the study of the painting, of excellent workmanship, we can immediately appreciate a style rooted in the Flemish tradition, recognising in the compositional layout strong references to the great masters of the Renaissance such as Jan van Eyck, Rogier van der Weyden, Dieric Bouts and Hans Memling...

Hans (or Johann) von Achen (Cologne 1552 - Prague 1615) workshop Adoration of the Shepherds Oil on canvas 112 x 90 cm./ Framed 125 x 102 cm. The painting that we are happy to prese...

Josephus Augustus KNIP Tilbourg 1777 - Berlicum 1847 Picturesque landscape of the Alps with anthropomorphic rock Circa 1800 Watercolor, gouache and brown ink Signed lower left 47 x ...

Titan Fine Art present this striking portrait, which was painted by one of the most talented artists working in England during the last half of the 17th century, John Greenhill. Gre...

This painting is reproduced in the reference book on Roman still life "Pittori di nature morta a Roma - artisti italiani 1630 -1750" by Gianluca and Ulisse Bocchi - Arti Grafiche Cas...

English painter (18th century) - Horses at the river. 53 x 70 cm without frame, 67 x 86 cm with frame. Antique oil painting on wood, in a carved and gilded wooden frame. Condition...

Titan Fine Art present this accomplished work, from Kilcooley Abbey, Co Tipperary, Ireland. It portrays a gentleman traditionally known as the English military commander and politic...

The attribution to Jan de Bisschop has been confirmed by the RKD with the following comment: "We base this attribution on the dark washes, the subject represented and the monogram". ...

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...

Follower of FRANCESCO MAZZOLA, known as IL PARMIGIANINO (Parma, 1503 - Casalmaggiore, 1540) Cupid Carving His Bow (as the triumph of love and desire over reason and knowledge) Oil o...

‘St. James’ Day’ by Richard Morton Paye (1750-1820). This very large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s ev...

Artist: Oriental School, 18th century Title: Chinoiserie scene, figures fishing by a pond Medium: oil painting on canvas, unframed canvas: 29.25 x 52.25 inches Provenance: from a pri...

S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From...

17th century Dutch old master painting "A summer day in Kleve in 1661" Our painting depicting a whimsical vibrant blue sky, was long believed to depict an Italian landscape. However, during archival research, an old identification referring to the city of Kleve emerged. Further research led to discovery of a very similar structure on a painting by Jan van der Heyden of Cleves from the vantage point of the Mühlberg. Gerrit Berckheyde was born on June 6, 1638, in Haarlem, a bustling city in the Netherlands during the Dutch Golden Age. He was raised in a time of significant cultural and economic prosperity, which greatly influenced his artistic development. Berckheyde's passion for painting emerged at a young age, and he began his artistic journey under the tutelage of his older brother, Job Berckheyde, who was also a skilled painter. Under Job's guidance, Gerrit honed his skills and developed a keen eye for detail and composition. He showed a particular interest in capturing urban landscapes, drawn to the bustling streets and architectural marvels of cities like Haarlem and Amsterdam. Berckheyde's early works often depicted scenes of daily life, marketplaces, and cityscapes, reflecting the vibrancy and energy of Dutch urban centers. As Berckheyde matured as an artist, his style evolved, becoming more refined and sophisticated. He perfected his technique of rendering architectural elements with remarkable precision, paying close attention to perspective, light, and shadow. His paintings exuded a sense of realism and authenticity, transporting viewers to the heart of bustling city streets and market squares. Berckheyde's talent and artistic vision soon gained recognition, earning him commissions from prominent patrons and collectors. His works became highly sought after, not only for their aesthetic appeal but also for their historical significance. Through his paintings, Berckheyde documented the urban landscape of his time, preserving a visual record of Dutch society during the 17th century. Today, Berckheyde's paintings can be found in renowned museums and art collections around the world. In the Netherlands, his works are prominently displayed in institutions such as the Rijksmuseum and the Mauritshuis, where they continue to captivate audiences with their beauty and historical insight. Internationally, examples of his art can be seen in museums like the Metropolitan Museum of Art in New York City and the National Gallery in London, where they contribute to the rich tapestry of Dutch Golden Age painting. Gerrit Berckheyde's legacy as a master of Dutch cityscape painting...

Paolo De Matteis (Naples, 1662 - Naples, 1728) attributed to Christ Delivering the Keys to St. Peter (Handing over the Keys) Oil on canvas 88 x 138 cm./ Framed 98 x 149 cm. The pro...

Portrait of a Lady (female saint?) Italian School, 17th century oil on copper, framed frame: 9 x 8 inches board: 5 x 4 inches provenance: private collection condition: very good and ...

Pair of scagliola sculptures - Roman figures. Italy, 19th century. 51 x 26 x h 118 cm (left) - 41 x 28 x h 118 cm (right). Entirely in scagliola. Condition report: In good general...