Babs Haenen Art

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Aya Mori was born in Aichi Prefecture in Japan in 1989, and lives and work in Aichi. She studied at Aichi University of Education and completed her M.F.A. in 2014 under her mentor, Harumi Nakashima. Currently she works as a part‐time lecturer at Nagoya Zokei University of Art & Design, Aichi, Japan. Her large works were exhibited and became permanent in the collection at Minneapolis Institute of Art, Minneapolis, MN, U.S.A. Recent exhibitions include New Taipei City Yingge Ceramics Museum, New Taipei-city, Taiwan; Duane Reed Gallery...

Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...

Takuro Kuwata 桑田卓郎 Shino Bowl with golden and kairagi glaze

Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

My work explores transformation using the kiln as a vehicle for deconstruction. The porcelain grid systems become an architecture over which to stretch a fluid skin that warps or col...

Sam Chung Cloud Moon Jar, 2023 porcelain, overglaze, glaze 17" x 16.5" x 15.5" The moon jar is one of the most iconic ceramic forms in Korea – revered for its simple, austere beau...